Nov. 16: Home of the Free in Sebastopol

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Sonoma County immigration attorney Christopher Kerosky has spent the last year working with his nonprofit group My American Dreams on behalf of local DACA recipients who may face deportation under the current administration. Recently, Kerosky also teamed with former Washington Post reporter Jose Antonio Vargas on the documentary The Only Home I Know, which profiles North Bay DACA recipients like artist Maria de Los Angeles. The film screens on KRCB-TV on Nov. 20, and My American Dreams hosts a premiere screening, panel discussion and reception that raises funds for undocumented victims of the fires on Thursday, Nov. 16, at Sebastopol Center for the Arts, 282 S. High St., Sebastopol. 6pm. myamericandreams.org.

Nov. 17: California Craftsmanship in Santa Rosa

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For nearly 30 years, the Sonoma County Woodworkers Association has showcased its world-renowned works of art in the annual ‘Artistry in Wood’ exhibit, and this year the show returns for its biggest display yet. Combining a historical influence, regional philosophy and ever-evolving techniques, the woodworkers in this year’s show push the medium in new directions with unique handcrafted pieces that are judged by the community’s most prominent figures. “Artistry in Wood” exhibits through December and opens with a reception on Friday, Nov. 17, at the Museums of Sonoma County, 425 Seventh St., Santa Rosa. 6pm. $7–$10; free for museum members. 707.579.1500.

Nov. 18: Wine Country Women in Calistoga

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Celebrating the accomplishments and endeavors of the North Bay’s leading ladies, the newly published book ‘Wine Country Women of Napa Valley’ by Michelle Mandro looks in on the lifestyles of 65 women from the region who’ve made a name for themselves with wine, food and boutique businesses. This week, the book is featured in a fundraiser with several of the women on hand, including winery owner Suzanne Phifer Pavitt, opera singer Kathryn Sculatti and chef Elizabeth Binder. Donations made at the event will go to Jameson Animal Rescue Ranch’s work with animals impacted by the wildfires. Saturday, Nov. 18, Copperfield’s Books, 1330 Lincoln St., Calistoga. 3pm. Free. 707.942.1616.

Nov. 18: Light Up the Town in Sonoma

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Sonoma Valley has been through hell this year, though the area’s strength and resolve remain intact after the wildfires. To celebrate the still-standing downtown Sonoma and a new holiday season, the Lighting of the Historic Sonoma Plaza commences this week with eight acres’ and 100,000 sparkling lights’ worth of winter wonderland. To mark the occasion, Sonoma Valley’s Transcendence Theatre Company will perform a musical holiday tribute, and the family event is stuffed with cider, hot chocolate and cookies for the kids, live jazz music and community presentations. Bring the family and spread some cheer on Saturday, Nov. 18, at Sonoma Plaza, First St. E., Sonoma. 5pm. Free admission. 707.996.1090.

On the Bus

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We were packed and ready to board when a couple hustled over to our idling Mercedes Sprinter cargo van at a Rohnert Park park-and-ride lot. “Is this the van for the beer tour?” asked the man.

Our tour guide, Brian Applegarth, chuckled a bit and greeted the eager beer drinkers. “This is a cannabis tour,” he said. “It’s the first of its kind in the North Bay.”

Applegarth, co-founder of Emerald Country Tours, California’s first cannabis tour company, explained what the tour was about and where we were going, and by the end of their conversation, the couple wished they could get on our bus and skip the beer tour. But this was a test run for media and the tour wasn’t open to the public yet. That happens next year. The couple said they would be back.

The exchange was a bit of a vindication for Applegarth, who has been working with partner Jeromy Zajonc to get the tour company off the ground for the past few years. With recreational cannabis becoming legal Jan. 1, and growing mainstream interest in cannabis culture and products, Applegarth is poised to capitalize on Sonoma County’s unique location in the middle of what he calls “Emerald Country”—a region from Santa Cruz to Arcata that’s home to decades of cannabis cultivation, culture and history. The Emerald Triangle (Mendocino, Humboldt and Trinity counties) is the heart of California’s marijuana cultivation, but the larger region outlined by Applegarth has great stories and characters, and Applegarth wants to guide pot tourists there just as they now flock to the North Bay for winetasting and beer tours.

