Rue de Rêve, Apéritifs to Dream On

Longtime friends Jennifer Kimpe and Jeanne-Marie Hebert created their new Rue de Rêve Apértifs brand to ultimately honor life’s special moments. 

Meeting as neighbors in Oakland nearly two decades ago—Kimpe, from Los Angeles, and Hebert, a Santa Rosa native—they raised children together and developed a tradition of annual joint birthday trips. During one California coastal road trip, they envisioned combining their shared passions for travel, drink and design.

Kimpe brings wine and lifestyle brand expertise from founding Bien Sûr, plus interior design talents inspired by her travels. Hebert contributes more than 20 years of design business experience as co-founder of Bay Design & Build, with deep appreciation for European culture and culinary traditions. 

The company’s production takes place in Sonoma, and the founders continue to find inspiration in the area’s natural beauty, world-class culinary scene and entrepreneurial spirit—particularly enjoying Highway One drives and gatherings with Rue de Rêve cocktails. They answered our questions jointly via email.

Amber Turpin: How did you get into this work?

Jennifer Kimpe and Jeanne-Marie Hebert: During our European travels together, we fell in love with the apéritif ritual. Years later, during a road trip along the California coast, we were inspired to reimagine that tradition for the U.S., infusing it with a distinctly Californian spirit. 

Jennifer’s deep knowledge of the wine and spirits industry laid the groundwork for an idea that felt both achievable and inventive, given the scarcity of domestic, all-natural apéritif options. Our vision was to craft a refined drink that not only tastes delicious, but awakens the senses and invites more frequent moments marked with beauty and intention, shared in good company.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

The first time we were served Suze with soda in France, in a beautiful glass—it was herbal, bitter, slightly sweet and so refreshing. It felt like a completely unique drink experience.

What is your favorite thing to drink at home?

Right now, we are both enjoying Rue de Rêve Blanc with a splash of tonic and a citrus slice. It’s like an instant Hugo Spritz, only easier to make and a dream to drink.

Where do you like to go out for a drink?

In Marin, there are so many places to enjoy a beautiful cocktail. Right now, we are especially fond of Corner Bar in Mill Valley, which is offering a special “Sidewalk Spritz” menu for the summer.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

That’s easy: Champagne—the queen of apéritifs.Learn more about Rue de Rêve Apéritifs at ruedereveaperitifs.com.

Free Will Astrology: June 30—Aug. 5

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ARIES (March 21-April 19): For many bamboo species, nothing visible happens for years after the seeds are sowed. Beneath the surface, though, the plants are developing an extensive underground root system. This is referred to as the “sleep” or “creep” phase. Once the preparatory work is finished, the above-ground growth explodes, adding as much as three feet of stalk per day. Dear Aries, I sense you have been following a similar pattern. Soon you will launch a phase of vigorous evolution and expansion. It might feel unsettling at first, but I predict you will come to adore it.

TAURUS (April 20-May 20): You are very close to uncovering interesting information about yourself, some new, some forgotten. But you will have to be brave and strategic to actually find it. If you manage to pull off this demanding-but-not-impossible trick, a series of breakthroughs may stream your way. Like what? Here are the possibilities. 1. A distorted self-image will fade. 2. An adversary’s hex will dissolve. 3. An inhibition will subside, freeing you to unite with a fun asset. 4. You will knock down a barrier that has been so insidious you didn’t know how strong it was.

GEMINI (May 21-June 20): In medieval music, “organum” refers to passages that feature two voices. One is sung in long, sustained notes, and the other performs intricate, faster-moving melodic lines above it. This is an apt metaphor for the roles I invite you to take on in the coming weeks, Gemini: both the drone and the melody. One way to do it is to hold steady in one realm as you improvise in another. A second way is to offer your allies doses of stability and inspirational dreams. Welcome the duality. You are capable of both deep-rooted rhythm and visionary risk, both fortifying truth and playful fun. 

CANCER (June 21-July 22): Cancerian author Ernest Hemingway had a reputation for bravado, but he was adept at wielding the protective, self-nourishing skills your sign is renowned for. He was sensitive about his works-in-progress, refusing to discuss unfinished stories. He understood that raw creative energy needed to be sheltered from kibbitzing until it could stand on its own. “The first draft of anything is sh**,” he said, but he also knew that defending the right to write that mediocre first draft was essential for him to thrive. Hemingway’s ability to channel his emotional vulnerability into moving prose came from establishing firm boundaries around his generative process. I recommend you do all that good stuff in the coming weeks, dear Cancerian.

