Sonoma County Fair Tropical Fairadise

Sponsored content by Sonoma County Fair

All your fair favorites are back this year and bigger than ever! Horse Racing, Giant Carnival, Animals, Brew Fest, Great Free Shows, Flower Show, Kids Arena and more!

Want to get the most out of your day at the Fair? Plan early and save! Early bird tickets are available until Aug. 3 at SonomaCountyFair.com or mark your calendars for these dates:

  1. Thursdays, kids ages 12 and under get into the Fair for FREE!
  2. Fridays, seniors Age 60+ $1 admission (Aug. 5, Aug. 12)
  3. Aug. 5 DRESS LIKE  A PIRATE, pirates get in for $5
  4. Tuesday, Aug. 9, FOOD DRIVE! Bring three items from Food Bank’s ‘Most Wanted List’ for $1 Admission

Here’s our dream day at the Fair:

1. Walk through the Hall of Flowers and explore this year’s Islands of Adventure. At work behind the scenes for the past four months, Sonoma County’s professional landscapers, landscape designers, amateur gardeners, and young floral enthusiasts are busy creating a flower lover’s dream come true! This year, each garden will highlight a tropical island. From Isla Nublar to Bali Hai, visitors can expect water features and even a tiki bar where they can put their toes in the sand. Can’t wait to see the floral exhibit? Attend the Hall of Flowers preview party on Wednesday, Aug. 3, at 5:30 p.m. Get tickets here: http://www.sonomacountyfair.com/fair/tickets.php

hall of flowers, sonoma county landscapers, gardeners, fair, festival

2. Visit the livestock area! Want to see cows, chickens or other animals? The Sonoma County Fair livestock shows are the annual showcase of the best of the best, with exhibitors from throughout the state as well as hundreds of animals from the dairies and ranches for which Sonoma County is famous. Sonoma County’s young ranchers and farmers work all year long to select, purchase, feed, and groom livestock to be judged, graded and sold at the Fair. Projects include steers, goats, lambs, hogs, poultry, and rabbits. Before visiting, check this schedule here: http://www.sonomacountyfair.com/fair/livestock-exhibitors.php

junior livestock, sonoma county fair

3. When you’re ready for lunch, try one of the Fair’s delicious options. What’s on the menu at the Fair? You’ll find a delightful variety of snacks, hearty meals and unbelievable goodies at this year’s Sonoma County Fair! Look for the return of Pronto Pup, the Dawghouse, Boss Burger, Wicked Slush, Reggae Rasta, Funnel Cake and Ricardo’s Hawaiian Feast to name a few as well as some all-new vendors. Want to try something new? As a special treat on Fridays (Aug. 5 and 12), all Fair food vendors will be whipping up special $5 items for hungry fairgoers from noon to 5 p.m. This is a chance to try some new things for only $5! For a full list of Fair foods, visit http://www.sonomacountyfair.com/fair/fair-food.php

sonoma county fair food, hambugers, hot dogs, pasta, pizza, deserts, cake

4. After lunch, catch a horse race! This year, racing returns to the Sonoma County Fairgrounds for the first time since 2019! The eight-day Wine Country Racing Meet at the Sonoma County Fairgrounds in Santa Rosa kicks off Thursday, Aug. 4, and runs through Sunday, Aug. 14, 2022. Live racing will be conducted on a Thursday-through-Sunday basis. Fans who attend the Santa Rosa races are given free entrance to the lower racing grandstand and paddock area. Upstairs seating options are available for purchase online here:
http://www.sonomacountyfair.com/fair/tickets.php or at the grandstand ticket booth upon arrival.