“Our goal is to empower people with information, promote a sense of wonder and let them feel transported.”

Applegarth is not creating a booze cruise for stoners. There is no smoking or vaping on the bus. Cannabis consumption is not allowed for legal reasons (but participants can partake off the bus where permitted), but Applegarth also wants the tours to focus on cannabis culture, heritage and health and wellness, not clouds of smoke. He’s also working on a self-guided tour with key stops along cannabis’ road to legalization, with a focus on the people who fought for the plant’s acceptance as a health benefit for those with chronic illness.

“The history is deep,” he says.

Applegarth has traveled extensively internationally and gone on many sightseeing tours himself, and he likens his tours to Vietnam’s Cú Chi Viet Cong tunnel tours, a window into a formerly secret world.

Our first stop was Rohnert Park’s not-so-secret OrganiCann, a dispensary that bills itself as the first and biggest outlet in Sonoma County. Guerneville’s Riverside Wellness might dispute that claim to being first, but OrganiCann is certainly the biggest. The 30,000-square-foot warehouse retail space is the largest in California. Anyone with a medical recommendation can visit the dispensary (and after Jan. 1 that won’t be necessary).

So what is there on the tour that’s not available to the public? Access. While the nature of the tour will likely evolve once it’s open to the public, our stop at OrganiCann featured a behind-the-scenes tour of the business operations and plant nursery. It would be an eye-opener to anyone who has never entered a dispensary before—more than a hundred kinds of edibles—but probably not particularly illuminating to those who have. Applegarth says his tours are aimed at anyone with interest in the history, culture and medical benefits of cannabis.

“It’s an exciting time because we get to invent what cannabis tourism looks like,” he says.

Will people spend the $179 for a tour? It remains to be seen. Applegarth says interest is high.

“We’re excited to see where it goes,” he says. “We’re going to follow the direction of the consumer.”

For newcomers and old hands alike, visits to cannabis farms will probably be the most interesting part of Emerald Country’s tours, since these are the places that were hidden and off-limits until we entered the new legal era. And to be sure, many operations still want to remain hidden. Applegarth says he reaches out to growers looking to build brands and stake a position in the new legal marketplace. He’s in contact with about a dozen growers for the tours.

On the way to visit a grower in Forestville, Applegarth unfurled a poster of “cannabis man,” a medical chart that described how the human endocannabinoid system works and how cannabis affects the body. It was a short tutorial, just a hint of some of the health and wellness information he will be imparting on the tours, one of which is focused just on that subject.

For a bit of fun, Applegarth invited us to don blindfolds as we neared the grow site to recreate the experience of “trimmigrants” being shuttled to clandestine gardens to trim and process freshly harvested pot. Back in the day, some growers hid the location of their grows, lest some trimmers come back and rip them off.

Turning off Highway 116 near the Blue Rock Quarry, we bumped up a dirt road and immediately passed a Sonoma County sheriff’s deputy handcuffing a Latino man. Was this a pot bust, we all wondered? It turns out the man was an undocumented worker arrested on an immigration charge and headed to the clutches of Immigration Customs Enforcement. But as we drove up the road, we were reminded that even growers who comply with state and local authorities can still face arrest and destruction of their crops.

The grower we met was “Oaky” Joe Munson. He grows cannabis for AIDS patients free of charge. He’s been raided by the sheriff and had his plants confiscated several times (see the Nugget, p30). He said he showed deputies his permits to grow medical marijuana, but that hasn’t stopped the raids.

“They said, ‘No, marijuana is bullshit.'”

Even though he says he’s in compliance, he fears another raid.

“I put the biggest plants at the bottom of the hill so the cops have to work really hard to get them out.”