LEO (July 23-Aug. 22): In ancient China and ancient Greece, the lion was not the king of beasts, but the guardian of gates. The threshold keeper. The one who asked, “Are you ready?” Now is a good time to bring this aspect of Leonine symbolism to your attention. You may soon feel a surge of leadership radiance, but not necessarily the stage-commanding kind. It will be more like priest and priestess energy. Gatekeeper presence. People and situations in your orbit are on the verge of transformation, and you can be a midwife to their transitions—not by fixing or moralizing, but by witnessing. So I invite you to hold space. Ask potent questions. Be the steady presence ready to serve as a catalyst.

VIRGO (Aug. 23-Sept. 22): The love-fakers and promise-breakers and delusion-makers are no fun, but I think you will ultimately be grateful they helped you clarify your goals. The reverse healers and idea-stealers and greedy feelers are perilous to your peace of mind in the short run, but eventually they will motivate you to create more rigorous protections for your heart, health and stability. In conclusion, Virgo, it’s one of those odd times when people with less than pure intentions and high integrity can be valuable teachers.

LIBRA (Sept. 23-Oct. 22): The Svalbard Global Seed Vault is built into a Norwegian mountain near the Arctic. It’s humanity’s backup garden. It stores more than a million seed varieties from all over the world, serving as a safeguard for biodiversity. In accordance with astrological omens, Libra, I invite you to imagine yourself as resembling a seed vault. What valuable capacities are you saving up for the future? Are there treasures you contain that will ensure your long-term stability and security? Which of your potentials need to get extra nurturing? Bonus: Now is a good time to consider whether you should activate any of these promises.

SCORPIO (Oct. 23-Nov. 21): There’s a myth in Gnostic traditions that Sophia, the goddess of divine wisdom, split herself apart and dispersed into the material world. She became embedded in every stone, plant and drop of blood. And she’s still here, murmuring truth from within every part of the material world. In Sophia’s spirit, Scorpio, here is your message: Wisdom isn’t elsewhere. It’s embedded in your body; in your grief; in the wood grain of your table and the ache behind your eyes. More than ever, you have a mandate to celebrate this gift. So for now, refrain from thinking that spirituality is about transcendence and ascendance. Instead, greet the sacred in the dust and mud. Listen for Sophia in the ordinary. She speaks in sighs and sparks, not sermons.

SAGITTARIUS (Nov. 22-Dec. 21): When I do tours to promote the books I write, the range of encounters can be wide. On one trip, more than 300 people came to see me at a bookstore in New York City. They listened raptly, posed interesting questions and bought 71 books. In Atlanta three days later, I was greeted by nine semi-interested people at a small store in a strip mall. They purchased three books. But I gave equal amounts of energy at both gigs. The crowd in Atlanta got my best, as did the audience in New York. I invite you to regard me as a role model, Sagittarius. Proceed as if every experience deserves your brightest offerings. Express yourself with panache, no matter what the surroundings are. 

CAPRICORN (Dec. 22-Jan. 19): In ancient Egyptian cosmology, ka is the vital essence and the double of a person that lives on after death. But it also walks beside you while you live. It drinks, eats and dreams. It is both you and more than you. Dear Capricorn, I invite you to tune in to your ka in the coming days, and any other spiritual presences that serve you and nourish you. Be alert for visitations from past selves, forgotten longings and future visions that feel eerily familiar. 

AQUARIUS (Jan. 20-Feb. 18): “Dear Rob Brezsny: I wonder what you are like in person. Sometimes I get a Gen X vibe, like you wear vintage T-shirts from obscure bands, are skeptical but not cynical and remember life before the internet, but are tech savvy. Other times, you seem like a weird time-traveler visiting us from 2088. It’s confusing. Are you trying to be a mystery? When’s your next public appearance? I want to meet you. —Aquarian Explorer.” Dear Aquarian: I’m glad I’m a riddle to you. As long as I avoid being enmeshed in people’s expectations and projections, I maintain my freedom to be my authentic self, even as I continually reinvent my authentic self. By the way, I recommend you adopt my attitude in the coming weeks.