horse racing sonoma county fair

5. For those with an adventurous spirit, don’t miss the most popular rides plus some new ones! Grab a Carnival Pre-Sale COMBO pass Good any day of the Fair, which includes Fair admission and a wristband to ride all day at the spectacular carnival. Only available through Aug. 3 ($53 Value—Pre-Sale Price $43). Kids Carnival opens at noon and Main Carnival Opens at 3 p.m. Get your Carnival combo tickets here: http://www.sonomacountyfair.com/fair/carnival.php

carnival rides, sonoma fair

6. In the evening, attend a community concert free with Fair admission tickets. See incredible music acts like Journey’s former lead singer, Steve Auguri, or Debby Holiday, an International singer/songwriter with 15 Billboard Top 20 Dance Chart Hits, presenting a compelling tribute to the “Queen of Rock ‘n’ Roll,” Tina Turner, and more! Find the full music lineup here:
http://www.sonomacountyfair.com/fair/headlining-concerts.php

steve auguri, journey, live music sonoma county fair

Sonoma Supervisors Discuss New Wildfire Evacuation Zone Access Rules

With another wildfire season underway, the Sonoma County Board of Supervisors on Tuesday, July 19 held a long-awaited discussion about creating new rules governing access to evacuation zones during wildfires. 

The meeting, which drew a considerable crowd, was a long time coming. Since the 2017 wildfires, the county has been using an interim policy developed by county employees that allows some agricultural businesses to bring workers into evacuation zones. Public records reviewed by the Bohemian show that, during the 2020 Glass Fire, numerous companies were allowed to bring workers into evacuation zones, sometimes to harvest grapes and complete other business.

That practice has raised concerns from some workers and advocates, who say that low-wage employees who are unable to skip work due to financial concerns are being put in danger by the current access policy.

For the past several years, North Bay Jobs with Justice (NBJWJ), a local labor nonprofit, has been pressing local lawmakers and businesses to develop greater protections for farm workers during wildfires. The group’s “Five For Farmworkers” campaign calls for changes including increased translation services for workers who speak Indigenous languages, payment for farm workers who lose work due to wildfires and increased wages for workers who do decide to work in hazardous conditions.

The campaign has drawn significant media coverage and, in turn, opposition from some in the wine industry. Earlier this year, an industry group, Sonoma Wine Industry for Safe Employees (Sonoma WISE), launched a website opposing NBJWJ’s campaign. The group has also brought wine industry workers to public meetings, including the July 19 hearing, to speak against NBJWJ’s campaign. 

In June, the Guardian reported that nine of the roughly 150 workers Sonoma WISE brought to a May Board of Supervisors meeting had since told NBJWJ that they were pressured into attending by their employers. “If I didn’t do it, I would be out of a job,” one anonymous worker told the publication.

Asked about NBJWJ’s allegation, John Segale, a public relations consultant working for Sonoma WISE, told the Guardian, “Nobody has told anyone what to say. The vineyard employees chose to become active on this issue because they were mad at how they were repeatedly disrespected by [NBJWJ executive director] Max Alper and North Bay Jobs with Justice.”

At the July 19 meeting, county staff presented the board with five options for moving forward on the evacuation zone access policy. Of the choices, industry representatives and workers supporting Sonoma WISE spoke in favor of allowing the Sheriff’s Office to create and implement a policy. NBJWJ’s supporters backed the idea of the Board of Supervisors crafting their own policy.

Both groups voiced frustration that the county had not developed a formal policy before the start of fire season, given that the issue has been publicly discussed for several years and other counties already have policies in place. The delay means that business owners, workers and county authorities will once again navigate a fire season without publicly-debated regulations around who should be allowed access to farms during wildfires.

Similar discussions have been happening across the state. Last year, Gov. Gavin Newsom signed into law Assembly Bill 1103, legislation that lays out a framework for counties to regulate access to dairies and other livestock during wildfires. The bill does not include regulations on plant-based agriculture businesses, including grape growers and wineries, leaving counties with those industries the task of creating their own access rules.

For months ahead of the meeting, Sonoma County had been promising to host a community meeting to hear input on its rules governing access to wildfire evacuation areas and other fire-safety related issues. However, the forum was delayed repeatedly and, ultimately, the supervisors simply discussed the evacuation zone access policy at a regular meeting on July 19.

