Standing Together

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On Sunday, Nov. 6, in Redwood Valley, one of two small Mendocino County towns where the Russian River’s headwaters spill from the southern Mendocino Range mountains, cars overflowed the parking lot at the local grange and lined rural East Side Road in both directions. Several hundred people had gathered to listen to activists report back from Standing Rock where they had stood in solidarity with Native American tribes known as Water Protectors who oppose the Dakota Access Pipeline.

One such speaker was Jassen Rodriguez, a member of the Mishewal Wappo, whose ancestral lands include much of Sonoma, Napa and southern Lake counties. He had just returned from a three-week sojourn to Standing Rock.

Rodriguez had stayed at Oceti Sakowin, or Seven Council Fires, an encampment named for the seven bands of the Sioux people where a ceremonial fire has remained burning for many months. Elders at Standing Rock had granted Rodriguez the responsibility of tending the sacred fire on behalf of the entire camp, and he choked back tears as he recounted the experience. Tears also moistened the eyes of many audience members as he spoke.

“It was the greatest honor of my life,” Rodriguez says. “It was an incredible blessing. The entire experience was a spiritual awakening.”

STANDING TOGETHER

Opposition to the Dakota Access Pipeline has galvanized support from all over the world. Constructed mainly by Fortune 500 company Energy Transfer Partners, the pipeline originates in the Bakken oil patch and traverses North Dakota, South Dakota and Iowa, and ends in Illinois, linking to transmission routes to the East Coast and Gulf Coast.

For several months, indigenous people, environmentalists and Great Plains residents have protested the project because it threatens water quality and myriad sacred sites of the Standing Rock Sioux. It will also contribute to the global climate crisis.

The movement against the pipeline has touched deep into the heart of indigenous communities in Northern California. Hundreds of people from the North Bay and North Coast, indigenous and non-indigenous alike, made the trek to the area of wind-swept prairie where the Cannonball and Missouri rivers meet.

On Dec. 4, the Standing Rock resistance achieved a major breakthrough when the Army Corps of Engineers denied Energy Transfer Partners’ request for an easement to build the pipeline beneath the Missouri River, requiring a full environmental impact statement before that part of the project can proceed.

Local support has manifested through fundraisers, rallies and ceremonies. Earlier this month, more than 500 people marched through downtown Santa Rosa to the beat of traditional drums. More than 600 people attended a November fundraiser in Sebastopol, with hundreds also turning out for events in Mendocino, Lake and Humboldt counties.

Windsor resident and substance-abuse counselor with Sonoma County Indian Health Adam Villagomez, who is Dakota Sioux and Chippewa, has been at the forefront of Sonoma County’s support efforts for Standing Rock. He traveled with his wife and
three sons there in the week preceding Indigenous People’s
Day, otherwise known as
Columbus Day.

Villagomez says that Standing Rock is only the leading edge of a much larger spiritual and political phenomenon that involves recognition of indigenous sovereignty, water protection and climate-change activism.

“Standing Rock is a spark that ignited fires in many people, which are going to grow and spread as people continue to bring the same spirit home to their communities,” he says.

POLICE VIOLENCE

The protests at Standing Rock first started making headlines in August. Much of the attention focused on the police’s brutal treatment of protesters. With North Dakota’s Morton County Sheriff’s Department in the lead, police used high-powered water hoses, dogs, rubber bullets, sonic weapons, pepper spray and tear gas against the Water Protectors, who resisted efforts to move
them out.

The level of force and the militarized appearance of the police captured national headlines partly because they were out of proportion to the physical threat posed by the activists. Brandy Toelupe, a lawyer for the National Lawyers Guild, helped file a lawsuit against the sheriff and other police agencies for using excessive force.

“From the beginning, governments have used their latest technologies to take land and resources from native nations and oppress indigenous peoples,” she says. The Morton County Sheriff’s Department’s “actions make it clear that nothing has changed.”

In late November, a demonstration outside of the Oceti Sakowin camp called attention to a police barricade that prevented emergency services vehicles and other traffic from accessing the Standing Rock Sioux Reservation’s northern access route since late-October. A line of riot police responded by firing concussion grenades and rubber bullets, and drenched hundreds of people with high-powered water hoses amid freezing temperatures.

