Best of the North Bay 2025 Winners’ Photo Gallery

Check out our online gallery featuring several winners of our “Best of the North Bay 2025” as decided by readers in Napa and Sonoma County.

You’ll Like Napa Valley College’s ‘As You Like It’

Napa Valley College has an excellent track record with youth-centric, large-scale Broadway musical productions. They’ve done a great job with past productions of such shows as Matilda the Musical and Spring Awakening.

It was inevitable that Jennifer King, Theatre Arts and Film Studies Coordinator at NVC and founder of Shakespeare Napa Valley, would find a way to combine her love for the works of the bard and musical theatre. Tony Award-winner Shaina Taub and Laurie Woolery have provided the vehicle with their terrific musical reimagining of Shakespeare’s As You Like It

Originally developed for New York’s Public Theater, it’s one of the most approachable versions of Shakespeare I’ve seen and is a terrific way to introduce the bard to a younger generation. Shakespeare purists might object, but I dare them not to smile repeatedly at the joyous work being done on stage. How can you not smile at the merging of Shakespeare with Lucha libre? 

The plot has all the Shakespeare familiars: feuding families, sibling rivalries, cross-gender masquerades, star-crossed lovers, banishments, a magical forest, reconciliations, and multiple weddings. The details matter not. Everything works out by show’s end.

Director King has a magnificent cast at work here, from the show’s opening number “All the World’s A Stage”  featuring musical director Christina Howell to its touching closing song number “Still I Will Love” with the entire cast of somewhere between 50 and 60+ performers on stage (I lost count).

That cast consists of guest performers like Ashley Garlick (Rosalind) and Jonathen Blue (Duke Senior), NVC students, and community members. A different guest choir from the community joins each performance. 

The core cast of Gabriel L. Reyes (Orlando), Garlick, Giovanny Perez (Oliver), Ri-Ri Manio (Celia), De Angelo Nodado Cipriano (Touchstone), and Blue all gel and get great support from the ensemble.

The on-stage band under Howell’s direction does a great job with the pop/folk score, and the vocals are well handled by the cast. Garlick and Blue are the show’s predominant voices, but there’s fine vocal work being done throughout the show.   

Production values are superb with a clever set (Brian Watson), dynamic lighting (Theo Bridant) and beautiful costuming (Bethany Deal) combining to give this show a unique visual flair. 

That flair is enhanced by a level of diversity on stage best exemplified in the grand musical number “In Arden.” By the end of the number, the stage has been filled with dozens of individuals of varying genders, colors, ages, ethnicities, orientations, shapes, sizes, and physical abilities. It’s a beautiful sight and the song’s message of inclusivity makes for a beautiful song.

In a short post-show conversation with director King, she stated that she saw the show as an “antidote” to what’s going on in Washington, DC right now. 

I’ll be more blunt.  

This version of As You Like It is a big, beautiful “FUCK YOU!” to the anti-DEI crowd running amok in our nation right now. 

Thanks to everyone involved for that. 

‘As You Like It’ runs through March 30 at the Napa Valley College Performing Arts Center, 2277 Napa Vallejo Hwy, Napa. Fri., 7:00pm; Sat & Sun., 2pm. $15–$25. 707.256.7500. performingartsnapavalley.org.

Local Legacy vs. Big Business in Quarry Quarrel

Pointing at the houses dotted around an aerial photograph of his property, Jonathan Trappe, a Forestville quarry owner and operator, indicated how close his family’s homes are to the asphalt plant he hopes to build on the quarry site.

“My father lives there, my brother lives there, I live here and our kids swim in that pond,” he said. All are within about a half square mile. He was speaking in reference to the community pushback the plan had elicited that cited environmental and fire risk concerns. 

The point was clear, but Trappe added it anyway: “Who has more incentive to make sure this plant is safe?”

Tucked into the sweeping bends of Pocket Canyon Highway just outside of Forestville reside two stone quarries that serve western Sonoma County’s construction industries, most crucially the road repair sector. The quarries sit on either side of that stretch of scenic Highway 116, and both are surrounded by protected waterways and wildlife. 

Such is the topography of the area; one could blink and miss both of their entrances on the way into town, which itself could be concealed by a sneezing fit if they miss the sudden drop in speed limit. But over such a small town, with heavy trucks rolling through and the occasional explosion shattering its serenity, the quarries’ impact looms large. And some locals aren’t willing to see that impact increase.