Supervisor Lynda Hopkins, a member of an ad hoc committee created to discuss and craft new rules, said at the meeting that the public forum was canceled due to rising Covid cases and other factors.

Later in the meeting, Mike Martini, the owner of Taft Street Winery, spoke in favor of allowing the Sheriff’s Office to manage the process and urged the supervisors to pass a policy immediately.

“This is a safety issue, and decisions should be made by public safety professionals…,” Martini said. “These are the men and women who are going to determine what the evacuation areas are; these are the men and women who should be making the determination for access.”

Representatives of NBJWJ raised transparency concerns about allowing the Sheriff’s Office to develop the access program.

Max Bell Alper, NBJWJ’s director, said, “There’s just literally no transparency or accountability built into that option with the sheriff.”

“I hope the Sheriff’s Department works to build some trust in the community, but the reality is where people see the sheriff, especially immigrant workers, is during evictions, deportations and police violence. It’s not a fair system to allow only the sheriff’s to make decisions [around access],” Alper added.

During discussions about the path forward, Supervisor David Rabbitt voiced support for allowing the Sheriff’s Office to take control of the issue, while other supervisors leaned towards being directly involved in crafting a policy.

The supervisors dove into some of the finer points of whom should and should not be allowed to access evacuation zones and for what purposes—not to shoot drone footage for YouTube or feed one’s cats, for instance. Some supervisors noted that other industries, including construction and hospitality, are also impacted by wildfires.

Responding to a question from the board about the feasibility of the sheriff crafting a policy, Assistant Sheriff Jim Naugle said that the program should be a collaborative effort. 

“Just to be clear, this is nothing we could do on our own anyway… I don’t have the resources or the knowledge to verify the agriculture operations that are plant based. I don’t have the resources or the knowledge to verify livestock or what other communities might be impacted,” Naugle said. 

“For this to work, I think it has to be a collective thing and, I think, anything we would present to the board would include verification from [other departments],” Naugle added. 

Ultimately, the supervisors directed county staff to return on Aug. 30 with a policy based on their conversation. Though other agencies may be involved in crafting the access policy, the enforcement during wildfires will be done by the Sheriff’s Office and other first responders.

The board made reference to some of NBJWJ’s other Five For Farmworkers campaign items, but did not take action on them.

Earlier this summer, the Board of Supervisors included $1 million in the county’s budget to pay workers who lose work during wildfires. The details of how that money will be used have not been determined.

The Dangers of Comfort and Compromise

I am writing in response to Don Erikson’s essay on last week’s Open Mic page, in which he advocates finding common ground as well as avoiding topics of race and politics to better get along with those who disagree with us. Although I find his sentiment laudable and well-intentioned, I believe it to be ultimately harmful and wrong.

First, the left and right are NOT equally at fault for the current division in our country, as Mr. Erikson implies. There is no radical left; there is a socially responsible left that crusades for the needs and welfare of all people and the environment. However, there is a radical right, manifested in an increasingly nationalistic, white supremacist Evangelical Christian movement with the GOP that is steadily moving toward fascism and is gaining power and political influence.

We have a national affinity for comfort and convenience. Hence, many liberals are reluctant to stand up to the various outrages we are witnessing from the right. We are cautioned against “making things worse” and to wait for the “right time” to make changes (BTW, when is the right time??). It’s so much easier to avoid conflict and find common ground that upsets no one. This is a doubly seductive stance because not only is it comfortable but seems so much more evolved and enlightened than the messiness of conflict. Glossing over the pressing and critical issues that confront us is actually facilitating evil under the guise of getting along that neatly fits into our comfort zone.

I do not disparage Mr. Erikson or those sharing his view, which is commendable yet flawed. Compromises made by the left will not be reciprocated by the right.