I stood on or near the Blackwater Bridge on Highway 180—the center of the action—for several hours that night. People wielded plywood and galvanized aluminum roofing shields to protect themselves and their comrades from the rubber bullets. Many sang their culture’s traditional songs as expressions of prayer-filled defiance. The pungent smell of tear gas periodically filled the air, mixing with the more persistent smell of vomit produced by the tear gas.

Sometimes, the police directed the rubber bullets at people’s faces and chests. Cars transporting volunteer medics periodically parted the sea of people on the bridge. By night’s end, the police had wounded more than 150 unarmed individuals. Yet people kept streaming to the frontline of the action. The chaotic scene lasted for more than six hours.

A 21-year-old woman whose arm was nearly torn off by an explosive grenade is still undergoing multiple surgeries as of this writing, and faces permanent disability. Another protester was shot in the eye, leading to possible blindness.

Among those on the frontline that night was Loren Lincoln, a Wailaki from the Round Valley Indian Tribes in northeastern Mendocino County, California’s largest reservation. He first traveled to Standing Rock immediately after private security guards in Energy Transfer Partners’ employ set dogs on protesters, severely wounding several.

“Fortunately, the bullets whizzed past me out here,” he says. “I was one of the lucky ones.”

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The police’s brutal assault on unarmed Water Protectors pricked the conscience of the nation. Certainly, it led to far greater scrutiny from the mainstream media and members of the national political establishment. Meanwhile, the mood at the Oceti Sakowin camp tangibly changed. Despite being shaken by their experience, many people’s sense of pride and determination seemed only to have increased.

North Dakota law enforcement agencies have claimed that they are merely defending the pipeline’s right-of-way owners from an intrusion on their right to use their property on their own terms, and that the areas of construction they are guarding have been legally permitted by state and federal agencies.

COMMON CAUSE

On Nov. 28, U.S. Reps. Jared Huffman and Raul Grijalva, D-Tucson, sent a letter to President Obama requesting an immediate meeting to “demand accountability for [the] alarming treatment of Water Protectors and peaceful demonstrators at the Dakota Access Pipeline in North Dakota.”

A reason for Huffman’s role in the letter may be the large number of North Coast people who have traveled to Standing Rock, and the growing political strength of indigenous people in his district. Lincoln says that indigenous people are accustomed to brutal treatment from the police. The Round Valley Reservation received national media attention in 1996 after the Mendocino County Sheriff’s Office was found to have subjected local natives to brutal treatment following a shoot-out between police and a young native man.

“We deal with basically the same kinds of things where I’m from,” Lincoln says. “My experience of growing up on the reservation is what has given me the instinct to come fight for all indigenous people who are part of this struggle.”

For many California native people, the resistance at Standing Rock has helped draw parallels to their struggles at home. Because indigenous cultures are inextricably linked to the lands they have historically inhabited, their survival necessarily depends on preserving those lands, which face numerous threats at any given time.

In California and beyond, contemporary indigenous people are engaged in battles over mineral rights, water rights, federal recognition, honoring of treaties, repatriation or honorable treatment of sacred sites, healthcare, language preservation and other challenges.

As in Standing Rock, recognition of indigenous sovereignty and environmental protection are inextricably linked. Largely owing to some of these tribes’ long struggle to maintain federally acknowledged fishing rights, for example, the Klamath and Trinity rivers region is home to the largest population of wild salmon of any river system in California, not to mention one of the healthiest populations of steelhead trout in the lower 48, and perhaps the world’s most abundant green sturgeon population, although all of these fisheries are in a steep decline.

Dozens of indigenous people from the Klamath Basin traveled to Standing Rock. “We’re out here in Standing Rock talking about our struggles in the Klamath, and about how nonviolent direct action has changed our world,” the Hoopa Valley Tribe’s Dania Colegrove told supporters at an event in Arcata in September.

Jim Browneagle, an Elem Pomo traditional cultural leader from Lake County, traveled to Standing Rock with a contingent of Pomo people in October. He too notes the similarities between the struggles for treaty recognition in California and North Dakota.

The Dakota Access Pipeline skirts around the Standing Rock Sioux reservation land by about a half-mile. The Sioux point out that the land rightfully belongs to them under the terms of the 1868 Fort Laramie Treaty, and that the land was later seized without their consent.

