Fresh Start

John Carney’s follow-up to his 2006 hit Once is similarly slight and caramel-hearted, but it made
me a new fan of things I thought I was over: New York, popular music and Keira Knightley. And unlike Once, Begin Again isn’t in love with hopeless pathos.

The film opens with wooly old A&R man Dan (Mark Ruffalo) at the end of a day spent drinking away his career. At a nightclub, he hears a singer-songwriter named Greta (Keira Knightley), who has been pressured by a friend into performing a song. Greta is a visiting Londoner who’s recently been dropped fast and from a great height as the former consort and collaborator of a world-famous rocker played by Adam Levine of Maroon 5.

Together, Dan and Greta try to heal their own demoralization, working from the ground up. Using a portable studio and New York ambient locations, they make their own demo.

It’s rare in 2014 to see a film with even one determined woman in it, and Begin Again has three: Catherine Keener as Dan’s estranged wife; Hailee Steinfeld, believably fierce as Dan’s angry daughter; and Knightley. Posh and brittle, the too-perfect-looking Knightley shows an aspect of appealing crumbliness as she hits 30.

Begin Again had me at the late-night scene where Greta drunk-dials Dan with a song she’s written titled “Like a Fool,” and the song’s good—Carney is himself enough of a musician to know the difference between something distinctive and popular audio oatmeal.

Like Jersey Boys, Begin Again doesn’t go inflationary about how wowed we’re supposed to be by this music. During the scrappy recording sessions, shot in well-picked, Brooklyn and Manhattan locations, rooftops and alleys, what we hear is a sound, not the sound.

‘Begin Again’ opens July 11 at Summerfield Cinemas. 551 Summerfield Road, Santa Rosa. 707.522.0712.

Free Bird

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It’s a good thing Rich Robinson has never let a little thing like fame get in the way of doing what he loves most: making music.

He achieved an intoxicating level of fame at the tender age of 21 when he formed the Black Crowes in 1984 with brother and snake-hipped, swaggering collaborator Chris Robinson.

In 1990, the band signed with Def Jam Records and released the hit “Shake Your Money Maker. ” A career hell-bent on classic, Southern/electric/blues/rock was born. Songs such as “Hard to Handle,” “Remedy” and “Sometimes Salvation” propelled the band into headliner status. After releasing the 2001 album Lions, the Black Crowes went on an indefinite hiatus.

After a brief respite from the spotlight, Robinson, playing every instrument except drums, released his first solo project, titled Paper, in 2004. The Crowes reformed for a short while, releasing several albums, but went back on to-be-determined status in 2009.

Now Robinson seems to have finally found his niche in the recently released solo album The Ceaseless Sight. He showcases the cumulative efforts that a life devoted to music can produce. He remains true to his Southern roots, while still extolling the sublime virtues of the humble electric guitar.

If you’re a Robinson fan, enter to win tickets to an exclusive meet-and-greet party hosted by the Bohemian. Visit the deals and giveaways page on www.bohemian.com for details.

Rich Robinson plays Saturday, July 19, at the Uptown Theatre, 1350 Third St., Napa. 8pm. Tickets, $20–$30. 707.259.0123.

Welcome to Gun Country

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What a country we live in: In open-carry states, a mostly white group of chubby second amendment “gundamentalists” have taken to carrying actual assault weapons into retail and fast-food outlets with not much pushback from police, while in California, a 13-year-old Latino kid gets shot and killed by police while openly carrying a toy gun in a semi-rough Santa Rosa neighborhood. Meanwhile, there’s a school shooting practically every week—and thus the battle lines are drawn between arming everybody and, gee, how about some sane gun laws?

Indeed, the Andy Lopez shooting last October has highlighted numerous disconnects in how American society is utterly failing to deal with unpredictable and sometimes foolhardy behavior by teens, within a larger edgy framework of school shootings and in a country that has clearly gone quite nuts over gun rights.

Sonoma County District Attorney Jill Ravitch entered the firearms firestorm this week as she took a pass on charging Sonoma sheriff’s deputy Erick Gelhaus with any crime in connection with the fatal 2013 police shooting of Lopez, who was shot by Gelhaus, an Army veteran, while carrying a replica AK47 in broad daylight.

Against a backdrop of lone-nut school shootings by mostly young white men of a certain disposition (angry, weird and relatively well-off), and within the larger national argument over gun rights in open-carry states, the Lopez shooting flatly underscored the limits of gun possession as a means of self-expression—what’s good to go at a Target in Texas is a total no-go in a poor and Latino Santa Rosa neighborhood.

Ravitch’s decision came after months of speculation and angry charges leveled at her office that she was slow-rolling the investigation of the October shooting out of a concern for her June electoral prospects. Yet Ravitch made quick work of her opponents in winning another term as district attorney.