He asked us not name him or publish any photographs before he harvested his crops, which he has since done.

From Munson’s farm, we headed to Guerneville for a catered lunch on the Russian River and a visit to the shoebox-size Riverside Wellness, a densely stocked dispensary that caters to the Russian River community. It was a pretty idyllic end to the sneak-peek tour.

Will cannabis tourists come running next year? My guess is yes, especially as Applegarth and Zajonc add more growers to the itinerary. Everyone wants to meet former outlaws and their old hideouts.

As the North Bay tourism industry seeks to attract visitors after the fires, pot tours may be an attractive option. Applegarth sits on Sonoma County Tourism’s marketing committee, but so far the organization is not promoting the tours alongside the many excursions it does support in Sonoma County. That’s not a slight against the tour company, but simply a reflection of the fact the tours aren’t open to the public yet, says Tim Zahner, Sonoma County Tourism’s interim CEO. There may be opportunities for collaboration next year, he says.

“After January we’re going to start figuring all this stuff out and have a lot of good questions,” says Zahner.

“Right now we’re in a waiting game.”

The Long Branch

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It was an interesting, observable irony: as the North Bay fires burned, tree trimmers under contract with PG&E were noticeably active around the region.

In late October, trucks from the Davey Tree Expert Company were spotted hard at work around West Marin and in places like far-flung and fire-sensitive Bolinas, cutting branches away from power lines, while smoke from Sonoma County still lingered in Hicks Valley.

The flurry of tree-trimming activity late in fire season was undertaken while firefighters from as far away as Australia battled the blazes, while no firefighters drove north from Bolinas to pitch in, given what one firefighter described recently (before the rains arrived) as “the tinderbox conditions” locally. So, shouldn’t the trees be trimmed before fire season, and not while fires are actually burning?

State law requires that PG&E, an investor-owned company and the largest utility in the state, maintain a buffer zone of 18 inches to eight feet between tree branches and its power lines (the buffer space depends on the voltage of the power lines). The company does this through its Vegetation Management Program. Yet it appeared the company had some catching up to do on that front in late October, at least in West Marin. Davey provides tree-trimming services in Marin, Sonoma and Napa counties under its contract with PG&E.

Davey, an employee-owned company based in Kent, Ohio, with business throughout the United States, says the regional tree-trimming work is on schedule under the terms of its four-year contract with PG&E, which runs through December 2019.

“Routine work schedules for 2017 are proceeding as planned with the assigned local crews,” says Davey spokeswoman Jennifer Lennox in response to an inquiry about the apparent recent uptick in tree-trimming activities in West Marin.

“Davey has provided additional resources from outside of the Marin/Sonoma/Napa operations,” she adds, “to assist in power restoration in the fire areas.”

If, as Joe Biden likes to say, the past is indeed prologue, then tree-trimming activities in the North Bay will likely come into sharper focus in coming months as questions about accountability are sorted out by Cal Fire investigators, plaintiff’s lawyers and civil juries.

PG&E-contracted tree trimmers, including Davey, have been roped in on previous lawsuits centered on wildfires and power lines as recently as 2015.

A lawsuit filed on behalf of victims of the 2015 Butte fire in Amador County against PG&E and Trees Inc. claims the utility and its contractor were negligent in tree-trimming activities, and that the fire started when power lines came into contact with a tree.

According to the plaintiff’s representation in that case, Singleton Law Firm based in San Andreas, Calif., one trigger for that suit was a statement made by PG&E and Cal Fire after the blaze which said “that the Butte fire was likely caused by a tree maintained by PG&E and Trees Inc. coming into contact with a PG&E power line near the ignition point in Amador County,” according to the Singleton website.

Davey Tree has been caught up in at least one fire-related lawsuit brought against the utility. The U.S. Forest Service sued PG&E and Davey for their role in the 2008 Whiskey fire in Mendocino National Forest, when branches from a gray pine tree that were two feet from power lines ignited and burned some 5,000 acres at a cost of $5 million, according to Forest Service documents.