As Browneagle notes, the U.S. negotiated 18 treaties with California’s 500 native nations in California, setting aside roughly 7.5 million acres of land as reservations within the then-new state’s boundaries. One of these treaties set aside much of the land around Clear Lake for exclusive use and occupancy by Pomo peoples. The U.S. Senate refused to recognize the treaties, however, instead taking the unique step of having these documents placed in secret files.

Since returning home, Browneagle has given a number of presentations about Standing Rock, such as one he and his daughter gave to the Lake County Judges Association earlier this month. He notes that low-income communities of color are overwhelmingly more likely to live near pollution sources or suffer adverse impacts from resource exploitation. For example, the Dakota Access Pipeline was originally slated to cross the Missouri River north of Bismarck, North Dakota’s capital city.

Due to concerns about contamination of the city’s water supply, it was rerouted to cross the Missouri River at Lake Oahe, the sole water supply for the Standing Rock and Cheyenne River Sioux tribes and thousands of other people.

Again, Browneagle’s own people are a case in point. The Elem Pomo’s 50-acre rancheria is adjacent to the Bradley mercury mine near Clearlake Oaks, a site formerly on the EPA’s Superfund list of the most contaminated locations in the country. The mine began operations in 1871 and was among the nation’s most productive mercury mines during WWII, feeding the demand for quicksilver detonators in munitions.

But the mine also contaminated the Elem’s land and water with prodigious amounts of methyl mercury tailings, compounds Browneagle says caused premature deaths, birth defects, cancers and deformities among tribal members. It forced the tribe to abandon its ancient subsistence fishing culture in the 1970s after the fish became contaminated far beyond levels fit for consumption.

“Ultimately, everyone in this area is impacted by the pollution, but we as native people are on the frontline of it, just like at Standing Rock,” Browneagle says. “As Standing Rock has shown, though, we can’t fight this kind of battle on our own. We have to unite our communities.”

Windsor’s Adam Villagomez agrees.

“In Indian country, people have been dealing with these issues for a while,” he says. “So when the call was put out, there was a massive amount of people who came from Northern California tribes.

“As far as the non-native community goes,” he adds, “this is the most support we’ve seen as Native Americans.”

[page]

FOSSIL FUEL FIGHT

The Standing Rock struggle did not emerge in a vacuum. In recent years, movements against fossil-fuel extraction have helped revive and, to some degree, reinvent North American environmentalism, with indigenous people frequently at the forefront.

There has been strong opposition to nearly any infrastructure project associated with the Alberta tar sands and Keystone XL pipeline, along with widespread resistance to new coal infrastructure and extraction techniques such as fracking and acidization.

Some campaigns have succeeded by targeting the fossil-fuel industries’ greatest Achilles heel: shipping. Three of the largest and potentially most lucrative fossil fuel sources in North America—the Alberta tar sands, the Powder River coal basin and the Bakken oil shale basin—are located in the middle of the continent, far away from refineries, processing plants and shipping hubs. In effect, they are landlocked.

Grassroots opposition to Keystone XL led President Barack Obama to veto the project in 2015. And opposition by some of the most systematically disenfranchised people in North America—western Canada’s indigenous people—was the main obstacle to the completion of the equally massive Northern Gateway pipeline.

An indigenous-led encampment protesting the Keystone XL pipeline also took place in 2013–14 at the Rosebud Sioux Reservation in South Dakota, a little over a hundred miles from Standing Rock. Bob Gough, a longtime resident of the Rosebud Reservation, said the Keystone fight had given indigenous people in the area “something to rally around, especially younger people here.”

A PROPHECY FULFILLED

From the perspective of many indigenous people at Standing Rock, their role in opposing fossil-fuel extraction marks another chapter in a struggle that has lasted for more than 500 years. For many, it is also part of a spiritual awakening and revitalization of traditional culture that was foretold generations ago.

On Dec. 29, 1890, the 7th Cavalry Regiment massacred around 300 Lakota children, women and men near Wounded Knee, S.D., in what many historians see as the grisly final chapter in America’s Manifest Destiny period. The massacre symbolized to the Lakota the shattering of the Sacred Hoop, the traditional circle of the Oceti Sakowin, representing the unity of the Seven Council Fires of the Lakota Nation.

“My understanding is that the movement at Standing Rock is the fulfillment of multiple prophecies that involve our people coming together, standing up and mending the sacred hoop,” Villagomez says.

WHAT NEXT?