The 52-page public report issued by Ravitch sheds some light into the great lengths she went to investigate the shooting free of political pressure, no small feat in a city that has been on edge for months, with activists vociferously demanding justice for Lopez and criminal charges against Gelhaus.

There’s two rough through-lines animating the Ravitch report: It emphasizes the obvious tragedy of a young man’s death, and signals empathy by repeatedly calling him “Andy,” even as the report essentially lays out an argument that Lopez played a major role in the events that led to his death.

Did Lopez “deserve” to die for disobeying police orders to drop the fake weapon?

Of course not!

But numerous John and Jane Doe witnesses contacted by police and investigators after the shooting corroborated Gelhaus’ version of the incident—in particular, the critical moment where Gelhaus and his partner Michael Schemmel told Lopez, twice, to drop the weapon he was carrying.

Instead of complying with the police order, the report says Lopez inexplicably turned to face the officers, and that as he did so, the barrel of the replica weapon started to rise, as though Lopez was prepared to shoot at the police. Gelhaus said he feared for his life, his training kicked in, and he shot at the teen eight times, hitting him with seven bullets fired over about two seconds.

There were a couple other key junctures, Ravitch argues in the report, where the entire episode could have been defused without bodily injury or death:

One John Doe witness told police he had warned Lopez from his car, moments before the fatal encounter, to drop the weapon because the police were right behind him, in a marked cruiser. Lopez ignored him and continued walking down the street.

The Lopez friend who gave him the replica weapon, John Doe #2, worried that the orange plastic muzzle-tip wasn’t on the gun anymore—and says he warned his friend about it. According to the report, John Doe #2 told a police officer, “he felt responsible for Andy’s death because he allowed Andy to borrow the gun even though the orange tip of the barrel was broken off, making it look real, although he’d told his friend not to take it since it was broken.”

And, the report notes that Lopez’ judgment may have been impaired because of the marijuana he smoked within 90 minutes of getting shot.

But it’s also true that Lopez was simply victimized by a “wrong place, wrong time” set of social constructs now wrenching at the core of American society—in particular, the rise of the angry and armed young man hell-bent on some kind of justice against a world that done him wrong.

One of the investigators hired by Ravitch, William Lewinski, noted in the report, tellingly, that “it is unfortunate that the single largest threat facing police officers today and the highest demand for police training is responding to the threat of an active shooter. Law enforcement may be more aware today than [any] other time in history of the threat from the lone, young man with a gun or a knife.”

D.A: No charges for Gelhaus

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After months of rumors and bitter controversy around the 2103 Andy Lopez shooting in Santa Rosa, Sonoma County District Attorney Jill Ravitch announced Monday that she would not pursue criminal charges against Sonoma sheriff’s deputy Erick Gelhaus. The announcement came against the backdrop of a protest that had already been planned at Ravitch’s office on Tuesday.

With Ravitch’s decision today, that protest is definitely and obviously moving forward, says activist Mary Moore, who is part of the Justice Coalition for Andy Lopez.

Gelhaus shot and killed the teenage Lopez last October in the unincorporated Moorland Avenue area south of Santa Rosa after a very brief encounter with the child, who was shot while carrying a toy assault weapon that had its orange safety tip removed from the muzzle, rendering the toy difficult to distinguish from an actual weapon.

Ravitch, who was was re-elected to her post in June, told reporters at a Monday press conference that Gelhaus made an understandable split-second decision that fateful day. “While it was an absolute tragedy, it was not a criminal act,” Ravitch told reporters at a press conference Monday.

Ravitch told reporters that she personally reviewed the facts of the case and that “the loss of this young life is a loss for us all.”

She said she personally went through the facts of the case that led her to take a pass on charging Gelhaus.

She said the youth was walking with the toy gun, barrel-down, when officers pulled up behind him. The officers, she said, told Lopez twice to drop the gun, and says a witness testimony bore out that claim.

Lopez turned, and as he did, the barrel rose, Ravitch said.

Gelhaus then fired eight shots from his service revolver, seven of which hit Lopez. Gelhaus was placed on restricted duty as Ravitch reviewed the facts of the case.

Naturally, the parents of Andy Lopez were not happy with the outcome today. Nor the Justice Coalition for Andy Lopez, which planned a Roseland meeting for later in the day Monday to figure out what the group’s next move is, beyond the Tuesday protest.

An outraged Moore says she’s not sure what the group’s options are, other than to “yell at the top of our lungs,” or elect better politicians. Or, get the Department of Justice interested in the civil rights of Andy Lopez, she said.

Ravitch’s slow-roll on the decision to charge or not charge Gelhaus raised eyebrows on several occasions.