The Trappe family owns Canyon Rock Quarry, which lies on the north side of the road. For the second time, Forestville residents have kindled opposition to the Trappes’ asphalt plant ambitions. The first time was in 1997, when the already costly endeavor was rendered financially non-viable by a lawsuit. Though a similar outcome this time may seem ideal on the surface, Forestvillians need only look over the road to see why they might be more cautious in what they wish for.

On the south side of Highway 116 is Canyon Rock’s main competition, the Bodean Forestville Quarry, so named by Belinda (a.k.a. “Bo”) and Dean Soiland when they added it to their Mark West quarry in 1997. Incidentally, that was the same year Canyon Rock began its quest to build an asphalt plant.

Back then, the asphalt plant was included in the Trappes’ application to extend and expand their quarrying permit for Canyon Rock. The community action group Forestville Citizens for Sensible Growth took the Trappes to court, and, in 2010 after a 12-year battle, partially won. Though extension of the quarry permit was granted, the asphalt plant was blocked on the grounds that Canyon Rock’s environmental impact report (EIR) was inadequate.

In addition to shelving  the asphalt plant, Canyon Rock was ordered to pay $213,229 in litigation fees and $16,000 per year to mitigate the quarry’s impact on the town of Forestville, according to the settlement agreement between Canyon Rock, Sonoma County Board of Supervisors and Citizens for Sensible Growth.

“It’s been a multigenerational project,” said Trappe, who couldn’t put a figure on how much his family has spent on the decades-long effort to get the county to greenlight the plant. That first environmental impact report alone cost Canyon Rock more than $500,000 in 1997. With another one currently in the process of review, and with Kit Cole—a publicist the Trappes have brought in to help convey to the people of Forestville that their plans pose no threat—on hand at the quarry, Trappe has clearly pumped significant further investment into the project. 

Sharon Martinelli, a former member of Citizens for Sensible Growth (CSG), is today a member of the new action group that opposes Canyon Rock’s renewed asphalt aspirations. 

“We have currently hired a San Francisco attorney, and formed the nonprofit Russian River Community Cares (RRCC) to fight this proposal,” Martinelli said in a written statement.

Attempting to head off similar litigation at the pass, Bodean voluntarily began paying mitigation funds, at an undisclosed rate per ton of rock that rolls through the town, around the same time Canyon Rock was ordered to pay theirs.

Caught in the middle is Lucy Hardcastle, president of the Forestville Planning Association, the nonprofit organization that receives the impact mitigation funds from both quarries and administers their spending on town projects such as the new town park and schools. “There is some feeling in town that we take blood money,” Hardcastle said, “but there are a lot of town resources that come from the quarries. We’re a quarry town.”

Bodean’s proactive measures are rumored among Forestville residents to have taken a self-serving turn when it partially funded the first lawsuit against Canyon Rock. “I was shocked by that. I didn’t think that was ethical,” Hardcastle said. The ethics became even murkier in 2001 when, according to its website, Bodean acquired its own asphalt plant in Santa Rosa, which it hopes to move to Windsor in the near future. 

Dean Soiland did not respond when asked to confirm his company’s association with the case brought by CSG a decade ago, or whether he is involved with RRCC in opposing Canyon Rock’s application this time. It may just be that he has bigger fish to fry. 

According to the North Coast Regional Water Quality Control Board, Bodean faces $8.6 million in fines for failing to manage the storm run-off from its Mark West quarry. This prospect preceded, if not prompted, the Soilands’ decision to sell the company to CRH, a multinational conglomerate based out of Dublin, Ireland, and one of the largest construction material producers in the world; though crucially, they retained ownership of the land and liability for the water board’s complaint.

Water board officials say proceedings regarding the storm run-off matter have been adjourned until late March. Though the price CRH paid for Bodean Co. remains undisclosed, the scale of the acquisition suggests it likely exceeds the potential fine by a comfortable margin. Still, whether Forestville is better off having one of its family-owned businesses sold off to such a huge corporation is an open question. 

Needless to say, with 2024 earnings of $6.9 billion, CRH could have paid this fine out of petty cash, and will have far greater resources to plumb to contest any future regulation or resistance to their plans. 

