Band Together

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Metallica have represented the Bay Area since 1983, and now the heavy metal icons will headline a massive fire relief benefit concert at AT&T Park in San Francisco on Thursday, Nov. 9.

The show, dubbed Band Together Bay Area, is hosted by San Francisco–based nonprofit Tipping Point Community. Funds from the event will help low-income communities recover and rebuild from the North Bay wildfires. Formed in 2005, Tipping Point helps fight poverty in the Bay Area by supporting service organizations working in the areas of housing, education, employment and early childhood development.

“There’re just far too many people living in poverty here in a region where there’s tremendous wealth, and we think that’s got to change,” says Tipping Point founder and CEO Daniel Lurie. “We need to get everybody engaged and involved in giving back.”

With a board of directors covering all overhead costs, Tipping Point ensures every dollar donated goes to the community. This month, Tipping Point adds relief work to its to-do list, in response to the North Bay wildfires. “We knew immediately that the members of the community up north most impacted would be low-income individuals and families, and immigrants, both documented and undocumented,” says Lurie. “We wanted to help our neighbors, and we felt like we could bring our experience to support the work going on up there.”

Four days after the fires hit, Tipping Point established an emergency relief fund, and Lurie says plans for the upcoming benefit concert began simultaneously. Lurie met with Tipping Point board member and Another Planet Entertainment founder and CEO Gregg Perloff and others from Live Nation to approach artists with Bay Area connections. In addition to Metallica, the bill includes supergroup Dead & Company, featuring Grateful Dead members Bob Weir, Bill Kreutzmann, Mickey Hart and guitarist John Mayer. Oakland hip-hop star G-Eazy, Berkeley punk group Rancid, platinum-selling songwriter Dave Matthews and Oakland soul man Raphael Saadiq will also perform.

Band Together Bay Area is already close to selling out, though Tipping Point is holding the best seats in the house for first responders and those directly affected by the fire. The organization is distributing those tickets to individuals that Lurie says will be honored and appreciated that night.

“We wanted to show all our neighbors in the North Bay that the Bay Area’s got your back,” says Lurie. “We’re not going anywhere.”

Hammer Time

The idea in Marvel Studios’ sequel Thor: Ragnarok, a comedy of outsized figures punching their frenemies into the next county, is that the God of Thunder (Chris Hemsworth) has been relying too heavily on his invincible hammer, Mjölnar, and his superb head of hair. So of course the former gets smashed and the latter cropped.

In this third installment, Thor’s brother and nemesis Loki (Tom Hiddleston) has spirited away their father, Odin (Anthony Hopkins), king of Asgard, to an old folk’s home on Midgard (Earth). A testy Dr. Strange (Benedict Cumberbatch) intervenes. Odin’s daughter, Hela, the god of death (Cate Blanchet), is unloosed. This sooty-eyed Maleficent clone, helmeted with antlers that look like they were designed by Erté, plots to slay the universe; meanwhile, she oppresses the peasantry of Asgard, which we hadn’t really known existed in previous films.

Thor: Ragnarok parallels two bad monarchs, as the action switches from Hela’s misrule to the planet of the cruel, fey Grandmaster (Jeff Goldblum, with a goatee of blue paint). He diverts the subjects of his junkyard planet with fights at a million-seat arena; armored like Mars, the Hulk (Mark Ruffalo) has been dispatching all comers as a mixed-martial artist. Thor, brought there by a wormhole accident, is caught by a bounty hunter (Tessa Thompson) from his old neighborhood and forced to become a gladiator.

Superhero films are best when you have a moment of real fear for the seemingly invincible characters. That doesn’t happen here. Our hero is defiant, even in quiet moments—there’s a fine small scene of the imprisoned Thor chucking pebbles at Loki’s hologram. But director Taika Waititi’s determination to keep it light means that there’s nothing here quite like that moment in The Avengers when it looked as if Tony Stark was about to be marooned in another galaxy.

If Hemsworth is tired of playing Thor a fifth time, either he’s showing no evidence of weariness or he’s a better actor than most people say he is. Hemsworth’s stalwartness holds these super-ratpack movies together.

‘Thor: Ragnarok’ is playing in wide release in the North Bay.

The Show Goes On

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Nearly a month after the North Bay wildfires ravaged the land, the Napa Valley Film Festival charges forward as planned.

The decision to carry on was not an easy one, according to co-founders and directors Brenda and Marc Lhormer, who quickly reached out to employees and seasonal staff (many of whom lost homes) to verify their safety. Next, they assessed the state of screening venues, partner wineries and the overall footprint of the fest to determine the viability of continuing.