PG&E, Davey and a second contractor, ACRT Inc., were ordered to pay $5.5 million, split among the parties, all of whom denied any liability for the fire even as they agreed to the settlement.

As for the recent fires, which dwarf the Whiskey and Butte fires in their scale and damage, PG&E has already been sued in state superior court by dozens of burned-out residents for its alleged role in the fires.

But Davey Tree is so far not a part of the public chain of accountability stemming from the North Bay Fires—even as local radio stations are heavy with advertising from plaintiff’s law firms who say inadequate attention to tree trimming played a role in the historic October fires.

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Lennox confirms that the company “does provide vegetation services in the Marin, Sonoma and Napa areas and has supported PG&E with maintaining tree clearances in accordance with California law and [California Public Utility Commission] regulations.”

Is it possible that the brutal and drought-busting winter of 2016–17 had any impact on Davey’s tree-trimming activities this summer and fall? The company says no.

“Any impacts to the routine schedule were minimal as a result of the 2017 storms,” says Lennox, “and did not impact tree-trimming activities.”

As the fires raged, PG&E immediately emerged as the leading contender in the blame game, driven by deeply reported articles on the utility giant from the Los Angeles Times and the Bay Area News Group.

The sum of the reporting is that high (but not necessarily hurricane-force) winds combined with inadequate, under-regulated PG&E infrastructure and a California Public Utilities Commission stacked with
Gov. Jerry Brown appointees eager to bend to the will of the utility when it comes to costly fire-hazard regulations and designations led to the fire.

If—as those leading California news organizations have been strongly implying for a month—PG&E is found liable in any way for the fires, what would that mean for its regional go-to tree trimmer?

That remains to be seen, but for the time being, company spokeswoman Lennox stresses that “Davey has received no claims to date, and we understand Cal Fire is investigating the origins and causes of the fires.”

PG&E has pushed back against any claim of responsibility for the the fires and, as has been widely reported, filed a motion in San Francisco Superior Court last week which claimed that third-party, private power lines were the culprit behind the Tubbs fire. The Tubbs inferno was the most destructive in the series of fires that broke out on Oct. 8 and killed 42.

In the SEC report filed Oct. 13, the company noted that “since October 8, 2017, several catastrophic wildfires have started and remain active in Northern California. The causes of these fires are being investigated by the California Department of Forestry and Fire Protection (Cal Fire), including the possible role of power lines and other facilities of Pacific Gas and Electric Company’s (the ‘Utility’), a subsidiary of PG&E Corporation. It currently is unknown whether the Utility would have any liability associated with these fires.”

The total of North Bay fire damage is estimated in the
$5 to $6 billion range. It’s the most costly wildfire in state history. PG&E maintains about $800 million in liability insurance, according to a Securities and Exchange report it filed in mid-October. That’s a potential $4.2
to $5.2 billion gap in its insurance protection against lawsuits.

“If the amount of insurance is insufficient to cover the Utility’s liability or if insurance is otherwise unavailable, PG&E Corporation’s and the Utility’s financial condition or results of operations could be materially affected,” the company notes in its SEC filing.

Whether any of that potential liability bleeds down to Davey remains to be seen.

In the meantime, Davey is halfway through its latest, four-year tree-services contract with PG&E, which was implemented in 2016 and runs through December 2019.

Davey workers themselves have separate labor agreements throughout the state with the International Brotherhood of Electrical Workers Local 1245. Those agreements set the working conditions and wages for Davey workers, says J. V. Mancour, business representative for IBEW 1245 in Sonoma County.

“We try to get the best wages and working conditions for our working folks, and provide the best professional work force,” Mancour says.

Beyond that, it’s up to Davey to deploy the workers at the bequest of PG&E. Lennox says the company is in negotiations over a new contract with IBEW 1245 which will “amend the terms effective January 1, 2018.”