Bodean’s new general manager, John Reid, a CRH employee for the past 30 years, is already considering the inevitable backlash he expects when the asphalt plant included in the acquisition moves from Santa Rosa to Windsor. “Any time there is an asphalt plant involved, there is going to be opposition,” Reid said.

While the EIR that could make or break Canyon Rock’s permit request is in review, RRCC is taking the fight to every public forum its members can attend. RRCC members are often seen manning tables at farmers’ markets and other public gatherings to hand out flyers making their case against the proposed asphalt plant. 

In October of last year, Martinelli and RRCC’s president, Derek Trowbridge, attended a town hall with State Sen. Mike McGuire hosted by Sonoma County Fire District’s Windsor Fire Station No. 3, bringing the issue to the senator’s attention during the Q&A.

RRCC members attended, en masse, a Jan. 10 Board of Supervisors meeting to ensure the board was keeping them in mind. This show of force was accompanied by a letter sent from the office of RRCC’s San Francisco attorney, Kevin Bundy of Shute, Mihaly and Weinberger LLP, containing accusations of Canyon Rock’s historical failure to meet their regulatory obligations. Canyon Rock sent their own letter detailing their history of compliance in rebuttal.

A recent email sent to RRCC supporters called for a similar showing at Supervisor Linda Hopkins’ town hall at El Molino Library in Forestville on March 27. Since a decision on the asphalt plant EIR is not due until 2026, RRCC leadership advised in the email that attendees should attack Canyon Rock on the broader issues laid out in the letter to the Board of Supervisors during the question period, suggesting that the intended target of the group isn’t limited to the asphalt plant, but rather includes the company as a whole.

Websites published by all parties duel for public sympathy, as do the many ads, articles and opinions featured in several local news outlets. Canyon Rock paid for a few of them. Most others are sympathetic to RRCC, with some hoping to simmer down tensions among divided Forestvillians. 

RRCC’s website gives a detailed description of the risks Canyon Rock’s proposed asphalt plant may present to Forestville’s townsfolk and the delicate natural habitats that surround it. They include increased traffic from oil trucks driving in and asphalt trucks driving out, historical incidents of fires at asphalt plants and the volatile chemicals that off-gas during its production.

Canyon Rock’s website includes a page dedicated to the asphalt plant with as much detail on its plan to mitigate those risks with state-of-the-art containment, air filtration and fire suppression technology that wasn’t available in 1997; how bringing asphalt closer to West County’s roads may just reduce the carbon footprint of road repair; and how the plant will be fueled by liquified natural gas with carbon emissions far lower than the plant previously planned. 

Bodean’s website similarly describes its own environmental bonafides, though it stands as a cautionary tale in two ways. Despite the best of intentions, whether through negligence or dumb luck, Bodean’s current predicament demonstrates that the impact of industry on the environment will never be zero, and the watchful eye of regulators is ever present. Secondly, they’ve shown what happens to a family-owned business when the consequences of that impact become too costly. 

Trowbridge says the matter comes down to two questions: “Is Canyon Rock trustworthy enough, and is Forestville the ideal place?” Both can be answered by paraphrasing Jonathan Trappe’s earlier question: Who has more incentive to ensure whatever happens at Canyon Rock is safe, the man whose family lives around its footprint, or the type of multinational conglomerate he will be forced to sell to should he lose his competitive edge? 

According to FMI, a consulting firm specializing in construction and infrastructure, acquisitions of construction materials companies grew by more than 16% between 2023 and 2024, which may be good news for investment bankers, but will only shrink the influence groups like RRCC can hope to wield in the face of industry giants. If an asphalt plant makes business sense to the Trappes, it will make sense to the corporation that buys them out, too. 

Given the advances in technology in the intervening decades, the plant Canyon Rock wants to build today would ostensibly be cleaner and safer than the one the Trappes attempted to build in 1997, thanks in part to the efforts of the community action groups. But, as Bodean’s predicament demonstrates, if operating becomes too expensive, Forestville may lose another family owned business to corporate consolidation. 

At least the devil they know is a neighbor who shares many of their interests and has a face they can negotiate with. The devil they don’t know has only fiduciary responsibilities and deep pockets to fend off regulators.