This is a time to defend the principles we profess to believe in, which include calling out and fighting against that which is harmful to our people and environment. In the words of the late, great John Lewis: “Get in good trouble!” Let’s make things better and not be afraid of the trouble that is an inevitable part of the struggle for what is right—our country deserves it.

Christopher Newhard lives in Cazadero.

Art of Living from the Romans

When we complain how our education system doesn’t prepare young people with the skills they need for real life, we usually mean pragmatic things reflecting the fluctuating needs of the marketplace and innovations in technology.

But the most useful skills in the world are useless if you can’t manage life itself.

Two thousand years ago, a manual was written containing some of the most timeless wisdom ever committed to parchment. Penned by a disciple of Epictetus (pronounced epic-TEET-us), a second-century Roman philosopher, the book encourages one to cultivate a detached attitude towards life, withstand adversity and pursue the highest virtues. 

It was lately given a freeform interpretation by Sharon Lebell under the title The Art Of Living: The Classical Manual On Virtue, Happiness And Effectiveness, and it is the one self-help book everyone should own, consisting of pithy tidbits to read each morning before venturing forth into the world. Here are a few examples: 

  • As you think, so you become.
  • First say to yourself what you would be, and then do what you have to do.
  • Regardless of what is going on around you, make the best of what is in your power, and take the rest as it occurs.
  • Attach yourself to what is spiritually superior, regardless of what other people think or do. Hold to your true aspirations, no matter what is going on around you.
  • Most of what passes for legitimate entertainment is inferior or foolish and only caters to or exploits people’s weaknesses. Avoid being one of the mob who indulges in such pastimes. Your life is too short, and you have important things to do.
  • There is only one way to happiness, and that is to cease worrying about things which are beyond the power of our will.

As you can see, the crux of Epictetus’ thought centers around the simple premise of taking responsibility for that which you can control and letting go of all that which you can’t. In the middle of the 20th century, this notion would become the foundation of the branch of psychology known as Cognitive Behavioral Therapy.

But perhaps most interesting is the context in which this wisdom was expounded. While Epictetus was writing his practical maxims, Rome was in steep decline with a thousand-year dark age on the horizon. And yet here we are two millennia later, still reading Epictetus’ wisdom, thereby proving the truth of his words, that the timeless realm of the soul really does transcend the rise and fall of empires.

Notes from the Set of (Not) a Werewolf Film

When news editor Will Carruthers offhandedly suggested I write a dispatch from the set, he had no idea I had been keeping a production diary.

Films are what I do when I’m not newspapering, and this particular film, presently titled Wolftone, is a bit of Gen X angst spun as a rom-com but with fangs and fur.

It’s a werewolf movie that takes pot shots at Herman Hesse’s Steppenwolf (not a werewolf book, mind you), horror genre idioms, but mostly my generation’s commitment to not aging gracefully, the (de)evolution of traditional relationships and how second chances are seldom on our own terms.

Some might say this is a vanity project (I write, direct and star), but I’d like to think I’m taking one for our Team X, saying what a lot of us have been thinking. Trust me, this is not a flattering piece of material. But I am stoked to join the ranks of such quasi-contemporaries as B.J. Novak (congrats on Vengeance!), as well as ancient writer-director-actor antecedents—from schlocky Ed Wood to artiste Orson Welles.

As culture writer Andrew Bloom wrote when mulling the spectrum between Wood and Welles, “all art contains a piece of the author’s soul, from cinema’s highest highs to its lowest lows, and that fact connects everyone with the foolhardy impulse to try to make good on the impulse to create.”

I agree with Bloom wholeheartedly and I applaud all artists, however they heed the call—filmmakers in particular. And by “filmmakers” I mean all those hearty souls participating in every aspect of production. These are precisely the kind of people with whom you would want to venture into deep space. You have no idea where you’re going and if you’ll ever get home, but the hope is to eventually share something amazing everyone can someday see for themselves.

Films are impossible but not implausible, which is why they still happen. 