The contracts don’t cover the number of hours the Davey Tree crews work, or where the work is undertaken. That’s the purview of PG&E through its contract with Davey. “Unfortunately, we don’t control how much work they get,” says Mancour. “That’s done by the employer.”

PG&E did not respond to the Bohemian‘s inquiries for comment by press time.

Under the Sea

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Ellie Condello has been dreaming of a world under the sea since she was three.

“That’s when I first saw the movie The Little Mermaid, or so my mom tells me,” laughs Condello, a senior at Analy High School. “I immediately fell in love with the character of Ariel, and dreamed of being her. My mom has countless Halloween pictures of me dressed as Ariel.”

This weekend, Condello will get to do more than just dress up as Ariel. In Santa Rosa Junior College’s lavish production of Disney’s musical adaptation of The Little Mermaid, she’ll be playing the iconic role, singing and dancing with an array of fish, eels and other creatures of the deep. The show is directed by John Shillington, and will be held in the theater at Maria Carrillo High School, where the junior college is staging many of its shows as the Burbank Auditorium, on the junior college campus, undergoes extensive renovations.

“I love Ariel’s story, and I admire her as a character,” says Condello, seen earlier this year in the Raven Players’ production of Cole Porter’s Anything Goes. “When I auditioned at the JC, I really didn’t think I’d get Ariel. I just wanted to be a part of the show. When I was called back for a second audition, I was actually surprised. And then they called and said, ‘We want you to play Ariel!’ It was crazy. I still can’t believe it.”

The production, she says, will be different from other stagings of the musical, in part because the theater at Maria Carrillo lacks the height of the junior college stage. Characters that seemed to fly or swim through the air in the past with elaborate “fly” systems, will now achieve a similar affect through dance.

“We also have Heelys in the show,” she says, referencing those shoes with wheels in the heels, which make the Little Mermaid characters appear to glide along though the ocean rather than, you know, walk.

“That’s been a challenge, I admit,” Condello says. “But I’m getting pretty good at it.”

Asked what the best part of playing Ariel onstage is, the young actor, who hopes to make theater here lifelong career, is quick to reply.

“Oh, everything,” she says. “Everything! This really has literally been a dream come true.”

Under Cover

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Longtime collaborators Sam Misner and Megan Smith have shared stages since meeting at a Shakespeare festival in 2002, and for the past decade, they’ve made a name, or names, for themselves with rich, resonant Americana under the moniker Misner & Smith.

Last month, the duo released their fifth full-length album,

headwaters, which travels back to the source of their musical yearnings. Misner & Smith showcase these songs in an afternoon album-release show at Rancho Nicasio on Sunday, Nov. 19.

Originally hailing from Petaluma and Davis respectively, Misner & Smith’s previous four albums were comprised of original compositions full of compelling storytelling and evocative harmonies. On headwaters, Misner & Smith open the door to their personal inspirations with their first collection of covers.

“In the years we’ve been playing, we definitely throw some covers into our shows,” Misner says. “The big reason we wanted to do [this album] was to pay tribute to where we’ve come from as songwriters and performers.”

The new album opens with Simon & Garfunkel’s “America,” and features selections from Gram Parsons, Neil Young and Patty Griffin. As the record progresses, Misner & Smith open the floodgates a bit with covers of 1966’s “Coconut Grove” by the Lovin’ Spoonful, 1986’s “City of Dreams” by Talking Heads and 2012’s “Turning the Century” by modern rockers Dr. Dog.

“We also wanted to show the range of stuff that’s influenced us,” says Misner. “We don’t linger in any one genre in our original music, which can be tricky sometimes for marketing. But we pride ourselves on that diversity
of music.”

The duo also chose a covers album as a way to inspire themselves after emptying the well of creativity on their last album, 2013’s Seven Hour Storm.

“We threw everything we had at that album,” Smith says, “which was fun because we made our dream album, but when we were finished with it, we were exhausted. Doing this album has kickstarted a lot of that inspiration again by revisiting stuff we love
so much.