Things Happen as ‘Morning Sun’ Rises in Rohnert Park 

How interesting can a play be if it tells the story of an unremarkable person’s life told by that unremarkable person and the unremarkable people who surround them? 

How unremarkable? So unremarkable that playwright Simon Stephens doesn’t even give them names in his cast list for Morning Sun, now playing in the Condiotti Experimental Theatre at the Spreckels Performing Arts Center in Rohnert Park through April 6. He just lists them as “1, a woman in her fifties; 2, a woman in her seventies; 3, a woman in her thirties.”  

And what if the things that compose that unremarkable life are things that happen in millions of unremarkable lives? Relatable, perhaps. Remarkable? No.

So retaining an audience’s interests falls completely on the talents of the individuals telling the story. Thankfully, director Lauren Heney has three remarkable North Bay talents filling those roles: Sandra Ish, Molly Noble and Taylor Diffenderfer. 

We do come to learn their names. Ish plays Charlotte “Charley” McBride. Noble plays her mother, Claudette McBride, and Diffenderfer plays Tessa McBride, Charley’s daughter and Claudette’s granddaughter.

The show opens with the three performers on a sparse set consisting of a couple of different-level platforms with tulle curtains draping the upstage area. We quickly gather that we’re in a hospital room and that Charley is near the end of her life. 

And then she goes, and her story begins. Things happen.

It begins with Claudette’s short courtship and marriage to Harold, a miscarriage and then the arrival of Charlotte, who hates the name and chooses at an early age to go by Charley. Then it’s Charley’s story from adolescence to adulthood, with “chapters” on school friends, career choices, one night stands, an unexpected pregnancy, a tough decision, motherhood, a marriage, a divorce, a second chance, a second marriage and an illness.

The mothers and daughters all tell the tale and “play” all the characters that come into and out of their lives.

It’s a remarkable acting challenge for all three performers, but particularly for Ish, who recently finished up a run of What the Constitution Means to Me, another dialogue heavy show.

Audiences who can’t relate to the multiple New York City references will surely relate to the parent-child relationships that unfold over the course of the two-plus hours.

Nothing too extraordinary happens in Morning Sun except life. For a discerning audience that appreciates fine acting, sometimes that’s enough.

‘Morning Sun’ runs through April 6 in the Condiotti Experimental Theater at the Spreckels Performing Arts Center, 5409 Snyder Ln., Rohnert Park. Fri-Sat, 7:30pm; Sun, 2pm. $14-$32. 707.588.3400. spreckelsonline.com

Instant Impact with Photographer Nik Cotten

I first encountered the work of Nik Cotten at Petaluma’s Slough City Studios in 2023. “Nik and Tiger (Brown’s) Art Show,” a collection of Cotten’s photography and flyers by Brown, was a part of the first wave of exhibits that has since secured the venue’s vibrant and risk taking reputation. 

Cotten’s energizing presentation of black and white prints depicted gravity-defying skate tricks, euphoric crowds of punks and soulful portraits of his contemporaries in their natural habitat. 

Having frequented the Phoenix Theater myself for the past 30 years, I picked up works featuring our patron saint, Tom Gaffey, as well as an image of what appears to be the precise moment before a skateboard was released into the photographer’s face.

Cotten’s comprehensive online photo portfolio goes further—demonstrating a natural aptitude for studio work and a journalistic eye for catching the moment at peak feeling.

There is speculation in the arts regarding the ways that new technologies have corrupted what was once a highly specialized form of image making. What is it now that sets a photographer apart from the every-person content generator armed with an iPhone?

While it’s generally agreed that camera phones can capture an award winning shot, I rely on photographers to tell the story of humanity and give context to our shared history. Cotten’s work does more than broadcast his likes and dislikes; it adds value to his interests by capturing the impact his subjects have on him.

Cotten’s work and photos by Matt Sharkey, Ando and Sean Dolinsky are on display at Jess Brown, 144 Petaluma Blvd. N., Petaluma. Reception from 7 to 9pm, Saturday, March 29. Copies of ‘Nik Cotten: Black and White’ are available at Copperfield’s Books.