And so far as one’s aesthetic ambitions will lead where they may, the drive to make these cinematic monsters necessarily derives from a collective spirit. And that, ultimately, belongs to the audience. Over flickering fires to cinematic streams, movies and their progeny are how our culture best reflects itself.

But culture ain’t what it used to be. We exist in atomized algorithmic-driven niches now. The blockbusters and water-cooler attractants of yore have given way to an amazing glut of “content,” nearly as many shows as subscribers. 

So, why make independent films in this climate? As Quentin Tarantino reminds his casts and crews when goading them into a final take: “We love making movies.” 

That’s why.

‘Bohemian’ and ‘Sun’ editor Daedalus Howell is directing his second feature film. Find him at daedalushowell.com.

‘Drowsy Chaperone’ Awakes in Sonoma

“I hate theater.”

No, that’s not the long-suspected confession of a theater critic. It’s the opening line from the Sonoma Arts Live production of The Drowsy Chaperone, now running through July 31.   

That line, followed by a litany of complaints about modern theater (shows are too long, actors shouldn’t interact with the audience, Elton John, etc.), is uttered in darkness by a disembodied voice. The lights come up on a gentleman (Tim Setzer) sitting in a comfy chair next to a record player, surrounded by Broadway musical cast albums.  

The “Man in Chair” is feeling a little blue and usually finds solace by escaping into the fantasy world of Broadway. After first considering an escape to River City, IA via The Music Man, he decides to return to the decadent world of the 1920s, as presented in the classic Broadway musical, The Drowsy Chaperone (an entirely fictional show). As he plays the soundtrack, the characters from the show appear in his apartment and the audience is treated to a play-within-a-play, which is an amalgam of showbiz musicals of the time.

Broadway star Janet Van De Graff (Maeve Smith) seeks to give up the stage to marry the man she loves (Stephen Kanaski), much to the chagrin of her producer (Pat Barr). Under pressure from an investor and his gangsters (Rick Love, Kaikane Lavilla), the producer schemes to break things up by having a Latin Lothario (Andrew Smith) seduce Janet. Will love win out in the end? Need one ask?

The Man in Chair provides running commentary throughout the show, which also includes a staid butler (Sean O’Brien), a harried best man (Jonathen Blue) and, of course, a drowsy chaperone (Daniela Innocenti Beem).

Despite its opening line, Chaperone is a love letter to musical theater. There’s singing, dancing, comedy, colorful period costuming by Rebecca Valentino and just a wee bit of heart. Director Michael Ross shows a sure comedic hand in guiding his cast in threading the needle between loving parody and outright spoof.

Talented North Bay regulars populate the large cast, with Setzer the calm but bitingly amusing center of the on-stage storm. Sherrill Peterson’s band delivers the music, Maeve Smith and Dani Beem deliver the vocals, and the entire cast delivers in the Liz Andrew-choreographed numbers.  

The Drowsy Chaperone delivers a lightweight escape for all. 

‘The Drowsy Chaperone’ runs through July 31 at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs–Sat, 7:30pm; Sun, 2pm. $25–$37. 866.710.8942. Proof of vaccination with ID and masking are required to attend. sonomaartslive.org

Look Within—Finding Meaning in Darker Moments

Hello, loves! It’s been far too long—how does this find everyone? 

I’ve been away from “Look” for myriad reasons. Before I return to my usual programming, which has evolved from fashion to highlighting the unique and inspiring human beings of Marin and Sonoma counties, I want to dedicate this week’s column to a topic very meaningful to me: how we are doing.

I, for one, am not really okay. Since late 2019, things haven’t felt okay, right up to this moment. I’m sitting on my balcony, riddled with another bout of Covid, despite my two vaccines and a booster, listening to a festival in downtown Oakland and feeling like an alien on planet Earth. The steady drip of bad news—inflation, the tsunami of technology and the disintegration of our government—are enough to leave anyone (me) feeling like the American dream we were promised probably never existed, or, if it did, is dying an ugly death on the table. 