As of this writing, at least 2,000 people remain camped at Standing Rock in spite of snowy conditions and North Dakota’s punishing winter winds, which blow clear down from Canada. The Dakota Access Pipeline is more than 90 percent completed, but construction adjacent to Standing Rock remains on hold thanks to the Army Corps of Engineers’ recent directive.

Most Water Protectors are fully aware that Donald Trump’s administration is committed to seeing the pipeline completed, and that the Army Corps could reverse itself once he’s in office. The Army Corps’ directive delays, but does not cancel, the project.

In the meantime, people across the country have launched divestment campaigns targeting the multiple banks that are financially fueling the pipeline’s construction (see “The Spigot,” Oct. 26). People in San Francisco, Santa Rosa, Ukiah and Clearlake have recently held protests at Wells Fargo, which is among the pipeline’s major creditors and is the main banker of Energy Transfer Partners, to encourage customers to close their accounts there. They have also targeted other financial institutions like Citibank.

Wells Fargo corporate communications director Jessica Ong told the Bohemian in October that the bank invested in the pipeline only after concluding there was low risk of social or environmental harm.

In court filings, Energy Transfer Partners representatives have claimed that their contracts with the nine companies that have agreed to pay them to ship oil through the pipeline expire on Jan. 1, but can be renegotiated. As I reported in October, one of these companies appears to be Oasis Petroleum, a major Bakken shale producer in which Marin County–based investment firm SPO Partners owns the largest stake of any investor.

“If Oasis Petroleum has made a financial commitment to the pipeline, as it appears they have, it certainly raises questions about their complicity in the pipeline company’s egregious behavior toward the Water Protectors,” says Clark Williams-Derry, research director of the Sightline Institute, an energy-policy think tank in Seattle. “The moral pressure is on them to decide whether they are to be a party to Dakota Access’ actions.”

Among those who participated in a November demonstration at Wells Fargo’s Ukiah branch was Jassen Rodriguez, the Mishewal Wappo man who had tended the Seven Councils fire at Standing Rock. Two days later, he drove back out to Standing Rock, along with four family members, braving the snow and the ice of North Dakota’s punishing late-fall.

“We’ve been waiting for this a long time,” he says. “We’ve got to keep up the momentum.”

The Man and the Mirror

A season of evil clown sightings (apocryphal?) culminates in the election of the Ultimate Evil Clown as president, with a minority of the popular vote—or is this more fake news?

Alas, it’s far too facile to demonize the Donald, as he’s done to far too many others. Ironic, since we’re talking about a real estate developer when nobody is home. For, certainly, Trump is a media creation, a soul-sucking vacuum that somehow has found a way to channel the anti-matter from some bizarre black hole back into our dimension.

How has he achieved this? Trump’s only power is that he holds up a mirror and reflects back our contemporary culture. Trump is—and we are—materialistic, more concerned with appearances than reality. (If we’re not rich, we fake it. Isn’t Miley worth more than Trump?) Egotistic? Narcissistic!

Like Trump, we are in love with ourselves, and, self-promoters all, more than happy to share our love with the world. The dominion of technology in our lives has given every evil clown (or wounded clown, if you prefer) a pulpit. Everyone and anyone who wants to play with people’s heads is connected. Experts all!

You can’t tell me anything more than you can tell Trump! Yet somehow I remain oblivious to anything other than the little screen I hold in my hand as I walk out into traffic, or the little screen I watch as I’m driving and nearly hit the guy walking out into traffic watching his little screen. What was I saying?

The tweeting president—even the Donald is a poet. Just when you thought rap and hip-hop were really finally dead, now comes along the greatest white rapper in the valley. Eminem who? And like many other rappers, Trump has no problem claiming more for himself than is necessarily so. Like Bill Cosby, that paragon of moral virtue we once called “America’s Dad,” we now stand on the verge of calling Donald Trump president? Look at the person in the mirror and ask, is this the image I want to project out into the world?

Poet and novelist David Madgalene lives in Windsor.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Hark!

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I don’t know much, but I know I love Aaron Neville. The soul man with the voice of an angel has been topping charts for 50 years, garnering praise for his melodic R&B hits of the 1960s and ’70s, and is loved by many for his duets with Linda Ronstadt in the ’80s and pop singles in the ’90s.