Locally-Filmed Flicks and Where to Watch Them Right Now

The North Bay isn’t just a wine and foodie paradise—it’s a filmmaker’s dream too. From Hollywood classics to indie cult hits, this region has been a backdrop for cinematic magic for decades. And the best part? They may all be streamed from the comfort of one’s own living room.

Let’s start with the legend: American Graffiti (1973), George Lucas’ ode to teenage cruising culture, turned downtown Petaluma and San Rafael into a neon-lit nostalgia trip. The city still celebrates its cinematic history with an annual Graffiti Night, where classic cars roll down the same streets Richard Dreyfuss and Ron Howard did. One can stream this classic on Amazon Prime or Apple TV.

Francis Ford Coppola returned to Petaluma for Peggy Sue Got Married (1986), starring Kathleen Turner as a woman reliving her high school days in the town’s perfectly preserved mid-century scenery. This is available on Prime Video for a trip back in time.

In Inventing the Abbotts (1997), Petaluma (again) plays host to a tale of class divides and youthful romance starring Liv Tyler and Joaquin Phoenix. This under-the-radar drama captures small-town America in all its 1950s glory. It’s streaming on Paramount+ or Apple TV.

Hitchcock put Sonoma County on the map with The Birds (1963), turning Bodega Bay into a nightmare landscape of pecking, screeching terror. The town still draws fans retracing Tippi Hedren’s doomed visit—just mind the seagulls. One may watch it on Peacock or Prime Video.

On the horror front, Scream (1996) immortalized Healdsburg and the Sonoma Community Center as elements of the fictional town of Woodsboro (after Santa Rosa gave the production the boot due to its content). Wes Craven’s slasher classic reinvented the genre, proving Wine Country has a dark side. Scream is streaming now on Paramount+ and Max.

And speaking of things that go bump in the night, let’s talk Werewolf Serenade (2024)—Sonoma County’s latest indie feature, filmed entirely in Petaluma by our own editor, Daedalus Howell. This dark comedy follows a washed-up college professor who finds himself dealing with an unexpected case of lycanthropy. One may sink those teeth into it now on Amazon Prime and Tubi.

For something with a little less bite, Bottle Shock (2008) tells the true story of how California wine shocked the world in the 1976 Judgment of Paris. Shot in Glen Ellen and Sonoma, it captures both the beauty and the struggle of the wine business. It’s recommended that one pour a glass and stream it on Hulu or Prime.

And for some serious cinematic gravitas, look to The Godfather (1972). Francis Ford Coppola’s Academy Award-winning masterpiece may be set on the East Coast during a pivotal moment, but the emotional reconciliation between Michael Corleone and Kay Adams (Al Pacino and Diane Keaton) was actually filmed in Ross. Quite the stunning backdrop for such a heavy scene. It can be streamed on Paramount+.

Marin County also lent its waterfront charm to Clint Eastwood’s Dirty Harry (1971), which filmed key scenes in Sausalito. The Marin Headlands provided a Cold War atmosphere for The Killer Elite (1975), starring James Caan and Robert Duvall. And in Gattaca (1997), Ethan Hawke and Uma Thurman met on set at Marin’s iconic Frank Lloyd Wright-designed Civic Center. With a cast that also includes Jude Law, this sleek sci-fi gem earned an Oscar nomination for Best Art Direction. All can be streamed on Amazon Prime Video.

From werewolves to wine and mobsters to mid-century modern sci-fi, the North Bay’s film legacy is as rich and varied as its landscapes. So it’s time to queue up a streaming marathon and take a cinematic tour of our backyard.

Your Letters, March 26

Bad DOGE

As an elder, I’ve lived through many political crises in this country—but I have never seen an attack on our democracy like this. In the past, there was bipartisan opposition to lawlessness. Today, the guardrails are being dismantled before our eyes, and we must sound the alarm.

What happened to the checks and balances with three areas of government all in support of the Constitution? None of them are currently following the rule of law. The elected representatives and senators should be acting to stop the lawless havoc being done by the president and his unelected buyer. What kind of security do we have to protect our data? Our services? Our safety? None of DOGE have been vetted. 

Janet Duncan
San Anselmo

Name Games

Donald Trump should be called Morty Trump, as he mortifies Americans every time he opens his mouth. And Tesla should be referred to as the Nazimobile in honor of its fascist company owner. Spread the word.