Mental health is tenuous, connections are difficult. Loneliness tints eyes locked to social media feeds a shade of washed blue. Things like meeting a stranger at a coffee shop—things I used to take for granted—are out of sight in my rear-view mirror. 

I don’t know if things will ever return to the way they were. I’m only 30, and lately it’s seeming like the more years I accrue, the emptier my head gets. It’s hard to predicate anything with the youthful self-assurance all my years of philosophy and poetry gave me during college. Life feels much bigger, much more unruly, though it was all the philosophers and poets were writing about.

There are days when things feel a bit too much. There are days when I feel myself wrung out like a sponge, searching for a drop of humanity left. 

For anyone, anyone at all, who is feeling this way, I offer this Frederick Nietzsche quote, which gives me solace and even a sense of meaning during the darker days: 

To those human beings who are of any concern to me I wish suffering, desolation, sickness, ill-treatment, indignities—I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, the wretchedness of the vanquished: I have no pity for them, because I wish them the only thing that can prove today whether one is worth anything or not—that one endures.

Next week, space willing, we will return to our usual programming. For this week, for those struggling with the weight of the world, may we endure. 

Love always and to the best of my abilities, 

Jane

Jane Vick is an artist and writer based in Oakland. She splits her time between Europe, New York and New Mexico. View her work and contact her at janevick.com.

Oakland Artist Adia Millett Creates Nature-Inspired Work

Napa County’s di Rosa Center for Contemporary Art welcomes the public to “Force of Nature,” the result of Oakland-based artist Adia Millett’s six-month intermittent residency, spent wandering the landscape, collecting materials and sound samples, and exploring the boundaries between language, figure and abstraction.

Through a range of media, from sound installation to painting and textile, Millett’s work in “Force of Nature” follows the concept of human as a natural force, using “a process of taking things apart, removing, replacing, cutting, pasting, sewing and building.” Evoking the power of human creativity, Millett suggests that “humans, like earthquakes, fires or floods, are also forces of nature.”   

Millett is originally from Los Angeles. She received her MFA from California Institute of the Arts and, in 2001, moved to New York City for the Whitney Museum Independent Study Program, after which she completed the Studio Museum in Harlem’s residency program. Her 2019 solo exhibition, “Breaking Patterns,” shown at the California African American Museum, was a well-received body of work.

Her work weaves African American experiences into an ongoing conversation and investigation into identity and collective history. Millett seeks and follows the tenuous yet perpetual interconnectivity between all living beings—the ties that bind and unite.

In her own words:

“Fragmented, constructed and reassembled, I shed light on the multifaceted and complex parallels between the creative process and the nature of personal identity. My paintings feature abstracted, geometric shapes that imply movement—colorful forms expand and collapse freely among glittery backgrounds with hints of landscape and structural objects such as rooftops, windows and doors. While the textiles draw on the domestic and artistic traditions of quilt-making, they are pieced together, combining culturally diverse fabrics.

While my work pays homage to the past through the use of repurposed fabrics and historical iconography, its bright atheistic imagery is informed by the future. The art reminds us of the importance of renewal and rebuilding, not only through the artistic process, but also through the possibility of transformative change.”

Millett has also exhibited at the Craft and Folk Museum in Los Angeles; the New Museum of Contemporary Art, New York; the Museum of Contemporary Art, Atlanta; the Santa Monica Museum of Art; and the Contemporary Art Center, New Orleans. 

IN THE STUDIO Adia Millett working on one of her pieces. Photo courtesy of the artist.

In her collaboration with di Rosa, a unique communion between artist and institution, Millett tuned in to the land, using sun, water, air and earth, “elements that birthed us and keep us alive” as both mirrors and signposts to produce a body of work exploring our ancestral connection to the rhythms and matter of the natural world. 