A few times in recent months, rumors were floated and batted back that a decision from Ravitch was imminent. Lopez activists were eventually convinced she wouldn’t render a decision on Gelhaus until after the June 2 election, which Ravitch won handily.

Yet the District Attorney’s office appears to have jumped its own gun in announcing the Gelhaus decision today.

Moore says the D.A.’s office sent out an email Monday morning that said Ravitch wouldn’t be pressing charges against Gelhaus. Moments later, a second email went out, to the effect of: Forget that last one, it wasn’t supposed to get sent.

But reporters had already leapt to the story. A press conference was scheduled for 2 pm today, and a weary-looking Ravitch released a 52-page public statement explaining her decision. She couldn’t say that the investigation was “extensive and exhaustive” enough times for reporters and note that, “historically, the DA doesn’t release reports this detailed to the public.”

“Obviously we are deeply disappointed,” says Moore, who adds she was surprised that Ravitch made her announcement today, given the Tuesday protest had already been planned.

“Why would she make it so easy for us by putting it out today?” Moore wondered. “When I first heard this, I thought maybe she would indict. They really goofed—and then they drew attention to their goof.”

The City of Santa Rosa issued a statement Monday afternoon calling for calm in the streets: “We hope our community can come together to keep everyone safe, in particular our young people who were so deeply effected.”

July 3: Ernest Ranglin at 19 Broadway

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Born in 1932, guitar master Ernest Ranglin defined the style of ska and reggae, specifically the signature upward stroke that creates the sound. The Jamaican guitarist got his start as a session musician before moving on to composing and eventually becoming the music director at various Jamaican record labels. Now in Jamaica’s Music Hall of Fame, Ranglin has played alongside iconic figures like Bob Marley and Thelonious Monk, and at age 82 has just released his latest album, Bless Up, to widespread acclaim. This week, Ranglin appears with his band Avila on Thursday, July 3, at 19 Broadway Club.
19 Broadway Blvd., Fairfax. 8pm. $20—$25. 415.459.1091.

July 6: Bill Frisell at City Winery

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Celebrated guitarist Bill Frisell was born one year after his instrument of choice, the Fender Telecaster. A leading figure in jazz since he came on the scene 30 years ago, Frisell has long been inspired by the eclectic, instrumental music that he grew up around, often with the solid-body guitar front and center. Frisell celebrates this music from the ’50s and ’60s when he presents his “Guitar in the Space Age” showcase this weekend. He plays with fellow guitar master Greg Leisz on electric and pedal steel guitars and his trio partners, Tony Scherr and Kenny Wollesen, on bass and drums on Sunday, July 6, at City Winery. 1030 Main St., Napa. 8pm. $25—$35. 707.226.7372.

July 6: Blues Defenders at Twin Oaks Tavern

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If you’ve driven through Penngrove in the last month, you may have noticed the sounds of table saws and the smell of sawdust. That’s because the town’s popular Twin Oaks Tavern has been busy building an outdoor patio. Opening in time for the long days of July, the new deck is the spot for the aptly named Summer Patio Music Series, with hot local bands offering a fresh breeze of jams. This weekend, the patio hosts two shows, with Soul Section playing on Saturday, July 5, and the Blues Defenders cooking it up on Sunday, July 6, at Twin Oaks Tavern. 5745 Old Redwood Hwy., Penngrove. 5pm, both days. Free. 707.795.5118.

July 5: Paper Dolls at Ruth McGowan’s Pub

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The toe-tapping, ukulele-strumming duo of the Paper Dolls have been singing their delightful harmonies together for over 15 years. The pair of Uni and Em Doll, aka Heather Marie Ellison and Emily Schmidt, began singing together in and around Sonoma County as part of the Savoy Singers before Ellison moved to L.A. and put the duo on hiatus. Once she returned to the Bay Area, the Paper Dolls were formed with the two mixing up little strings and big voices and taking their tunes to the streets. This week, the Paper Dolls play on Saturday, July 5, at Ruth McGowan’s Pub. 131 E. First St., Cloverdale. 6:30pm. Free. 707.894.9610.