“A week and a half after the fires began, we called our team together, our masks on, choking back air. We went around the room and asked how everyone was feeling, mentally and physically. We asked every single person, ‘Do you think you can still do this?’ The resounding answer was, ‘Yes. We want to do it more than ever, so we can be a part of the recovery efforts and make this the most memorable festival yet.'”

Realizing they were in a position to assist, the Lhormers are donating 10 percent of all revenues to the Napa Valley Community Foundation Disaster Relief Fund. Presenting sponsor Lexus also stepped up and donated 1,000 tickets to select screenings for those impacted by the fires.

The festival lineup remains unchanged. More than 120 films, Q&As, culinary demos, special events and winetastings are set to take off on Nov. 8 with the opening-night screening of The Upside, starring Nicole Kidman and Bryan Cranston, at the Uptown. The film tells the true story of a Park Avenue billionaire left paralyzed after a hang-gliding accident.

With the political climate of the country at a tipping point, there are a bevy of films that strike against the presidential grain. ACORN and the Firestorm tells a moving story about the grassroots organization that played a notable role in the campaign that led to Barack Obama’s landmark victory in 2008. LA 92 dives into the events surrounding the uprising following the Rodney King beating.

To further torment the president, there are a string of films featuring strong women and their plights for equality. A Fine Line spotlights San Francisco chef Dominique Crenn, who delves into why only 6 percent of all head chefs and restaurant owners are women. Ella Brennan: Commanding the Table tells the tale of the chef and business woman whose legendary career shaped the culinary scene in New Orleans and launched Emeril Lagasse and Tory McPhail.

Fans of the cult classic Thelma and Louise will revel in the documentary Catching Sight of Thelma and Louise, which examines how much (or little) has changed in the way women are treated and perceived. Famed director, writer and producer Nancy Meyers (Something’s Gotta Give, The Intern) will be honored on Thursday, Nov. 9, as part of the Celebrity Tribute night at Lincoln Theater in Yountville. Others being spotlighted include Michael Shannon, Michael Stuhlbarg, Nikki Reed and Ian Somerhalder. On Friday, Nov. 10, Will Ferrell will be honored at a special tribute followed by a screening of the actor’s favorite film, Stranger Than Fiction.

This year’s fest features more than 19 films from Bay Area filmmakers, actors and locations, including Make It Work: The Idea, about the students of Phillips Elementary in Napa, many of whom are children of immigrants living beneath the poverty line—none of which stopped them from beating 100,000 other kids in an online math competition.

The feature Quest, about a 12-year-old graffiti artist, was inspired by the life of its director-writer, Santiago Rizzo, who rose beyond a violent upbringing, thanks to Bay Area teacher Tim Moellering, who took Rizzo in as a child and changed his life.

Copia makes a comeback this year as a screening venue, hosting the gala on Saturday Nov. 11, and serving as home to the Culinary Stage. CIA chefs, filmmakers, and wine and food experts come together for unique sessions including “Let’s Eat Some Bugs Everyone!” which will dissect the latest culinary wave, with filmmakers from The Gateway Bug, who are sure to stir up something original.

Celebrities expected to attend this year’s festival include David Arquette, Dennis Quaid, Elijah Wood, Zoey Deutch, Lou Diamond Phillips, Thomas Middleditch, Haley Joel Osment, Jim Rash, Eric Stoltz and Lea Thompson. The NVFF will wrap with a screening of Molly’s Game at the Uptown, which follows the true-life story of Olympic-class skier Molly Bloom who ran the world’s most exclusive high-stakes poker game before being busted.

Perhaps the most fitting film of the festival may be Man in the Red Bandana, the story of an unsung hero who rushed people to safety on 9-11 before the South Tower of the World Trade Center collapsed on him.

Is this the Scariest Halloween Photo Ever?

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On Monday Oct. 9 I spent several hours taking photos and reporting on the North Bay fires as they impacted the Rincon Valley part of town. How’d I wind up there? Well, I got the call from the boss at around 7 a.m. and basically followed the smoke up Highway 101 and into Santa Rosa, until I found a fire. It was quite a day and unlike any other I’ve spent as a reporter and I know that it was a day like no other for many, many residents here. I spent a small part of the afternoon helping a local guy put out some flames that were encroaching upon the backyard of a house that hadn’t burnt up. Then I set out to record the destruction in and around Wild Lilac Lane. I saw many strange and sad things that day but when I came around a smoky bend in the road and saw this halloween figure dangling on a tree…darn near scared me right out of my shoes. I stood behind the decoration as it twisted gently in the ashy breezy and took this shot. In the background, that’s a propane fire at a house that burned down. Not so many treats in the Rincon Valley this Halloween, alas.