PISCES (Feb. 19-March 20): In Norse mythology, the god Odin plucked out one of his eyes and hung himself upside down from the World Tree for nine days. Why would he do such a thing? The ancient stories tell us this act of self-sacrifice earned him the right to learn the secret of the runes, which held the key to magic, fate and wisdom. You don’t need to make a sacrifice anywhere near that dramatic, Pisces. But I do suspect you are primed for a comparable process. What discomfort are you willing to endure for the sake of revelation? What illusions must you give up to see more clearly? I dare you to engage in an inner realignment that brings metamorphosis, but not martyrdom.

Open Mic: Nukes Need Global Oversight

Humanity has a serious nuclear weapons problem. We have created a weapon that is so powerful that it poses an existential threat to us as a species. Not surprisingly, the use of nuclear weapons in war has been a redline, not crossed since they obliterated Hiroshima and Nagasaki. 

Nuclear weapons are now in the hands of nine countries: the United States, Russia, China, France, the United Kingdom, Pakistan, India, Israel and North Korea. Iran has recently been prevented from building nuclear weapons, at least for now. But the likelihood of using nuclear weapons increases as the number of countries possessing them increases.

In a sane system of international relations, no country would have the right to possess nuclear weapons. But, unfortunately, a rules-based order does not exist at the international level. 

The United Nations is the world’s largest peace, justice and environmental organization. Although the UN has had success in improving international relations, in preventing and ending conflicts, and has most likely prevented World War III, it has not, unfortunately, fulfilled its central mission of ridding the world of the “scourge of war.”

We need to replace a system based on war with a system based on government and enforceable law. 

One way to do this is to invoke article 109 of the UN Charter to call for a meeting of all UN member nations to revise the world organization’s charter. The goal should be to create enforceable international law through courts and a world parliament. If adopted, this charter reform would transform the UN into a limited world government―one dealing strictly with international issues.

The challenge of our time is to apply rules, laws and democratic institutions to the job of ending the chaos of international relations. This work, of course, will not build a utopia. But it could avert an apocalypse. Please stand with us to spread a new story of peace, justice and sustainability through global law.

Jerry Tetalman is a board member of Citizens for Global Solutions Education Fund.

Your Letters, July 30

On the List 

There’s something about a list that quickens the pulse—especially when it’s a list of names people would rather not see published. The recent resurgence of interest in Jeffrey Epstein’s alleged client roster has me thinking less about the lurid headlines and more about proximity. How close does this list come to our own high-end neighborhoods and groves, our own professional circles?

It’s like the Ashley Madison leak from a few years back. That, too, was a list—just names and dates—but it had a way of making more than a few men gulp.

These lists—whether compiled by hackers or whistleblowers—don’t just expose individuals; they remind that the rot is rarely far away. Sometimes it lives next door.

These lists offer an invitation to examine our culture of complicity, the quiet corners where people look the other way because power makes things murky, and money makes things disappear.

We might ask, not just who’s on the list, but why we’re always so surprised to find familiar names there.

Micah D. Mercer
North Bay

The Wish

A man rubs a magic lamp, and a Genie appears.

“You get one wish,” says the Genie. 

The man thinks and says, “I’m scared of flying and boats. I wish for a bridge from California to Hawaii so I can drive there.” 

The Genie rolls his eyes and says, “Do you have any idea what you’re asking? That’s thousands of miles of ocean, structural engineering beyond belief, billions of tons of concrete and steel… Come on, man. Wish for something else.” 

The man nods and says, “All right, then I wish to see the Epstein client list.” 

The Genie pauses, swallows hard and asks, “OK, four lanes or six on that bridge?”

Craig Corsini
San Rafael

The Sky’s the Limit for Jenny Dee Young of JenDee Designs

This episode is an update. It has been two years since my last sit down with sentient rainbow Jenny Dee Young. Our last interview was formal, occasioned by the much lamented closure of “Disguise the Limit”—that costume shop, customs shop, freak stop, and joy spinner owned and operated by Jenny and her wife—the hair stylist, Heather Young. 

This interview was arranged by happenstance, at a gay bar birthday party. It was carried on in snatches shouted over music as a super massive sound system played our ear drums like war toms. 