Live Review: Judy Collins and Santa Rosa Symphony at Green Music Center

American songstress Judy Collins knows how to celebrate America’s birthday: Sing, sing sing.
July 4 was full of patriotic mainstays at Sonoma State’s Green Music Center, with songs that celebrated both the country and Collins’ long career. Her touch on the Cole Porter songbook brought tingles of nostalgia to the crowd, and a John Denver medley was superbly arranged and executed. The show-stopping Sondheim classic, “Send in the Clowns,” the song Collins is perhaps best known for, was nothing short of marvelous.
“I said, ‘I want to do this song,’” she recalls telling her manager upon hearing it. “He says, ‘It’s been recorded 200 times already,’ and I told him I don’t care.”
Even at 75, Collins’ voice still has a good amount of power. The Santa Rosa Symphony kept up with her and her piano accompanist, but took a well deserved break during an a cappella rendition of “This Land Is Your Land.” The lawn patrons were less enthusiastic with the sing-along, perhaps because it was not as loud in the back of the sloped grass as inside the main hall.
The relaxing atmosphere is really the best way to experience a concert like this one; it’s relaxing to be able to lay back, watch the clouds and enjoy food and drink while tuning in and out of the concert. Intensive listening can be exhausting after a couple hours, and the casual setting provided perfect respite during Collins’ storytelling breaks between songs, which took up about one-third of the show.
The fireworks went off without a hitch this year, a welcome change from last year’s celebration at the GMC, when the light show was cancelled due to a technical difficulty. This year’s production was only marred by unusual July fog, but the explosions were still invigorating and loud enough to rattle ribcages.

Chris Isaak Performs at Rodney Strong

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He’s got a winning smile and a wicked voice, and this month Chris Isaak shares both with the North Bay. The Stockton-born, Roy Orbison-obsessed songwriter is best known for his definitive song, “Wicked Game,” and for his appearances in cult classic movies. Now, Isaak brings his award-winning croon to the Wine Country, performing at Rodney Strong Vineyards on Sunday, July 13 at 4pm. Tickets are still available, grab them before they go.

Fresh Start

John Carney's follow-up to his 2006 hit Once is similarly slight and caramel-hearted, but it made me a new fan of things I thought I was over: New York, popular music and Keira Knightley. And unlike Once, Begin Again isn't in love with hopeless pathos. The film opens with wooly old A&R man Dan (Mark Ruffalo) at the end of...

Free Bird

It's a good thing Rich Robinson has never let a little thing like fame get in the way of doing what he loves most: making music. He achieved an intoxicating level of fame at the tender age of 21 when he formed the Black Crowes in 1984 with brother and snake-hipped, swaggering collaborator Chris Robinson. In 1990, the band signed with...

Welcome to Gun Country

How do we make sense of gun laws and attitudes in the U.S.?

D.A: No charges for Gelhaus

After months of rumors and bitter controversy around the 2103 Andy Lopez shooting in Santa Rosa, Sonoma County District Attorney Jill Ravitch announced Monday that she would not pursue criminal charges against Sonoma sheriff’s deputy Erick Gelhaus

July 3: Ernest Ranglin at 19 Broadway

Born in 1932, guitar master Ernest Ranglin defined the style of ska and reggae, specifically the signature upward stroke that creates the sound. The Jamaican guitarist got his start as a session musician before moving on to composing and eventually becoming the music director at various Jamaican record labels. Now in Jamaica’s Music Hall of Fame, Ranglin has played...

July 6: Bill Frisell at City Winery

Celebrated guitarist Bill Frisell was born one year after his instrument of choice, the Fender Telecaster. A leading figure in jazz since he came on the scene 30 years ago, Frisell has long been inspired by the eclectic, instrumental music that he grew up around, often with the solid-body guitar front and center. Frisell celebrates this music from the...

July 6: Blues Defenders at Twin Oaks Tavern

If you’ve driven through Penngrove in the last month, you may have noticed the sounds of table saws and the smell of sawdust. That’s because the town’s popular Twin Oaks Tavern has been busy building an outdoor patio. Opening in time for the long days of July, the new deck is the spot for the aptly named Summer Patio...

July 5: Paper Dolls at Ruth McGowan’s Pub

The toe-tapping, ukulele-strumming duo of the Paper Dolls have been singing their delightful harmonies together for over 15 years. The pair of Uni and Em Doll, aka Heather Marie Ellison and Emily Schmidt, began singing together in and around Sonoma County as part of the Savoy Singers before Ellison moved to L.A. and put the duo on hiatus. Once...

Live Review: Judy Collins and Santa Rosa Symphony at Green Music Center

American songstress Judy Collins knows how to celebrate America’s birthday: Sing, sing sing. July 4 was full of patriotic mainstays at Sonoma State’s Green Music Center, with songs that celebrated both the country and Collins’ long career. Her touch on the Cole Porter songbook brought tingles of nostalgia to the crowd, and a John Denver medley was superbly arranged and...

Chris Isaak Performs at Rodney Strong

He's got a winning smile and a wicked voice, and this month Chris Isaak shares both with the North Bay. The Stockton-born, Roy Orbison-obsessed songwriter is best known for his definitive song, "Wicked Game," and for his appearances in cult classic movies. Now, Isaak brings his award-winning croon to the Wine Country, performing at Rodney Strong Vineyards on Sunday,...
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