Sonoma County Plans Day of Remembrance

The death toll from October’s wildfires stands at 42, and thousands more have lost homes in the most devastating natural disaster in the North Bay. Now that the community is turning towards rebuilding, Sonoma County is taking a day to remember those who died, comfort those who lost homes and businesses, and thank the tireless first responders who saved so many.

Taking place on Saturday, Oct. 28, the Day of Remembrance invites the community to gather at the Santa Rosa Junior College for an event that will feature the Fire Department color guard, local law enforcement honor guard, Sonoma County Sheriff Rob Giordano, CalFire chief Ken Pimlott, Santa Rosa fire chief Tony Gossner and others.

On behalf of those who died, the color guard will perform on bagpipes and ring the firefighter memorial bell. Music from Transcendence Theatre Company and messages of healing from interfaith leaders will inspire resilience for those who are struggling, and community leaders will be on hand to reflect on what it means to be “Sonoma Strong.”

Sonoma County Day of Remembrance takes place on Saturday, Oct. 28, at Bailey Field, SRJC campus, 1501 Mendocino Ave, Santa Rosa. Doors at 10am, event begins at 11am. Free admission and parking. There will be seating in the bleachers, and families are welcome to bring blankets and sit on the grass field. Click here for more info.

Metallica Headlines Upcoming Fire Relief Benefit Concert

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metallica_Bay Area music icons and heavy metal megastars Metallica have announced that they will headline a massive fire relief benefit concert at AT&T Park in San Francisco on Thursday, November 9, along with Dave Matthews, G-Eazy and other artists. The show, dubbed Band Together Bay Area, will raise funds for the Tipping Point Emergency Relief Fund, which is helping low-income communities recover and rebuild from the recent North Bay wildfires.
In a recent Youtube video (below), Metallica members James Hetfield, Lars Ulrich, Kirk Hammett and Robert Trujillo express their sadness about the fires, their admiration for the first responders and their commitment to helping the community they’ve represented for over 30 years with the upcoming concert.
Since 2005, the San Francisco-based Tipping Point Community has worked with the most effective nonprofit organizations in the Bay Area to support individuals and families trying to break the cycle of poverty. In response to the devastating wildfires, Tipping Point is now focused on helping displaced North Bay residents who are experiencing urgent housing, clothing, food and other needs.
Tickets go on presale this Thursday, Oct 26, for Metallica fan club members and subscribers of the San Francisco Giants, Live Nation, Another Planet Entertainment and Tipping Point Community. The general public can get tickets the next day, Friday, Oct 27. Prices range from $49 to $199 and all proceeds go directly to Tipping Point.
[youtube]https://www.youtube.com/watch?v=iI3N6TJuHqw[/youtube]

Dialed In

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At first it was just Mike.

At about 11:30pm on Oct. 8, KSRO radio producer and engineer Mike DeWald was finishing a game of hockey at Snoopy’s Home Ice in Santa Rosa when he smelled smoke. Maybe the Zamboni was overheating, he thought.

Heading for his home in Rohnert Park, DeWald’s phone began to light up with messages about a fast-moving wildfire headed from Calistoga to Santa Rosa down Mark West Springs Road. He wasn’t going home now. He turned around in Cotati and headed to the radio station in Santa Rosa. By the time he passed the Sonoma County Fairgrounds on Highway 12, he could see fire illuminating he night sky in the east. It looked like “the gates of hell opening up on the horizon,” he says.

When DeWald arrived at the KSRO studio on Neotomas Avenue, he was alone. DeWald is the producer of The Drive with Steve Jaxon, from 3pm to 6pm, and works behind the scenes. But he was ready to go on the air to report on the fires, the scale of which he did not yet comprehend.

“I said, ‘I guess I’m going to have to do this.’ Just as I was about to do that, I saw movement in the parking lot. I thought, ‘That’s strange.’ And a few seconds later, Pat Kerrigan walked in.”

DeWald quickly learned that Kerrigan, KSRO’s 6–9am news anchor, had just been evacuated from her home in Kenwood. She was there with her wife and dog.

“She said something like, ‘Are you ready for this? Here we go.'”