Bob Canning
Petaluma

We appreciate your letters to the editor—send them to le*****@******an.com and le*****@********un.com. Letters may be edited for clarity and space.

Next Up on the Menu, Mijo’s Chef Jared Rogers

Chef Jared Rogers is one of those people who knows what they want to be when they grow up, from the very beginning. 

His dream has always been to be a chef, and that desire for cooking was ignited amidst the scenic Blue Ridge Mountains, mentored by chef Richard Perry. There, Rogers discovered the magic of respecting exceptional ingredients. 

Driven to refine his skills, he ventured to the Bay Area, working alongside chef Bruce Hill at Bix and later achieving acclaim as executive chef at Picco in Larkspur. His talents earned him a three-star review from the San Francisco Chronicle and accolades as a Zagat 30 Under 30 Rising Star. 

After a brief return to his Southern roots, Rogers rejoined the Bay Area culinary scene in 2017 at The Brass Rabbit in Healdsburg. A year later, he and former Picco colleague Dustin Sullivan launched Guesthouse in Kentfield, swiftly achieving immediate acclaim for their seasonally-driven, California comfort food. 

An ever-changing weekly specials menu illustrates Rogers’ ethos, and means one could get Low Country fried chicken with smashed potatoes and black truffle gravy on a Sunday, or slow smoked baby back ribs with fries and coleslaw on a Wednesday. But no matter what day of the week, a killer cocktail list and abundant menu of “drinking snacks,” salads, soups and often wood-grilled large plates will not disappoint. 

Rogers and Sullivan’s latest project, Mijo, opened on March 3 in the Marketplace development on Tamal Vista Boulevard in Corte Madera. The concept is to be a contemporary Spanish-inspired bar and restaurant, a testament to Rogers’ immersive culinary education in Madrid and San Sebastian, Spain. 

Expect a relaxed vibe, with local ingredient-driven dishes that highlight the similarities between the landscapes of Spain and California, which hope to pay tribute to the hardworking farmers and winemakers from both regions.

Amber Turpin: What’s your job?

Jared Rogers: Culinary director at Mijo restaurant in Corte Madera.

How did you get into that work?

I started at age 15 doing an externship at Chateau Morrisette in Floyd, Virginia. I  always wanted to cook.

Did you ever have an “aha” moment with a certain beverage? If so, tell us about it.

The Negroni. I had never had anything like it. It was at Cigar Bar in San Francisco.

What is your favorite thing to drink at home?

Protein shakes

Where do you like to go out for a drink?

Corner Bar in Mill Valley.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Coconut water.

Mijo is located at Tamal Vista Blvd., Corte Madera. Visit mijomarin.com.

Art Provocateur Brett Roncelli Tends the Fire

For cool people under the age of 40, what I am about to say will seem untrue. Not just untrue but violently false. … San Francisco … was once cool. 

And not just cool. Perhaps the coolest, most vibrant art scene in the world before it was destroyed by real estate gentrification. As a later day cool and an anthropologist of the scene, I have observed that fragments of this cool—like the ejecta of a great explosion—are scattered around. 

Burning Man, The Edwardian Ball, Art Cars, The Cardboard Institute of Technology, the comedy of Robin Williams and Bobcat Goldthwait, The Crucible, Camp Tipsy, Bay to Breakers, Scott Lavkov, Santa Con, The Sisters of Perpetual Indulgence, How Weird, Litquake, Folsom Street Fair and San Francisco Pride were all established within a 15-year period from the late ’70s to the early ’90s and represent the rare survivors of an art scene that was once 100-fold in its brilliance.

The San Francisco art scene was inventive, ingenious, literate, theatrical, political, irreverent, liberated, sexy, edgy and at times literally dangerous in its pursuit of modern adventure—as with the Suicide Club, The Cacophany Society and the flame-throwing battle bots of Survival Research Laboratories. Please, please look up these references.

These energies are badly needed at this time. Which is why I am so pleased to introduce Brett Roncelli, a displaced survivor of that halcyon scene, a living lore master tending the fire at his “cosmic love dome.”

Cincinnatus Hibbard: Your twisted performance personas are prolific, Brett. What are some of the many names that you play under?

Brett Roncelli: “Skanky the Clown,” “Triple T,” “Mustapha Mond” and “Seňor City Zen.”