I gathered Jenny Dee Young had refocused on her design brand, mostly because she was vending at this club-hosted event. There, right behind her, was her table, with presentations of her signature “GLAM-danas,” faux-fur reversible bucket hats, booty-shorts and “Scoodies” (scarf-mitten-hoodies), which chase her aesthetic hero, Lisa Frank, out onto the dance floor. Breaking off to dance, we continued our conversation in the white quiet of email space. 

Cincinnatus Hibbard: Darling, what have you been up to all this while? 

Jenny Dee Young: After closing Disguise the Limit in 2023—a bittersweet goodbye to a store that was more like a living art installation and a community hub—I gave myself permission to evolve. But truthfully, I never stopped creating. 

Even while running the shop, I had my own line, JenDee Designs, quietly blooming in the background. My handmade pieces are playful and functional—GLAM-danas that double as cooling wraps and flow toys, clip-on ears and my signature stash tails, which are cleverly designed as wearable tails that are themselves stash pockets, sometimes with remote-controlled LED lights inside… 

I saw video of you working a flaming bull whip at an underground fashion show. That was fearsome. 

The closing of the store also gave me space to return to performance, a deep part of my artistic identity. I started go-go dancing in my 20s in the queer clubs of L.A. After double hip surgery in 2020, I’ve stepped back into the spotlight—dancing once more in my late 40s with more fire than ever … literally (laughs). 

Ha. I understand that your wife, Heather, has had a health struggle herself… 

Heather … she’s not just my partner; she’s my best friend, and right now she’s suffering more than ever from severe rheumatoid arthritis, autoimmune disease, osteoporosis and anemia. Her everyday pain at levels ranges from seven to 10. A dear friend of ours—an angel in human form, really—encouraged us to do this fundraiser and reminded us that Heather is so worthy of healing and support.

Tell us about the fundraiser. 

It’s really a community-powered love letter to Heather. We’ve got an amazing lineup of local DJs, including DYOPS, Josh Retro Porter, Ryu and Charley Madrid Mora. There will also be a dance performance by Lindsay LaRue. The energy’s going to be incredible. And, of course, I’ll be vending as JenDee Designs, alongside my dear friend, Amae Love Designs. 

There will also be a silent auction with art, vintage treasures, handmade goods and services all donated by friends, artists and community members. Plus we’ll have a pool tournament, bingo (because why not?) and games with prizes—all designed to keep things joyful while raising the funds Heather needs. 

Thank you, Jenny. 

Love and light till we ignite. 

Learn more. The health benefit for Heather Young is being held at The Redwood Underground  in Santa Rosa, 7pm to 2am, beginning Saturday, Aug. 2. 

Follow @jendeedesigns or @theredwoodunderground to learn more about the event. Check out Jenny Dee Young’s prismatic designs at jendeedesigns.com

Party at the Mall: How Slick Bridge Connects Past, Present and Future

On the second level of the Santa Rosa Plaza, just across from the food court and next to Spencer’s Gifts, is Slick Bridge. 

At first glance, Slick Bridge is a store that specializes in Hyphy-era memorabilia, a small slice of early-oughts Bay culture brought to life through throwback T-shirts, posters for Thizz Nation compilations and murals of Mac Dre. 

For anyone who grew up in the region during the peak of Hyphy’s cultural cachet, there is surely a relic among the store’s collection that will provoke nostalgia for thumping bass and simpler times. 

This, however, is not the full story of Slick Bridge. Moving through the front room, past the flat-brimmed hats and tall-tees, and into the back section of the space, there is a custom-built stage and DJ booth across from an iron press for T-shirt designs. Along the walls are signs for local clothing brands that have been invited to rent inventory space. 

Everywhere one looks, there are paintings, drawings and etchings by local artists for sale wedged in between posters for live events happening in the store. All this, and I haven’t even mentioned the fully functioning recording studio they’ve built in their break room.

Historically, malls are more known for bland consumerism than they are for community-oriented organizing, but that doesn’t bother Mobsta Myk too much. 

Owner and creative force behind Slick Bridge, Mobsta Myk moved to Sonoma County when he was in fifth grade in the late ’90s. He started rapping around the same time, inspired by his older brother, recorded his first tracks using a Karaoke machine and sold his mixtapes around town in order to finance better equipment. 