What followed in the chaotic, early hours of Oct. 9, as the fire lay waste to thousands of homes and displaced some 100,000 people, was an extraordinary moment in Sonoma County. Just after midnight, DeWald broke in on the syndicated broadcast of Coast to Coast AM, a talk show about UFOs, Bigfoot and all things paranormal, and Kerrigan began to report the little she knew about the fires.

Fifteen minutes later, Michelle Marques, a former news reporter and host of a community affairs show on KSRO, arrived. She lives in middle Rincon Valley and awoke to the smell of smoke the same moment DeWald texted her a photo of the fire with a message that it was burning from Calistoga to Santa Rosa. After alerting her roommate, Marques grabbed her passport, 2016 taxes, sketchbook, toothbrush and two pairs of underwear and headed out the door. What she saw terrified her. Fire was visible to the south, and to the north she saw Fountaingrove ablaze.

“It was glowing red,” Marques says, “but bright like the sun was coming up. There were huge visible flames coming up along the ridge.”

Like DeWald and Kerrigan, Marques knew she had to get to work. She drove through hot blowing wind, debris and smoke on her Vespa scooter, her only vehicle. “I was really terrified. I think I was hyperventilating.”

DeWald, 30, started at KRSO 13 years ago as an intern. Because of his nine years scheduling guests for The Drive with Steve Jaxon, DeWald’s cell phone holds numbers to a who’s who of Sonoma County.

“I don’t know everyone, but I know how to reach everyone,” he says.

He was soon lining up calls for Kerrigan and Marques with public officials, photographers and others with on-the-ground information about the fire.

It didn’t take long for the trio to comprehend how large and destructive the fires were. For DeWald, that moment came when Press Democrat photographer Kent Porter called in about 7am to report on the destruction he had seen in the Fountaingrove area.

“He was describing these landmarks that weren’t there anymore,” DeWald says. “‘This is gone. This is gone. This is gone.’ It was the first description of where the fire had reached near downtown. It was a sobering moment in the studio where we realized the fire was here and it had hit us.”

The seat-of-the-pants broadcast built on itself. The more public officials and others with information about the fire appeared on the air, the more others turned to the station to get the word out.

“It began on the fly and remained on the fly,” Kerrigan says. “Most of the preparation involved somebody handing me a piece of paper with a note scrawled on it so I knew who I was talking to.”

The station become a conduit of information, receiving news and broadcasting it in the same moment. In a crowded, highly fractured media landscape, frumpy AM radio emerged as the most essential source of information about the fires. Not bad for an 80-year-old radio station using technology that dates back to the late 19th century.

Kerrigan and Marques were on air until noon—for about 12 hours. DeWald pulled a 19-hour day behind the board; the next day was 17 hours.

With regular programming out the window, Steve Garner, Steve Jaxon, Heather Black and others stepped in to hold down the mic. Kerrigan, whose smoky voice, at once authoritative and comforting, is now inextricably linked to the fires, doesn’t know how she has a voice left at all.

“It doesn’t make sense. I guess that’s the way it’s supposed to be right now,” Kerrigan says.

Soon, everyone at KSRO was working long hours, answering phones, lining up guests, posting to Facebook and relieving DeWald, Kerrigan and Marques. And it continued in the days that followed before anyone could take a breath. The station went several days before they aired a commercial.

“It was like a telethon in the studio,” DeWald says.

KSRO became the voice of Sonoma County in part because early on there was no one else able to fill that role. Since the fires damaged cell towers, knocked out internet service and disabled Comcast cable for many hours, KSRO 1350-AM became the first and best source for information. The station, part of Amaturo Sonoma Media, also simulcast on its four sister FM stations. KSRO was omnipresent. Unlike FM transmitters, which use line of sight to broadcast their signal and must be erected on mountaintops and ridges, AM transmitters are located in lowlands, because AM radio waves travel near the ground. KSRO’s transmitter was well out of the path of the fire on Stony Point Road near Highway 12. The station is required by law to drop its signal from 5,000 watts to 1,000 at night, except in cases of emergency.

“That’s what we did,” says Michael O’Shea, Amaturo Sonoma Media president. “We broadcast at full power 24/7.”

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By 3am, the station was getting crowded, as many of KSRO’s employees were evacuated. No one knew how long they would be safe, because the studio is located at the mouth of Bennett Valley, an area that would later be evacuated. O’Shea fled his Rincon Valley home and arrived at the station about 3:15am. He took a photograph from the station’s parking lot that showed how close the fire was. During one broadcast in the first week of the fires, Jaxon had to dash out to get his dogs when evacuation of his Bennett Valley neighborhood was announced.