Tell me about “Skanky.”

A friend put on a party and wanted everyone to come as a clown persona, so I became “Skanky the Clown.” And after that party, Skanky would not leave me. He proliferated. For example, at Christmas, he became “Skanky Claus.” We do a Christmas “scare-oling” bar hop—I have a song book with 35 Christmas carols we have rewritten—such as “Come All Ye Drinkers!”

Tell about the gallery you had in The Haight-Ashbury neighborhood, one of a thousand legal and illegal venues lost to The City.

Yes, Art Attack Gallery. It was a space for local emerging artists. We threw a lot of parties too (grins). When I moved to SF in ’89, you could get a retail space for next to 

nothing, and artists were living in beautiful old Victorians throughout The Haight. There were all sorts of weird living situations. I had a buddy that built a shack on the 13th floor roof of a bank in The Mission. Nobody knew it was up there, and we would have weird events on that roof (laughs).

What were some of the art shows you threw? 

Well, we had the “upside down show”—where we had constructed a device to turn people upside down to view the upside down art. We had a mobile gallery art bus that we would park opposite the expensive galleries and have art adoptions where we would give away free art.

We had “The In The Dark Show,” where the space was pitch black. Some of the art was meant to be felt blindly, or glow in the dark; you could carry a candle.

That’s very Dada but very populist too—in a good way—anyone would enjoy those shows without educational or price barriers. A fine corrective to the high tone snooze-fests we have in Wine Country.

Learn more. Meet Roncelli and possibly Skanky at ‘Freaky Final Fridays’ at The Forestville Club. forestvilleclub.com.

Culture Crush, March 26

San Rafael

What’s Up, ‘Buttercup?’

Marin Shakespeare Company is mounting Buttercup, a new play by J.D. Murphy, inspired by Guy de Maupassant’s 1880 short story, Boule de Suif. This irreverent and absurd reimagining follows Buttercup, a runaway nun-turned-courtesan, as she navigates a caravan of refugees during the Franco-Prussian War. Mixing satire and heart, the play explores class tensions with humor and humanity. Performances run April 3-13 at Marin Shakespeare Company’s indoor venue in downtown San Rafael. A post-show discussion follows select performances.
7:30pm, Thursday-Saturday; 2pm, Sundays, April 3-13, at Marin Shakespeare Company, 514 Fourth St., San Rafael. Tickets $35; $20 for ages under 25. More at buttercupstage.com.

Sebastopol

Parkinson’s Play

The Parkinson’s Support Group of Sonoma County presents What I Didn’t Say: A Journey Through Parkinson’s on Sunday, April 13, at Sebastopol Community Cultural Center. This 50-minute play, performed by Matthew Moore and Krista Stauffer, offers a poignant and intimate portrayal of one couple’s experience with Parkinson’s disease. Following the performance, a Q&A invites further reflection and connection. Seating is first-come, first-served. Donations and ticket proceeds directly benefit the Parkinson’s Support Group of Sonoma County through Zeffy’s no-fee fundraising platform. 2:15pm, Sunday, April 13, at Sebastopol Community Cultural Center, 390 Morris St. Reservations and details at bit.ly/parkinsons-play.

Sebastopol

Showstoppers in SebTown

A new community gallery opens its doors in Sebastopol on April Fool’s Day with the launch of Showstoppers Artist Collective. Founded by local filmmaker and artist C.M. Conway, the space inside Co-Create will feature handcrafted art, workshops, open studio time and a welcoming crafts table for all ages. Visitors in playful attire or with a good joke on April 1 will receive a whimsical souvenir in the spirit of the day. The official Grand Opening event follows on Saturday, April 5, with interactive activities, games and opportunities to meet local artists. The collective includes Susan Bradford, Sige Weisman, Elizabeth Gomes and more, with new artists invited to apply. 11am-5pm, Saturday, April 5, at Showstoppers Artist Collective, 186 N. Main St., Ste. 110, Sebastopol. Details at supershowstoppers.com.