He went to Santa Rosa High School in the early ’00s just as the Hyphy movement was starting to peak in the region, and performed shows at the Phoenix and Jasper O’Farells featuring acts like Andre Nickatina, Mistah FAB and Mac Dre himself. After more than 20 years of participating in the county’s hip-hop scene, he decided it was time to start giving back to the community, and thus Slick Bridge was born. 

Slick Bridge currently operates as a retail space, a clothing company and design manufacturing hub for local creatives; a gallery for artists; a recording studio and distribution label with 9-10 local musicians being released through the name; and, recently, an event venue. 

After almost four years at the mall location, Myk had the idea in January of this year to start hosting live events. To kick it off, Slick Bridge threw seven shows in seven days at the store with a roster of more than 50 performers and attracting crowds of up to 60 people. Recently, the store opened up as a market space for local artists to display and sell their work. A DJ spun records in the back while a live portrait artist took commissions up front for anyone who wanted to be drawn. 

“For a while, we would go out and try to book a show, and they would ask what kind of show. We would say it was a hip-hop show, and immediately get shut down,” says Boogfromthe7. 

Boog is a frequent collaborator and creative partner of Mobsta Myk’s who has been involved with Slick Bridge and the hip-hop scene at large in Sonoma County for just as long as Myk. 

While Sonoma has always had a bustling music scene, hip-hop has often gone underrepresented on bills. Having hustled his music for more than two decades, Myk has adopted a Field of Dreams mentality: If he builds it, they will come.

“I want to keep building on what we already have and give artists a chance to get their names out there,” says Myk. In our conversation, I ask him if he thinks Santa Rosa, or Sonoma County at large, has its own identity as far as hip-hop is concerned. “We can,” he says. “There are so many people out here who want to make music who just need the skills to do it.” Why not Slick Bridge, then? Why wait for someone else to start organizing when one can just start to create a new cultural paradigm for their city out of a store in the mall?

Myk has even higher aspirations, though. He is currently in the process of registering a non-profit called Slick Bridge Arts, with which he hopes to open his studio for free education programming for area youth. 

“The idea is to teach kids how to make music, but also the technical and business sides of the industry as well,” he says. Through Slick Bridge Arts, teens in Santa Rosa could have the opportunity to learn the fundamentals of producing, recording and engineering music, which Myk hopes will set them up for career prospects in the industry down the line. “People don’t really understand that music is a business. You have to be able to make good songs, but you need to know the business side as well.” 

Myk currently mentors artists on distribution, event booking and marketing along with all the other hats he wears. Synthesizing all of these different avenues is the Make The Cut contest, a summer-long competition hosted by Slick Bridge for local rappers who are looking to level up. 

Every Thursday for the months of July and August, aspiring lyricists will gather at Slick Bridge and face challenges such as the hottest song, crowd control and versatility of sound for a chance to move onto the finals. Competitors are judged by Myk, other members of the Slick Bridge family and a special guest each night. 

The competition will culminate on Aug. 28 at Barrelproof Lounge in Santa Rosa, where the top two to four finalists will go head to head in front of a live crowd and panel of judges to determine the winner. The champion will receive a fully produced 10-song project, free distribution, a radio interview and the opportunity to tour the project in multiple cities in the region.

As a longtime resident of Santa Rosa, I have rarely had anything nice to say about the Plaza. But maybe I should be more like Mobsta Myk. Instead of wistfully imagining what should be, Myk has made due with the resources available to him and begun to foster a community within the strange realm of mid-century consumerism. 

Maybe things would work a lot better if more people thought like him. 

Maybe we should all get together and have a party at the mall.

Slick Bridge is at 2035 Santa Rosa Plaza, Santa Rosa. More at instagram.com/slick_bridge.

Lesson Plans: The Weaponization of Media Literacy

During President Donald Trump’s second term, education has remained a central battleground in American politics. Republicans claim that classrooms have become hotbeds of “woke” indoctrination, accusing educators of promoting progressive agendas and tolerating antisemitism.

In contrast, Democrats argue that conservatives are systematically defunding and dismantling public and higher education precisely because it teaches values like diversity, equity and inclusion. While these partisan skirmishes dominate headlines, they obscure a much deeper and more enduring issue that encompasses all of these issues and more: the influence of corporate and military power on public education.