In the early days of the fire, there was no time to plan the broadcasts because there was so much happening, so much news to report. “It was just, keep it going and keep talking to people,” O’Shea says. He adds that Kerrigan was the best talker of all.

“I cannot offer any higher accolades to anybody,” O’Shea says. “She was our quarterback.”

Kerrigan has only been the news anchor at KSRO for a year, but she clearly rose to the occasion.

“I’m old-school radio,” she says. “I think that’s why radio stations were created: to be of service to their community, and this is the perfect example of it.”

DeWald, during the long hours in the studio (which he calls a “a 30-by-30 box”), worked to maintain mental focus. He likens his job of producer to that of a conductor.

“Whoever is on the air plays off of me. I have to keep calm as a middle point between things happening in the newsroom and things happening on the air. Because if that chain breaks, then the sound on air becomes more chaotic.”

And chaos is not what people needed to hear. Local and state officials have been profuse in their appreciation of KSRO’s coverage.

“I want to thank KSRO for keeping the community apprised from top to bottom,” said State Sen. Bill Dodd in an interview on Monday with Kerrigan.

Like Kerrigan, Sonoma County Sheriff Rob Giordano became a household name in the wake of the fire and a regular on KSRO.

“They did quite the job,” he said. “They just kept covering everything and talking to everybody.”

In a disaster, cell phone and internet service can be unreliable. But not radio, he said.

“It’s old technology and it works great.”

While he spent most of his time in the studio, DeWald went to Coffey Park the fourth day of the fires to report from the field, a first for him. The photographs he saw and interviews he heard did not prepare him for the devastation.

“When you actually stand in the center of Coffey Park,” DeWald says, “you see it’s just pieces of everyone’s life sitting in front of you in this area of desolation. To actually stand there and see it was just a really heavy moment.”

As the fire entered its second week, staff shifts began to normalize. DeWald was able to take time off to see a Shark’s game. Marques visited a friend in Petaluma and played Legos with her four-year-old daughter, a welcome change of pace. As of Friday, Kerrigan had not had a day off, but she was planning a break.

Even on her time off, Marques says she was still texting DeWald about the fire, processing what she’d seen and heard. “You’re terrified and you can’t really rest.”

During her second day on the job, the events of the fire got to her.

“I didn’t cry the first day,” Marques says, “but I did have to stop a couple of times the second day to just cry, and I couldn’t be on the air because it was awful. We were finding out how many people had died.”

When he first got home, DeWald said he needed time to decompress and reflect on what he had seen and heard.

“It weighs on you so much, but in the heat of it, it doesn’t hit you. But in the quiet by yourself, all these things you’ve heard come back to you. It’s a powerful thing.”

As firefighters gained control of the blazes last week, Santa Rosa residents expressed their appreciation to Cal Fire, the Santa Rosa Fire Department, the Sonoma County Sheriff’s Office, PG&E—and KSRO. Banners were hung from freeway overpasses and placards went up on light poles. The praise is not something Marques is comfortable with, especially since there are people still unaccounted for. “I don’t feel that’s appropriate. We were just doing our job.”

DeWald was taken aback by the banners.

“We don’t belong with those names. We weren’t running into the fires, but seeing that did choke me up a little bit. It made me realize what we did had an impact.”

For Kerrigan, who has been a Sonoma County broadcaster since 1980, she appreciates the praise but hasn’t been able to pay much attention to it. She just returned home home last week.

“I’m honored by it,” she says. “I hope one day to be able to sit down with all of that, but I don’t know when it will be.”

The fires are all but out as the cleanup and long road to recovery begins. I knew things were getting back to normal when I tuned into KSRO last week and Coast to Coast was back on air. The show focused on some apparently compelling photos of an alien that had crash-landed in Roswell, Ariz., in 1947. Lamentably, the bilious Laura Ingraham is back on the air, too, a study in contrast to the goodwill on display in the North Bay. Syndicated programming had been suspended during the early days of the fire.

Monday, I heard a commercial from a prospecting law firm looking to sign up clients interested in suing PG&E, even though the cause of the fires has yet to be determined. Life goes on. But like the fire, KSRO’s role won’t soon be forgotten.

“The story was and is maybe the biggest thing that will ever happen to us as individuals and a community,” Kerrigan says. “It’s been the kind of radio people like me dream of—except for the circumstance of it.

“If it weren’t for all this death and destruction it would be a great couple of weeks of radio.”