At 75 years old, Neville has still got it. He appears on Dec. 17 at the Luther Burbank Center for the Arts in Santa Rosa for an evening of Christmas songs, a tradition for the past several years. It’s safe to say that Christmas is Neville’s favorite holiday, but like most other things in his life, he’s all about the music.

“My mom and dad were fans of Nat King Cole and Perry Como, so I grew up listening to all their Christmas albums,” Neville says.

Born and raised in New Orleans, Neville started singing with brothers Art and Charles in a doo-wop group when he was seven years old. He says his uniquely measured falsetto voice came out naturally, though he refined it through listening to a variety of music.

“I listened to all the doo-woppers, but also all the country singers like Hank Williams and George Jones,” he says. “I love all of it.”

In his career, Neville has delved into soul, funk and R&B, as well as gospel, adult contemporary and jazz. He even has two holiday albums, 1993’s

Aaron Neville’s Soulful Christmas and 2005’s Christmas Prayer, both of which feature him covering such classics as “Silent Night” and traditional spiritual hymns like “Go Tell It on the Mountain.”

This past summer, Neville released one of the strongest solo albums of his career, the swaggering and soulful Apache, on his own Tell It record label.

“I’ve been writing poems on my iPhone for years,” he says, “and it’s been on my mind that I wanted to put music to some of my poetry.”

Neville wrote or co-wrote all the tracks on Apache. Through the songs, he relives his youth in New Orleans, while also penning some of his most heartfelt love songs ever. Musically, he sets the mood with gritty funk and soulful R&B grooves throughout.

“It was a labor of love,” he says.

For the upcoming performance, Neville will be mixing favorite Christmas tunes with new material and classic hits.

“I’m looking forward to seeing our fans,” he says. “We’re going to give them a great show.”

Watch Rainbow Girls Perform “The Folk Singer’s Contract” in New Orleans

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[youtube]https://www.youtube.com/watch?v=wFtPA_UgweA[/youtube]
Sonoma County folk group Rainbow Girls are making some of the North Bay’s most heartbreaking acoustic harmonies these days. Last spring, they drove this hardened reporter to tears during a performance at the Next Level showcase in Santa Rosa, and they continue to do so with their new batch of tunes, set to be released on the upcoming album American Dream early next year.
Such is the case with “The Folk Singer’s Contract,” a wistful rumination on a tangled web of a relationship. The above video of the song was recorded live along the New Orleans waterfront on a recent trip. Supported by gentle waves in the background, the trio shows off their vocal chops and emotional resonance on the new song. Just be prepared to grab a tissue for your tears.
In January, Rainbow Girls are taking the new songs on the road for a “Backwoods Tour” with soulful folk singer Caitlin Jemma that takes them from Bolinas to San Diego. Click here to see their upcoming dates and keep your eyes and ears peeled for news of American Dream‘s release.

Listen to Trebuchet’s New Single, “A Confession”

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trebuchetPetaluma folk-rock quartet Trebuchet are finally out of the studio and ready to start unveiling their new sophomore album, Volte-Face, due out early next year. First up, Trebuchet premieres the album’s lead single, “A Confession,” which finds vocalist and songwriter Eliott Whitehurst delving deep into family memories and bringing back with him a questioning spirit.
Bolstered by harmonies from drummer Paul Haile, keyboardist Lauren Haile and bassist Navid Manoochehri, Whitehurst’s newfound lyrical longing is brought to life with slow-building acoustics expanding into a mellifluous choir. If “A Confession” is any indicator, Volte-Face looks to be a mature and introspective reckoning of an album.
Listen to the new single below, and see Trebuchet play a release show on Sunday, Dec 11, at Bottom of the Hill in San Francisco. That show also features new Bay Area band Mare Island, featuring members of Loma Prieta and The New Trust, and all proceeds will go to a benefit fundraiser for the victims of the recent Oakland warehouse fire. Next week, on Dec 18, Trebuchet plays their annual “A Very Trebuchet Christmas” concert in Petaluma, featuring them and several other North Bay acts performing Christmas covers and more.