For decades, scholars have warned that corporations have steadily infiltrated the classroom—not to promote critical thinking or democratic values, but to cultivate ideologies that reinforce capitalism, nationalism and militarism. Critical media literacy educators, in particular, have called attention to the convergence of tech firms and military entities in education, offering so-called “free” digital tools that double as Trojan horses for data collection and ideological control.

One striking example is the rise of programs like NewsGuard, which uses public fears over fake news to justify increased surveillance of students’ online activity. Relatedly, in 2018, the Atlantic Council partnered with Meta to perform “fact-checking” on platforms such as Facebook.  

In 2022, the U.S. Marine Corps discussed developing media literacy trainings. It remains to be seen what training, if any, they will develop. However, what is known is that a large global player has entered the media literacy arena: the North Atlantic Treaty Organization (NATO). While NATO presents its initiatives as supportive of media literacy and democratic education, these efforts appear to be oriented more toward reinforcing alignment with its strategic and political priorities than to fostering critical civic engagement.

NATO was created in 1949, during the Cold War, as a military alliance to contain communism. Although the war officially ended in 1991, NATO has expanded both its mission and membership. Today, it encompasses more than 30 member nations and continues to frame itself as a global force for peace, democracy and security. But this self-image masks real conflicts of interest.

NATO is deeply intertwined with powerful nation-states and corporate actors. It routinely partners with defense contractors, tech firms, think tanks and Western governments—all of which have a vested interest in maintaining specific political and economic systems. These relationships raise concerns when NATO extends its reach into education. Can a military alliance—closely linked to the defense industry and state propaganda—credibly serve as a neutral force in media education?

In 2022, NATO associates collaborated with the U.S.-based Center for Media Literacy (CML) to launch a media literacy initiative framed as a strategic defense against misinformation. The initiative included a report titled Building Resiliency: Media Literacy as a Strategic Defense Strategy for the Transatlantic, authored by CML’s Tessa Jolls. It was accompanied by a series of webinars featuring military personnel, policy experts and academics.

On the surface, the initiative appeared to promote digital literacy and civic engagement. But a closer look reveals a clear ideological agenda. Funded and organized by NATO, the initiative positioned media literacy not as a means of empowering students to think critically about how power shapes media, but as a defense strategy to protect NATO member states from so-called “hostile actors.” The curriculum emphasized surveillance, resilience and behavior modification over reflection, analysis and democratic dialogue.

Throughout their webinars, NATO representatives described the media environment as a battlefield, frequently using other war metaphors such as “hostile information activities” and “cognitive warfare.” Panelists argued that citizens in NATO countries were targets of foreign disinformation campaigns—and that media literacy could serve as a tool to inoculate them against ideological threats.

Troubling Themes

A critical review of NATO’s media literacy initiative reveals several troubling themes. First, it frames media literacy as a protectionist project rather than an educational one. Students are portrayed less as thinkers to be empowered and more as civilians to be monitored, molded and managed. In this model, education becomes a form of top-down, preemptive defense, relying on expert guidance and military oversight rather than democratic participation.

Second, the initiative advances a distinctly neoliberal worldview. It emphasizes individual responsibility over structural analysis. In other words, misinformation is treated as a user error, rather than the result of flawed systems, corporate algorithms or media consolidation. This framing conveniently absolves powerful actors, including NATO and Big Tech, of their role in producing or amplifying disinformation.

Third, the initiative promotes a contradictory definition of empowerment. While the report and webinars often use the language of “citizen empowerment,” they ultimately advocate for surveillance, censorship and ideological conformity. Panelists call for NATO to “dominate” the information space, and some even propose systems to monitor students’ attitudes and online behaviors. Rather than encouraging students to question power—including NATO itself—this approach rewards obedience and penalizes dissent.

Finally, the initiative erases the influence of corporate power. Although it criticizes authoritarian regimes and “hostile actors,” it fails to examine the role that Western corporations, particularly tech companies, play in shaping media environments. This oversight is especially problematic given that many of these corporations are NATO’s partners. By ignoring the political economy of media, the initiative offers an incomplete and ideologically skewed version of media literacy.

NATO’s foray into media literacy education represents a new frontier in militarized pedagogy. While claiming to promote democracy and resilience, its initiative advances a narrow, protectionist and neoliberal approach that prioritizes NATO’s geopolitical goals over student empowerment.

This should raise red flags for educators, policymakers and advocates. Media literacy is not a neutral practice. The organizations that design and fund media literacy programs inevitably shape those programs’ goals and methods. When a military alliance like NATO promotes media education, it brings with it a strategic interest in ideological control.