Strong Brew

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The story of Sottile red is a tale of total disaster averted, then tragic loss and, finally, the spirit of a community coming together for a good cause. And that was way before October 2017. It all started Nov. 6, 2014, when an accidental structure fire broke out in the charity-driven Bon Marche thrift store. The fire threatened the adjacent Sonoma Spring Brewery, which was just getting back on its feet in the Riverside Drive building after being out of production for a year, until 30-plus firefighters showed up at the three-alarm blaze.

“They basically saved our bacon,” says brewery partner Derek Drennan. The following October, with tap room open and head brewer Tim Goeppinger’s kettles steaming with his signature Sonoma-style, German-influenced brews, the brewery invited the local fire department to help make a beer with them that would benefit the Sonoma Volunteer Firefighters Association. They liked the idea, and chose a red ale because, well, fire department—but also because they preferred the brewery’s stronger Lil Chief and SonomaComa ales, for the originally named Firehouse Red.

But while Goeppinger’s custom double American red recipe brewed, Drennan’s main point of contact for the November 2015 release party, a volunteer firefighter named Lino Sottile, suddenly passed away in his sleep. “He was a good guy,” says Drennan. “He was a regular customer of ours, he was a home brewer, and he was super-excited about this event.” The beer was renamed to honor Sottile, and the event—now part-wake, part-celebration—was well received by Sottile’s family and the community. The event expanded in 2016, with firefighters selling brats and T-shirts while a band played in the parking lot.

This year, says Drennan, “it’s taken on a whole new meaning—for obvious reasons.” And you don’t even have to show up to the release party, tentatively scheduled for Nov. 11, to benefit the Sonoma Volunteer Firefighters Association with 10 percent or more of beer sales: this year, Sottile red ale will be available in cans in local markets. 19449 Riverside Drive, Ste. 101, Sonoma.

St. Florian’s Brewery

The first time I walked into St. Florian’s Brewery, a tour of the brewing facility revealed heaps of clothes and other donated items stacked around the tanks, destined for victims of the 2015 Valley Fire in Lake County.

St. Florian’s, founded by Amy and Aron Levin, already donates a minimum 5 percent of its profits to firefighting and community organizations, Now they’re teaming up with local breweries like Crooked Goat, Bear Republic, Fieldwork and others throughout the area and beyond, to make a brew in the Sonoma Pride program spearheaded by Russian River Brewing Company.

Incredibly, the brewery has already held a fundraiser event this month—while brewery Aron Levin, who is a Windsor firefighter, was on the lines for the Tubbs and Nuns fires. Named for the patron saint of firefighters, St. Florian’s makes a malt-forward yet dry and robust style of “Flashover” IPA and other ales. 7704 Bell Road, Windsor. 707.838.2739.

Third Street Aleworks

Annadel pale ale is the signature beer of this Santa Rosa favorite, and that reminds us of Annadel State Park, which has reportedly suffered 75 percent burning. What has become of the trails that so many love to hike or ride?

“That’s definitely at the top of our minds,” says Third Street Aleworks brewmaster Tyler Laverty, who flew back from a business trip to the Great American Beer Festival at the end of the weekend only to be evacuated from his house later that night.

Several years ago during the state park funding crisis, Third Street stepped up, and while a benefit of some kind for the park is still in discussion mode, says Laverty, the brewery’s patrons raised $3,191 in the last few weeks with $1 of each pint sold. Next, Third Street’s own Sonoma Pride IPA is due on tap in the second week of November.

Laverty credits Russian River’s Natalie and Vinnie Cilurzo for getting two malting companies to donate bags of two-row malted barley, which is essential to brewing, to get the suds started. Then, one of Third Street’s hop suppliers reached out just to see how they were doing, and ended up shipping them two boxes of hops, gratis. Thus, 100 percent of the proceeds of the upcoming IPA will go to Levi Leipheimer’s King Ridge Foundation, which also helped out after the Valley Fire. 610 Third St., Santa Rosa. 707.523.3060.

Russian River Brewing Company

Not only has the brewery moved fast to repurpose its Sonoma Pride trademark for a collaborative series of benefit beers, it’s also holding a raffle offering Pliny fans from far and away line-jumping privileges during the next frenetic Pliny the Younger release in 2018.

Sorry—I should have said, “line-cutting privileges,” as I know that many folks, including myself, don’t want to hear about anything that’s jumping a line, anytime soon.

The raffles will be held Nov. 13–15, and each day Russian River will draw four names of who’ll get a fast pass to taste that curiously quenching triple IPA. 725 Fourth St., Santa Rosa. 707.523.2337.