Dec. 9: He’s Spartacus in San Rafael

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On Dec. 9, Hollywood legend Kirk Douglas turns 100 years old. That’s something to celebrate, and the Smith Rafael Film Center is doing just that with a Happy Hundred week of Douglas’ most iconic films. The party kicks off on Friday with Douglas as Vincent van Gogh in Lust for Life and a WWI officer in Stanley Kubrick’s Paths of Glory. Other films on the schedule include Disney’s 20,000 Leagues Under the Sea, which features a behind-the-scenes presentation from Oscar winners Ben Burtt and Craig Barron as part of their “Cinema Archeologists” series, and a newly restored print of Spartacus. The films screen Friday through Thursday, Dec. 9–15, at the Smith Rafael Film Center, 1118 Fourth St., San Rafael. Times and prices vary. 415.454.1222.

Dec. 10: Rock History in Santa Rosa

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Thoughts of 1960s hippie counterculture and psychedelic rock and roll immediately bring to mind San Francisco’s famous Haight Ashbury district. Yet the entire Bay Area, and especially the North Bay, was a hotbed of free love and loud music back then. This week, a new exhibit retraces the steps of the North Bay’s 1960s experience through artifacts, photographs and artwork from the era. ‘The Beat Goes On’ opens with a reception featuring live music by Sonoma County guitarist Matthew Mendosa on Saturday, Dec. 10, at the History Museum of Sonoma County, 425 Seventh St., Santa Rosa. 5pm. $15; free for museum members. 707.579.1500.

Dec. 10: Global Diva in Rohnert Park

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Born in the small West African country of Benin, singer and songwriter Angélique Kidjo was already a star throughout Africa before she studied in Paris and signed a major label deal in New York City. Her acclaimed world-music repertoire includes Afrobeat, reggae, gospel and jazz styles, and she’s a three-time Grammy Award winner who was also on the cover of Forbes’ “Most Influential Women in the World” issue last year. Angélique Kidjo arrives in the North Bay to perform her world of sound on Saturday, Dec. 10, at the Green Music Center, 1801 East Cotati Ave., Rohnert Park. 7:30pm. $25 and up. 866.955.6040.

Dec. 11: Christmas Pops in Santa Rosa

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Christmas just isn’t Christmas without the classic animated “Peanuts” special A Charlie Brown Christmas. This weekend, the Santa Rosa Symphony once again presents songs from the classic with the Symphony Pops: A Charlie Brown Christmas Concert. Conductor Michael Berkowitz returns to lead this treasured tradition, featuring pianist Jim Martinez and his quartet filling in for Schroeder alongside the symphony. Get to the show early to hear Berkowitz talk about the concert and swap stories from his illustrious career. The show pops off on Sunday, Dec. 11, at the Luther Burbank Center for the Arts, 50 Mark West Springs Road, Santa Rosa. 3pm; talk at 2pm. $37 and up. 707.546.3600.

Death Wish

Watching Nocturnal Animals is like watching a Charles Bronson retrospective inside a plush, red-velvet-wrapped salon in some minor European city’s film festival. The trappings give aesthetic importance to what’s going on up front, which isn’t really that different from a Golan-Globus rape-revenge shocker.

Celebrities turn up (including Michael Sheen and Laura Linney) to validate the significance of what we’re watching. We’re presumed to find the framing by photographer-turned-director-turned-back-to-photographer Tom Ford positively Lynchian, as though we’re meant to be captives on rides on lost highways. But there’s only one David Lynch, and imitating him is a sucker’s game.

Amy Adams is Susan, a woman between two marriages, as it were: one to a blue chip art dealer (Armie Hammer), who has had enough of her, the other to failed novelist Edward Sheffield (Jake Gyllenhaal), whom she sloughed off for his lack of ambition.

This bird in a gilded cage—or, rather, this bird in a $5 million concrete modernist bunker with an apparently motor-oil-filled swimming pool out back—receives Sheffield’s new novel in galley form. It’s a potboiler’s potboiler about a remote Texas road trip, a trio of rapacious hillbillies and an indomitable lawman (Michael Shannon) named Andes, just like the mountains, who goes beyond the law to track down the criminals.

Is Susan’s obsession with the book, and her numbness to everything else, due to the fact that she was a victim in the real version of the fictionalized story Sheffield unfolds? Answer is, who cares?

Under layers of makeup that a Japanese geisha might protest against as too much, Adams and her cohorts live a life of blood-freezing affluence. Their clothes are more alive than they are. Ford’s cloudscapes, perhaps surpassing the fraught cumulus clouds in a Michael Mann film, hover ominously. A shot of Los Angeles palm trees in a dirty mist makes them look like they’re smoldering. The most interesting scenes in this movie, in fact, have no people in them.