Educators must ask: What kind of media literacy are we teaching—and whose interests does it serve? If the goal is to produce informed, critically thinking citizens capable of questioning power in all its forms, then NATO’s approach falls short. Instead of inviting students to explore complex media systems, it simplifies them into a binary struggle between “us” and “them,” encouraging loyalty over literacy.

True media literacy must begin with transparency about whom and what is behind the curriculum. It must empower students to question all forms of influence—governmental, corporate and military alike. And it must resist the creeping presence of militarism in our classrooms. As educators, we must defend the right to question, not just the messages we see, but the institutions that shape them.

Nolan Higdon is a political analyst, author and host of The Disinfo Detox Podcast. Sydney Sullivan is an educator, author and researcher specializing in critical media literacy and a co-host of Disinfo Detox. Her Substack series, @sydneysullivanphd, explores how digital habits shape student mental health, media literacy and classroom culture.

The Con Is On, ‘Dirty Rotten Scoundrels’ in Sonoma

Fans of the movie Dirty Rotten Scoundrels will be pleased to hear that the Broadway musical adaptation sticks pretty close to the Steve Martin/Michael Caine comedy. 

Sonoma Arts Live has a production directed by Carl Jordan running on the Rotary Stage at the Sonoma Community Center through July 27.

Suave and debonair con man Lawrence Jameson (Larry Williams) has been working a small French Riviera community where he relieves wealthy women of their money, jewels and anything else they offer to a poor prince trying to reclaim his country.

Low-rent American con man Freddy Benson (Drew Bolander) arrives in town and is soon on to Lawrence’s schemes. Freddy doesn’t want in; he wants to learn how to pull off such cons himself. Lawrence takes him under his wing a bit and uses him to extricate himself from an unwanted Oklahoman (Emma Sutherland) with a mind for marriage. After that task is complete, Lawrence wants to be rid of Freddy, but Freddy isn’t going anywhere. 

They decide to make a bet. The first person to extract $50k from a mark wins, and the loser leaves town. They decide the mark will be the new arrival, Miss Christine Colgate (Joanna Lynn Bert), better known as the American Soap Queen. The game’s afoot, but just who is conning who?    

Bolander shows why he’s become the North Bay’s go-to guy for musical comedy. His charm blunts the occasional crassness of the character, and he possesses one of the finest singing voices around.  He’s also a terrific physical performer who communicates as much through movement as he does with voice.

Williams, a good character actor, lacks the stateliness, style, and, quite frankly, the voice to really pull off Jameson, but he does come alive when his Dr. Schaffhausen arrives on the scene.

The women really shine in this production. Bert is great as Christine, as are Sutherland and Julianne Bradbury as two of Lawrence’s victims. All display excellent comedic and vocal chops.

Tim Setzer provides reliable comic support as Lawrence’s “bodyguard,” and there’s a very hardworking ensemble handling most of Tara Roberts’ choreography.

Director Jordan makes good use of the space, but makes some curious blocking choices that mute some of the show’s most comedic scenes. The show also suffers a bit from some references that might have played better in another era (Trump? P Diddy?).

Minor revisions aside, folks headed for Dirty Rotten Scoundrels will get exactly what they expect. 

And songs.

Sonoma Arts Live presents ‘Dirty Rotten Scoundrels’ through July 27 on the Rotary Stage at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs-Sat, 7:30pm; Sun, 2pm. $25-$42. 707.484.4874. sonomaartslive.org.

SoCo Strong, Justin Seidenfeld of Rodney Strong Vineyards

Justin Seidenfeld is the senior vice president of winemaking & winegrowing at Rodney Strong Vineyards, the iconic Sonoma County winery founded in 1959. 

His journey started as an intern at Iron Horse winery in 2005, then quickly moved up the ranks at Robert Mondavi Winery in Napa Valley, where he developed his expertise working with premium vineyards.

Now overseeing nearly 1,200 acres across 12 estate vineyards, Seidenfeld is known for his innovative spirit—he created square stainless steel fermenters now used at wineries everywhere and developed apps to monitor vineyard irrigation vine by vine. The UC Davis graduate lives in Santa Rosa with his wife, Dena, and three daughters.