Stations of the Luxe

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An 2005 independent audit of municipal fire services in Sonoma County concluded that the Santa Rosa Fire Department’s facilities “have not kept up with the city’s growth in recent years,” as it recommended that the city take up the recommendations of a 2004 Sonoma County Grand Jury report that highlighted a number of SRFD shortfalls in service, response times and deployment of resources.

The audit and final report was prepared Economic & Planning Systems Inc., for the Sonoma Local Agency Formation Commission (LAFCO) and released in August 2005. The final report audited all fire districts within Sonoma County and had this to say about the SRFD:

“Inadequate facilities, aging equipment, and insufficient funding have made it difficult for the department to maintain a high level of service in recent years. These challenges were reflected in the findings of the 2004 Sonoma County Grand Jury. Development impact fees and a new sales tax, a portion of which will be dedicated to fire protection, will help fund necessary improvements, allowing the department to better meet current and future demand.”

(The sales tax was supported by Santa Rosa voters in 2004 when they approved Measure O, which set out to fund fire, police and anti-gang efforts in Santa Rosa and protect those budgets from the whims of politics or economic downturns.)

So, how did the numerous Grand Jury recommendations—build more stations, buy more equipment, upgrade systems to improve response times, etc.—play out over the following decade?

Santa Rosa Fire Chief Anthony Gossner says about half the recommendations were implemented by the time of the Tubbs fire. “We haven’t gotten it all done,” Gossner said during a recent interview at the Sonoma County Fairgrounds.

He quickly added that given the scope of the North Bay fires catastrophe, “even if we had, 50 [new] stations wouldn’t have made a difference.”

And one of the recommendations that was implemented turned out to be kind of a bust: The Grand Jury called for the construction of a new firehouse in the Fountaingrove part of town. As long-time Santa Rosa Bohemian readers have recently pointed out, that area had been the subject of intense local debate at the turn of the century over the wisdom of developing luxe homes in a fire-sensitive area.

Those concerns were, however, drowned out by developers and their local enablers in the political and media class who championed the emergence of a new Santa Rosa enclave—complete with its own brand-new fire station.

Then it all burned up.

Fair Questions

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As the historic North Bay fires are brought under control, data coming out of the state insurance industry tell a tale of massive destruction: nearly 5,500 residential losses, 601 commercial losses, up to 3,500 noncommercial auto losses and 39 boats burned up in the blazes that killed 43 and caused more than
$3 billion in damage.

But there’s one fire-related statistic that’s interesting for its small size: 23.

That represents the number of people who have so far filed insurance claims through the California Fair Plan, the fire insurer of last resort for those who can’t get otherwise get a policy because they live in an area at high risk for wildfires.

As it now appears that high-density parts of Santa Rosa are at high risk for wildfires, what will that mean for the California Fair Plan moving forward and for homeowners’ insurance policies in places like devastated Coffey Park? Will those folks still be able to access the private homeowners’ insurance market? Will the California Fair Plan see a spike in participation as the state insurance industry also grapples with a “new normal” of potentially non-anomalous urban wildfires?

In places like Coffey Park, “we did not have much in the way of market share,” says Anneliese Jivan, president of the California Fair Plan. “Those neighborhoods were not considered high risk brush or wildfire areas, so we weren’t writing there.”

Does she think her agency will be writing policies in the neighborhood as it is rebuilt and which lost some 1,400 homes to the inferno?

“What I can tell you is that I can’t predict what is going to happen, but we will be there for whoever needs us,” Jivan says. “If the insurance industry, en masse—and I don’t think this will happen—says, ‘We won’t write it,’ we are going to be there, regardless of the number.”

Created in the aftermath of the 1968 Watts Riots, the California Fair Plan is based in Los Angeles and was established by the California Legislature in response to inner-city businesses’ inability to secure insurance after those riots. It soon expanded to include insurance options for people in areas at high risk for wildfires, and 50 years after its inception, may be more critical than ever.

The Fair Plan is essentially a privately run high-risk insurance pool that’s audited every three years by the state. It writes policies that are collectively underwritten by all insurance companies that do business in California.

That same insurance industry has been running away from fire policies almost as fast as Coffey Park residents ran from their blazing homes—a phenomenon highlighted in fallout from the 2015 Valley fire in Lake County, says a consumer advocate.

“Before this catastrophe, our organization had been involved with people in certain parts of the state who’ve been dropped or had their rates go up a lot,” says Amy Bach, executive director of United Policyholders, a consumer-advocacy group based in San Francisco.