No matter how insufferably gussied, Nocturnal Animals is standard rape-revenge. Ford doesn’t miss a trick, from long cat-and-mousing by hillbillies to a cornered rapist telling the avenger that he doesn’t have the guts to pull the trigger.

A touch of abortion-remorse is the cherry on this cupcake. Still, Shannon is so damned good and dirty that he keeps the film from dying of its own fanciness.

‘Nocturnal Animals’ is playing at Summerfield Cinemas,
551 Summerfield Road, Santa Rosa; 707.522.0719.

Standing Together

On Sunday, Nov. 6, in Redwood Valley, one of two small Mendocino County towns where the Russian River's headwaters spill from the southern Mendocino Range mountains, cars overflowed the parking lot at the local grange and lined rural East Side Road in both directions. Several hundred people had gathered to listen to activists report back from Standing Rock where...

The Man and the Mirror

A season of evil clown sightings (apocryphal?) culminates in the election of the Ultimate Evil Clown as president, with a minority of the popular vote—or is this more fake news? Alas, it's far too facile to demonize the Donald, as he's done to far too many others. Ironic, since we're talking about a real estate developer when nobody is home....

Hark!

I don't know much, but I know I love Aaron Neville. The soul man with the voice of an angel has been topping charts for 50 years, garnering praise for his melodic R&B hits of the 1960s and '70s, and is loved by many for his duets with Linda Ronstadt in the '80s and pop singles in the '90s. At...

Watch Rainbow Girls Perform “The Folk Singer’s Contract” in New Orleans

https://www.youtube.com/watch?v=wFtPA_UgweA Sonoma County folk group Rainbow Girls are making some of the North Bay's most heartbreaking acoustic harmonies these days. Last spring, they drove this hardened reporter to tears during a performance at the Next Level showcase in Santa Rosa, and they continue to do so with their new batch of tunes, set to be released on the upcoming album American Dream early...

Listen to Trebuchet’s New Single, “A Confession”

Petaluma folk-rock quartet Trebuchet are finally out of the studio and ready to start unveiling their new sophomore album, Volte-Face, due out early next year. First up, Trebuchet premieres the album's lead single, "A Confession," which finds vocalist and songwriter Eliott Whitehurst delving deep into family memories and bringing back with him a questioning spirit. Bolstered by harmonies from drummer Paul...

Dec. 9: He’s Spartacus in San Rafael

On Dec. 9, Hollywood legend Kirk Douglas turns 100 years old. That’s something to celebrate, and the Smith Rafael Film Center is doing just that with a Happy Hundred week of Douglas’ most iconic films. The party kicks off on Friday with Douglas as Vincent van Gogh in Lust for Life and a WWI officer in Stanley Kubrick’s Paths...

Dec. 10: Rock History in Santa Rosa

Thoughts of 1960s hippie counterculture and psychedelic rock and roll immediately bring to mind San Francisco’s famous Haight Ashbury district. Yet the entire Bay Area, and especially the North Bay, was a hotbed of free love and loud music back then. This week, a new exhibit retraces the steps of the North Bay’s 1960s experience through artifacts, photographs and...

Dec. 10: Global Diva in Rohnert Park

Born in the small West African country of Benin, singer and songwriter Angélique Kidjo was already a star throughout Africa before she studied in Paris and signed a major label deal in New York City. Her acclaimed world-music repertoire includes Afrobeat, reggae, gospel and jazz styles, and she’s a three-time Grammy Award winner who was also on the cover...

Dec. 11: Christmas Pops in Santa Rosa

Christmas just isn’t Christmas without the classic animated “Peanuts” special A Charlie Brown Christmas. This weekend, the Santa Rosa Symphony once again presents songs from the classic with the Symphony Pops: A Charlie Brown Christmas Concert. Conductor Michael Berkowitz returns to lead this treasured tradition, featuring pianist Jim Martinez and his quartet filling in for Schroeder alongside the symphony....

Death Wish

Watching Nocturnal Animals is like watching a Charles Bronson retrospective inside a plush, red-velvet-wrapped salon in some minor European city's film festival. The trappings give aesthetic importance to what's going on up front, which isn't really that different from a Golan-Globus rape-revenge shocker. Celebrities turn up (including Michael Sheen and Laura Linney) to validate the significance of what we're watching....
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