St. Helena

Cabernet Cookoff

Now in its 16th year, the Cabernet Cookoff returns Saturday, April 12, to HALL St. Helena. This food and wine pairing competition features 15 culinary teams crafting dishes to pair with HALL’s Jack’s Masterpiece Cabernet Sauvignon, with all proceeds supporting nonprofit organizations chosen by the chefs. Guests can vote for People’s Choice winners while a panel of judges selects Judges’ Choice awards. The event also marks the release of the 2022 vintage of Jack’s Masterpiece. Two ticket options are available: VIP ($300) includes a vertical tasting from 11am-12pm, VIP Lounge access and entry to the main event; general admission ($150) includes event access from 12-2:30pm, Saturday, April 12, at HALL St. Helena, 401 St. Helena Hwy. S. Tickets at hallwines.com/cabernetcookoff.

Best of the North Bay 2025 Winners’ Photo Gallery

best of the north bay 2025
Check out our online gallery featuring several winners of our “Best of the North Bay 2025” as decided by readers in Napa and Sonoma County.

You’ll Like Napa Valley College’s ‘As You Like It’

Napa Valley College has an excellent track record with youth-centric, large-scale Broadway musical productions. They’ve done a great job with past productions of such shows as Matilda the Musical and Spring Awakening. It was inevitable that Jennifer King, Theatre Arts and Film Studies Coordinator at NVC and founder of Shakespeare Napa Valley, would find a way to combine her love...

Local Legacy vs. Big Business in Quarry Quarrel

Pointing at the houses dotted around an aerial photograph of his property, Jonathan Trappe, a Forestville quarry owner and operator, indicated how close his family’s homes are to the asphalt plant he hopes to build on the quarry site. “My father lives there, my brother lives there, I live here and our kids swim in that pond,” he said. All...

Things Happen as ‘Morning Sun’ Rises in Rohnert Park 

How interesting can a play be if it tells the story of an unremarkable person’s life told by that unremarkable person and the unremarkable people who surround them?  How unremarkable? So unremarkable that playwright Simon Stephens doesn’t even give them names in his cast list for Morning Sun, now playing in the Condiotti Experimental Theatre at the Spreckels Performing Arts...

Instant Impact with Photographer Nik Cotten

I first encountered the work of Nik Cotten at Petaluma’s Slough City Studios in 2023. “Nik and Tiger (Brown’s) Art Show,” a collection of Cotten’s photography and flyers by Brown, was a part of the first wave of exhibits that has since secured the venue’s vibrant and risk taking reputation.  Cotten’s energizing presentation of black and white prints depicted gravity-defying...

Locally-Filmed Flicks and Where to Watch Them Right Now

The North Bay isn’t just a wine and foodie paradise—it’s a filmmaker’s dream too. From Hollywood classics to indie cult hits, this region has been a backdrop for cinematic magic for decades. And the best part? They may all be streamed from the comfort of one’s own living room. Let’s start with the legend: American Graffiti (1973), George Lucas’ ode...

Your Letters, March 26

Bad DOGE As an elder, I’ve lived through many political crises in this country—but I have never seen an attack on our democracy like this. In the past, there was bipartisan opposition to lawlessness. Today, the guardrails are being dismantled before our eyes, and we must sound the alarm. What happened to the checks and balances with three areas of government...

Next Up on the Menu, Mijo’s Chef Jared Rogers

Chef Jared Rogers is one of those people who knows what they want to be when they grow up, from the very beginning.  His dream has always been to be a chef, and that desire for cooking was ignited amidst the scenic Blue Ridge Mountains, mentored by chef Richard Perry. There, Rogers discovered the magic of respecting exceptional ingredients.  Driven to...

Art Provocateur Brett Roncelli Tends the Fire

For cool people under the age of 40, what I am about to say will seem untrue. Not just untrue but violently false. … San Francisco … was once cool.  And not just cool. Perhaps the coolest, most vibrant art scene in the world before it was destroyed by real estate gentrification. As a later day cool and an anthropologist...

Culture Crush, March 26

San Rafael What’s Up, ‘Buttercup?’ Marin Shakespeare Company is mounting Buttercup, a new play by J.D. Murphy, inspired by Guy de Maupassant’s 1880 short story, Boule de Suif. This irreverent and absurd reimagining follows Buttercup, a runaway nun-turned-courtesan, as she navigates a caravan of refugees during the Franco-Prussian War. Mixing satire and heart, the play explores class tensions with humor and...
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