Amber Turpin: How did you get into this work?

Justin Seidenfeld: I fell in love with the idea of making wine while working at a fine dining restaurant in Denver. I always loved how the wine we served made the guest feel and how people would come back to the same bottle or producer because it unlocked a special memory for them.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

The most impactful moment for me has to do with wine. (I know, what a surprise.) I was at a tasting with some of the greatest winemakers in the world, tasting through an unforgettable line of some of the best merlots in the world. Wines like Petrus, Le Pin, Cheval Blanc, Ausone, Masseto and more. 

I recall the conversations happening as we tasted through the wines. But once we got to the Masseto, I was taken to a place I had never been before. I have spent every day since aspiring to craft a wine that can do for someone else what that bottle of 2001 Masseto did for me.

What is your favorite thing to drink at home?

While I am at home, I drink a lot of iced tea. I like to find ones with different flavors and unique twists.

Where do you like to go out for a drink?

I am not really picky, as long as I am with good company. I also like to find cocktail bars that use fresh ingredients for mixers. I think it makes a big difference.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I would like a fully stocked bar with a good selection of wine, beer and spirits. That way, I could have some variety based on my mood. I realize that might be cheating, but why not shoot for the moon?

Rodney Strong Vineyards, 11455 Old Redwood Hwy., Healdsburg, 707.431.1533. rodneystrong.com.

The Hall of Flowers, Show Designer Greg Duncan

For those who haven’t been to the Sonoma County Fair, The Hall is in fact a hanger, measuring a massive 180 feet by 350 feet by 35 feet. 

The Hall was built during the war to house the mighty Boeing B-17 “flying fortress”—that heavily armored long-range bomber, whose distant thunder meant lightning to the cities and military bases of the Axis powers. 

This hanger was bought in San Diego war surplus by building magnate Hugh Codding and transshipped to Santa Rosa in ’49. There is, therefore, a certain monumental poetry in that the hanger is now and forever “The Hall of Flowers.” That poetry is captured in the fragment, “swords beaten into plowshares.” 

Having won “the war to end all wars,” we would plant flowers and practice the arts of peace … a  beautiful sentiment … Such were my musings as I sat in tender weather on a marble bench dedicated to the memory of Will Forni, who established the annual flower show at the Sonoma County Fair in ’52. In the space of 73 memorable shows, it has grown and spread into the largest flower show on the West Coast. 

My appointment this week was with Greg Duncan, the fourth director of the show. And as I entered the massive hangar, I marked among the many raised bare plots, the major features of this year’s theme, “hot dogs and cool cats.” There were a mock animal shelter promoting rescues, a 15 foot tall hydrant gushing water, an “altar” for pets departed, cat and dog statues made of scrap, and mock cats and dogs falling from the ceiling on umbrellas in front of a 150 foot wide mural of a hard rain of cats and dogs. And still the 15,000 square feet of gardens had yet to be planted. 

Cincinnatus Hibbard: I understand you studied movie and theater set design. 

Greg Duncan: Yes, I’m more of a set designer than a landscaper. I graduated from Sonoma  State in ’73 in theater arts in set design. And if you don’t want to move to New York and you don’t want to move to LA, you have to broaden the definition of set design. 

I understand you have had this position for 35 years. Congratulations, Greg. Not referring to your retirement; I can see here that your work is nearly done. Now (from mid-July) the 31 professional and amateur exhibitors will have two hectic weeks to build and plant  their plots. About how many plants will be planted? 

I’m not sure … (calculating) … maybe a thousand on each professional plot… 

Wow, that’s above 10,000 plants planted in this show. And they will be building up their flat plots with miniature hills and valleys and streams and ponds and pet-themed props. 

This show lets them do something more imaginative than they’re used to.

Develop that. Besides the prizes and publicity, what drives them—and you? 

Well, this is the land of Luther Burbank. Home gardening is a big deal in Sonoma County. And this is a place to showcase our best gardeners, entertain and inspire our gardeners. 

It’s where I begin and end my fair visit. Thank you, Greg. 

Learn more: Visit the Hall of Flowers Preview Party, from 5:30 to 7:30pm, July 31, at the Sonoma County Fairgrounds, 1450 Bennett Valley Rd., Santa Rosa. The event is a fundraiser for student scholarships in agriculture. sonomacountyfair.com/pages/preview-party.

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