“We’ve been worrying about this and the [State] Department of Insurance has been worrying,” adds Bach. “Things were a little scary before this—meaning insurers were starting to get the heebee-jeebies about staying in the fire-insurance market in California, and you can’t blame them, right?”

Homeowners insurance is not mandated by the state but is a requirement for anyone who wants to get a home mortgage from a bank. The California Fair plan won’t deny anyone in a once or future high-risk area, says Jivan.

In the aftermath of the devastating Valley fire, access to the California Fair Plan was tweaked to ease access for consumers now faced with an industry in retreat from writing fire policies.

“We went to the [state] insurance commissioner,” says Jivan, “and said, ‘Look, we’re making it hard to let people come in, because three companies would have to have denied them coverage.’ We just made it easier to come to us if they need us.”

The coverage offered by Fair Plan isn’t as comprehensive as one would find in the private market, says Bach.

“The coverage is basic,” she says, while also crediting the state for creating the program and expanding it. The insurance offers two separate tiers of coverage, one more comprehensive than
the other.

“I give props to Insurance Commissioner [Dave] Jones and his team. They’ve tried to expand the benefits that are available with a Fair policy, but after past disasters, we’ve seen that many people were grossly underinsured.”

“Generally speaking,” says Bach, “you don’t want to be in the Fair Plan unless you don’t have a choice.”

The California Fair Plan covers up to $1.5 million in losses at a single residential location, according to online resources. Bach expects that in places like Coffey Park, homeowners will likely experience an increase in their insurance rates, regardless of any new official high-risk designation that may come from state fire officials or insurance actuarians.

Before the fire, says Bach, “their home insurance was probably quite affordable, relatively speaking, and people were paying between $800 and $1,200 a year for their home insurance. I think we are going to see some changes in the market. The days of people paying under $1,000 for fire insurance in California I think are numbered. That is certainly where insurance companies have been saying they are headed.”

As the fires raged, the industry tuned in to the new normal of urban wildfires and their implication for insurers. A report in the online Insurance Journal that appeared while first responders were still plunging into the variously horrible infernos that broke out across three counties on Oct. 8, reported that a hazard-risk analysis undertaken by the Irvine-based analytics firm CoreLogic, found that 172,117 homes “with a combined reconstruction cost value of more than $65 billion are at some level of risk from the wildfires in the Napa and Santa Rosa metropolitan areas alone.”

That’s a lot of newly identified risk—but consumer advocates
say the insurance industry can absorb it.

“As big as the fire was,” says Bach, “it’s still a drop in the bucket in terms of the number of policies that they have in force in the state. They should be fine, and these fires shouldn’t prevent them from doing business in the state. We’ll see some reduced competition, some reduced availability and some increased pricing,” she adds.

Mark Sektan, president of the Association of California Insurance Companies, a Sacramento-based lobby for the insurance industry, says time will reveal how fire insurance plays out in places like Coffey Park. “At this point, it’s too early to really anticipate what companies may or may not do in the aftermath of the North Bay firestorm,” Sektan says. “I would anticipate there would still be availability,” he says, noting that some insurers may leave the fire-insurance market while others may choose to take on more risk.

In the meantime, insurance agents have deployed throughout the region and have already started cutting expense checks for people who will be displaced for many months as their homes are rebuilt. A 2003 reform to the state insurance code now requires that insurers provide up to two years’ worth of expenses to the displaced; other state laws forbid insurance companies from dropping customers for a year after a disaster is declared. That reform was of great help to Lake County fire victims, says Setkan, who notes that one lesson in these cataclysmic fires is that “the cleanup takes forever. Nothing can happen until that happens, and the cleanup is not driven by the insurance industry.”

Consumers are also protected by insurance reforms implemented by Proposition 103 in 1988 that prevents the industry from engaging in price gouging, says Nancy Kincaid, chief spokesperson with the State Department of Insurance.

“[Proposition] 103 mandates that rates are fair and justified,” she says. When the industry models losses in a rare “anomaly” event such as the North Bay fires, and scopes out the losses over a two or three year period, she says, the industry can’t justify a spike in insurance rates to address anticipated losses—they can raise it “maybe 5 percent.”

But how does this storyline change if what was once rendered a rare anomaly by the insurance industry is now the norm?

Jivan says fire-modeling methods that created the “previously defined high [risk for] brush-fire areas won’t work anymore. It is my opinion that this will be a big wake-up call.”

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