Pieces like Solar Serpent, inspired by Millett’s observation of a baby rattlesnake, create a bridge between the natural force of the human and non-human rhythms. Millett’s work can act as a reminder that we are not unique in our movements, patterns and changes.

“The countless creatures I witnessed living on the land, including a baby rattler, became mirrors,” Millett said. “We are able to see ourselves in other living beings. As they navigate the land, so do we. I imagine the young snake using its senses to transition from the challenges of one season to another. Here the triangle-shaped painting, not only integrated the shades of red to symbolize fire, but blue, green, yellow and gold, for the water, air and earth. Like the snake, we move, shed and thrive.” 

Executive director Kate Eilertsen indicated the center was delighted with Millett’s special appreciation for the land surrounding di Rosa. 

“Di Rosa was thrilled to work hand-in-glove with Millett, a nationally-recognized artist whose vivid paintings and textiles have garnered widespread praise, by granting her unprecedented access to our site,” said executive director Kate Eilertsen. “Her reverence for the strange beauty of our landscape—scarred by fire and drought and yet insistently teeming with life—is profoundly inspiring.” 

“Force of Nature” is on view now through Oct. 30, with accompanying programming throughout, including a talk on Saturday, Aug 20, from 2:30-4pm with artist Adia Millett and curatorial associate Twyla Ruby and a free Force of Nature Family program on Saturday, Oct. 29 from 1:30-3:30pm, offering different activity stations inspired by the exhibition. 

Di Rosa will be commemorating its 25th anniversary all year long with a series of special events, ranging from artist talks and films to concerts and theatrical performances. On Dec. 3, the festivities will culminate with a 25th Anniversary Celebration Gala honoring Eleanor Coppola and Lynn Hershman Leeson for their extraordinary lives in the arts. A complete listing of 25th anniversary events can be found on the gallery’s webpage.For more information on this show and di Rosa programming, visit www.dirosa.org. Learn about Millettt’s work at www.adiamillett.com.

CULTURE CRUSH—Mentalist magic, Comedy and More

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Sausalito 

Mentalist Magic

Join the Sausalito Center for the Arts for a night of food, drink and magic with mentalist Jay Alexander at the Sausalito Pop Up Magic Show! A master magician, mentalist and comic,  Alexander has appeared on the Today show, TEDx talks, MTV and Good Morning America. His recurring “Mind Tricks Live!” show at San Francisco’s Marrakech Magic Theater is rated the #1 show on both Yelp and TripAdvisor. This week, North Bay residents can see this hit show, full of wonder and mind-boggling magic, closer to home. The Sausalito Pop Up Magic Show is Aug. 4 at the Sausalito Center for the Arts, 750 Bridgeway, Sausalito. Tickets $250. Seating is limited. Tickets to this event include a year of free membership to the center.  www.sausalitocenterforthearts.org 

Petaluma

Petaluma Music Festival 

Produced by a non-profit organization, the Petaluma Music Festival is held each year to raise money for music in Petaluma’s public elementary and secondary schools, ensuring that students have access to an education in the arts. Since 2008, the nonprofit has donated over $400,000 to Petaluma school music programs. This year’s lineup includes 14 musicians, including Dirty Cello, Rainbow Girls, La Gente SF and The Happys. The festival will also feature  booths for meet and greets with artists, merchandise for sale, beers from Lagunitas Brewing Company and Two Rock Brewing Company, and food from local vendors. This is a chance to support music in schools. This year, the festival will be held Saturday, Aug. 6 at the Sonoma-Marin Fairgrounds, 175 Fairgrounds Dr, Petaluma. Gates open at 11:30am, and music runs until 9:30pm. Tickets start at $60. www.petalumamusicfestival.org 