“Now we have a whole handful of new songs, and we are feeling full.”

Bird in Flight

Joan Didion’s quote at the beginning of Lady Bird—something about people who think Californians are hedonists should spend a Christmas in Sacramento—says more about Didion’s anhedonia than our state capital. River light, bountiful shade trees, bars galore, warm nights and bike-friendly streets—perhaps they’re having a better time out there than they’re letting on.

Greta Gerwig’s enchanting debut as director isn’t just a fine comedy about a singular girl’s senior year, it’s also a good-looking movie about a city that deserves admiration, with the gilded Tower Bridge seen at dawn, green fields, grand houses and a catalogue of the place’s vintage neon signs displayed to Jon Brion’s score.

Catholic-school senior Christine (Saoirse Ronan) cooked up the name “Lady Bird” for herself. She’s ashamed of her one-bathroom home and Sacto: “It’s soul-killing. The Midwest of California.” Like any 17-year-old, she can’t figure out what’s infuriating her embittered, overworked mother. Mom (Roseanne‘s Laurie Metcalf, excellent) is in that dance of clinging and pushing away that goes on when a kid is about to leave the nest. Lady Bird cherishes romantic dreams of heading back east to school—and her family barely has the money to send her to UC Davis.

We’re on Lady Bird’s side even as she starts to become a pill, social climbing for friendships with the jaded rich kids around her, including a limpid, too-cool boyfriend (Timothée Chalamet). It’s a good thing when the worst that can be said of a movie is that it should have been longer—this one does nine months in 90 minutes.

But Lady Bird is like that—one wants more time with every shrewd, warm-heated scene. This generous comedy is the low-budget, high-incandescence movie that we’re told is impossible to make today.

‘Lady Bird’ opens Nov. 17 at Summerfield Cinemas, 551 Summerfield Road, Santa Rosa. 707.525.8909.

Nature in Focus

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Sonoma County’s Brenda Tharp has a 30-year career as a photographer, and she shares her collected wisdom in a new book, Expressive Nature Photography (Monacelli Press), released earlier this year.

“As I progress, I get fresh ideas to describe or explain concepts,” she says. “The book was born out of my need to update my own insights.”

Her work has been featured in Sunset and Sierra Club magazines, and in publications put out by National Geographic, Chronicle Books, the Nature Conservancy, Audubon, the Presidio Trust, the National Park Service and Michelin.

Expressive Nature is intended to help people see different ways of composing photographs, “be expressive and tell a story.” And that is what Tharp has done.

She focuses on a subject, a flower coming out of the cracked Death Valley floor, for instance, and captures the essence of that flower’s story of struggle in the desert. In the pages of her book, her composition highlights frequently photographed or mundane scenes in new, captivating ways.

Since she travels so much for her work, Tharp often doesn’t have the time to appreciate the natural beauty of the North Bay. That doesn’t stop her from venturing into her favorite local places with a camera, though. She lists the Laguna de Santa Rosa as one. “The variety of wildlife, nature and seasonal changes make it so nice to shoot in,” she says. Sugarloaf Ridge State Park is another favorite, where she likes to “walk along the flowing water in the spring.” She features a photo of moss-covered rocks and trees in the park on her website, taken before last month’s wildfires.

“I wonder what it looks like now?” she writes.

Tharp offers her advice on photographing sunsets, something many novice photographers take pictures of with their phone. She says winter and fall are the best times of year to view sunsets, as the air has less pollution than in the summer. Seen from a hill or mountain, a sunset appears clearer and brighter, she says, since you are seeing it through less atmosphere and thus fewer particles, which often dim the colors. Clouds enhance what we see by catching the last rays of sunlight and reflecting them down .

After a rainstorm, the air has fewer particulates in it, so that’s a particularly good time to view a sunset. California is just entering the prime sunset-viewing season.