Rohnert Park

Renegade Orchestra

An unconventional Bay Area orchestra is performing in a Rohnert Park redwood grove next week. Renegade Orchestra describes itself as “throwing out all the old conventions of a quiet, sleepy, stuffy show of musicians locked in straight jackets of tradition.” This 18-piece ensemble pairs a set of virtuosic orchestra musicians with a hard-driving rhythm section. Renegade will perform work by Nina Simone, Miles Davis, the Mamas and the Papas, and Donna Summer. This concert from a lively orchestra is set to get toes tapping and hips moving. An added bonus: The show will be held outdoors amidst redwood trees. Fresh air and fresher music. The Renegade Orchestra performs at the SOMO Village, 1100 Valley House Dr, Rohnert Park, on Aug. 7. Show starts at 7pm. Tickets $25-30. www.somovillage.com 

Kenwood

Larry Omaha 

Comedic legend Larry Omaha comes to Deerfield Ranch Winery for a night of wine and laughs. Omaha’s comical stories about his youth have been hailed by the Los Angeles Times as “refreshing, funny and universal.” An Indigenous Humanistic Native stand-up comedian born on the banks of the Missouri River, Omaha’s childhood was spent fighting flood waters, snakes and coyotes on the Midwestern plains. He has many television, film and performing credits, and is best known as the voice of Nightwolf in Mortal Kombat. The winery, in the heart of Sonoma Valley, is an award winning, organic winery. Bring a picnic and get ready to laugh! Omaha is performing at Deerfield Ranch Winery, 10200 Sonoma Hwy, Kenwood on Saturday, July 30. 7pm-8:30pm. Tickets $35. www.crushersofcomedy.com 

—Jane Vick

CPAC Takes Wing in Leonard Gershe’s Butterflies are Free

One may recognize Leonard Gershe’s Butterflies are Free, written and set in 1969, from the film adaptation starring Goldie Hawn. The Cloverdale Performing Arts Center (CPAC) has a production of this running through July 31.

Loosely inspired by the early life of blind Harvard-educated lawyer Harold Krents, the story follows a day in the life of young, blind and motivated Don Baker. Don is one month into a two-month sabbatical from his overprotective mother (Athena Gundlach). Living on his own for the first time, he meets next-door neighbor Jill (Shannon Sawyer), whom he falls for instantly. 

Predictably, mother shows up to find the two unclothed and seemingly sharing an apartment. Mama Baker scares the young Jill with a nightmare scenario of life with a blind man, which leads her back into the arms of her friend Ralph (Christopher Johnston).

There is much to like here. Few local directors have Amy Lovato’s calm competency. Regardless of script shortfalls, she always delivers a professional, engrossing play. 

Gundlach, Johnston and Hamilton Lee are well cast. Gundlach’s Mrs. Baker is a force with which to be reckoned. Hamilton-Lee’s Don is grounded and moody, with wit presented more as keen sarcasm than humor. Johnston is loudly over-the-top in the best possible way. Sawyer, however, tends to play at a surface level and never finds depth in her character, making the play’s finale even more troublesome.

There are two elephants in this room. The first is blindness being portrayed by a sighted actor. Cloverdale is a house that always strives to do things equitably with an eye to advance all populations, and thoughtfully brought in a vision consultant (Jonathan Jose Esparza) to advise the cast. Whether casting a sighted actor was the correct decision is not for a sighted reviewer to make.

The second elephant is to be expected from a play written by a man in the ’60s: casual misogyny. The “happy” ending of this play is in reality the fallout of emotional bullying. It’s unfortunate that this wasn’t addressed, as it could have been a teaching moment for all. 

Butterflies are Free is an evenly directed, well-cast, and well-costumed play. Just be prepared to leave modern sensibilities at the door (and for gawd’s-sake, leave cell phones at the door, too).

‘’Butterflies are Free’ runs through July 31 at the Cloverdale Performing Arts Center, 209 N. Cloverdale Blvd., Cloverdale. Saturday, 7:30pm; Sunday, 2pm. $12 -$25. Special Club 99 performance Thursday, July 21, $50. Recommended for viewers aged 13 and up due to mature language and brief sexual content. 707.894.2219. cloverdaleperformingarts.com

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