“We just can’t resist the vibrant colors,” Tharp says.

To avoid sunset photos that end up looking similar, Brenda suggests focusing on “something else, like a tree, and utilizing the sky as background. Then you see a silhouette in front of a colorful sunset, which adds an element of individuality.”

And that seems to be a theme in Tharp’s photos—each one has a distinct personality.

For more information, visit brendatharp.com.

Nov. 16: Home of the Free in Sebastopol

Sonoma County immigration attorney Christopher Kerosky has spent the last year working with his nonprofit group My American Dreams on behalf of local DACA recipients who may face deportation under the current administration. Recently, Kerosky also teamed with former Washington Post reporter Jose Antonio Vargas on the documentary The Only Home I Know, which profiles North Bay DACA recipients...

Nov. 17: California Craftsmanship in Santa Rosa

For nearly 30 years, the Sonoma County Woodworkers Association has showcased its world-renowned works of art in the annual ‘Artistry in Wood’ exhibit, and this year the show returns for its biggest display yet. Combining a historical influence, regional philosophy and ever-evolving techniques, the woodworkers in this year’s show push the medium in new directions with unique handcrafted pieces...

Nov. 18: Wine Country Women in Calistoga

Celebrating the accomplishments and endeavors of the North Bay’s leading ladies, the newly published book ‘Wine Country Women of Napa Valley’ by Michelle Mandro looks in on the lifestyles of 65 women from the region who've made a name for themselves with wine, food and boutique businesses. This week, the book is featured in a fundraiser with several of...

Nov. 18: Light Up the Town in Sonoma

Sonoma Valley has been through hell this year, though the area’s strength and resolve remain intact after the wildfires. To celebrate the still-standing downtown Sonoma and a new holiday season, the Lighting of the Historic Sonoma Plaza commences this week with eight acres’ and 100,000 sparkling lights’ worth of winter wonderland. To mark the occasion, Sonoma Valley’s Transcendence Theatre...

On the Bus

We were packed and ready to board when a couple hustled over to our idling Mercedes Sprinter cargo van at a Rohnert Park park-and-ride lot. "Is this the van for the beer tour?" asked the man. Our tour guide, Brian Applegarth, chuckled a bit and greeted the eager beer drinkers. "This is a cannabis tour," he said. "It's the first...

The Long Branch

It was an interesting, observable irony: as the North Bay fires burned, tree trimmers under contract with PG&E were noticeably active around the region. In late October, trucks from the Davey Tree Expert Company were spotted hard at work around West Marin and in places like far-flung and fire-sensitive Bolinas, cutting branches away from power lines, while smoke from Sonoma...

Under the Sea

Ellie Condello has been dreaming of a world under the sea since she was three. "That's when I first saw the movie The Little Mermaid, or so my mom tells me," laughs Condello, a senior at Analy High School. "I immediately fell in love with the character of Ariel, and dreamed of being her. My mom has countless Halloween pictures...

Under Cover

Longtime collaborators Sam Misner and Megan Smith have shared stages since meeting at a Shakespeare festival in 2002, and for the past decade, they've made a name, or names, for themselves with rich, resonant Americana under the moniker Misner & Smith. Last month, the duo released their fifth full-length album, headwaters, which travels back to the source of their musical yearnings....

Bird in Flight

Joan Didion's quote at the beginning of Lady Bird—something about people who think Californians are hedonists should spend a Christmas in Sacramento—says more about Didion's anhedonia than our state capital. River light, bountiful shade trees, bars galore, warm nights and bike-friendly streets—perhaps they're having a better time out there than they're letting on. Greta Gerwig's enchanting debut as director isn't...

Nature in Focus

Sonoma County's Brenda Tharp has a 30-year career as a photographer, and she shares her collected wisdom in a new book, Expressive Nature Photography (Monacelli Press), released earlier this year. "As I progress, I get fresh ideas to describe or explain concepts," she says. "The book was born out of my need to update my own insights." Her work has been...
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