Senator aims to extend pandemic rules for state boards

For a July meeting, the Little Hoover Commission—an independent state oversight agency—posted notice that the public could attend in Sacramento, but also in Traverse City, Michigan, or Southampton, New York.

Why the locations scattered across the country? Because some commissioners were taking part in the discussion on aging while on vacation. But California’s open meetings law requires in-person access to members of state bodies during public meetings, wherever they are.

The odd setup is a reflection of a post-pandemic declaration world: While COVID-19 public health rules have relaxed around in-person gatherings, remote work continues, even in state government. And as of July 1, some of the in-person requirements suspended during the pandemic are back in place—including disclosing remote meeting locations and making them accessible to the public.

Enter Senate Bill 544, sponsored by the California Commission on Aging, which seeks to reinstate some of those exemptions until Jan. 1, 2026. The bill—the latest of several in the last few years seeking to ease open meeting rules—passed the Senate in May, and is awaiting an Assembly appropriations committee hearing.

“While the executive order was in place during COVID about public meetings, costs went down 90%. Participation went up from vulnerable populations, and people were able to participate remotely in hearings the way they hadn’t before, and it was trying to continue those benefits,” said state Sen. John Laird, the bill’s author, from Santa Cruz.

The bill seeks to remove requirements to post all teleconference locations, post agendas at each location and make those locations accessible to the public. Instead, boards would only be required to post the physical address for one site, and only one board member or staff member would have to be physically present at that site.

But the bill’s opponents—a rare coalition of good government, press, taxpayer and industry groups—say Californians should be able to address their government officials in person.

“We really believe that having the opportunity to have that face-to-face interaction … is a really core belief for the democratic institutions,” said Laurel Brodzinsky, legislative director for California Common Cause.

Opponents also raise concerns that state boards could save the controversial topics for remote-only meetings, where the public may have less opportunity to weigh in.

“We see this all the time here [in Sacramento]—there is a huge line of members of the public for controversial bills choosing to participate,” said Brittney Barsotti, general counsel for the California News Publishers Association, which opposes the bill unless it’s amended further. “And while it might be disruptive for those of us that work in the Capitol every day, like, that’s the point, right? It’s the ability to organize and have your voice heard, instead of being in an empty room with one poor staffer and a speaker.”

In a concession to those concerns, the bill was amended last week to require that a majority of the members of a board be at the same location for at least half of its meetings.

Ethan Rarick, executive director of the Little Hoover Commission, said it supports the bill based on its own positive experience with remote meetings, but also on its June 2021 report on online meetings, which showed that more than half of the 46 state boards surveyed reported greater attendance by members.

Rarick noted that the Bagley-Keene Act—the law that governs open meetings for state boards and commissions—doesn’t require meetings be livestreamed, which would become a mandate under Laird’s bill.

“The more important point for our commission was that it can also increase the kind of people who are able to serve, and thus kind of increase the diversity and representation,” Rarick said.

Barsotti doesn’t buy that justification from the state boards: “They’re not simply expanding access for the public virtually. What they’re doing is trading it off.”

The Bagley-Keene Open Meeting Act, passed in 1967, says: “The people of this state do not yield their sovereignty to the agencies which serve them … The people insist on remaining informed so that they may retain control over the instruments they have created.”

Staying informed means a state body—any multi-member body that is created by statute or required by law to conduct meetings—is required to post public notices about when they’re meeting, prepare agendas and accept public testimony.

But balancing openness with efficiency can be frustrating, according to the state itself.

A handbook by the Attorney General’s office, updated in 2004, notes that the “unnatural communication patterns brought about by compliance with its rules” is an intentional choice to ensure the public has a seat at the table. “Simply put, some efficiency is sacrificed for the benefits of greater public participation in government,” the handbook says.

But Laird said the state learned a lot during the pandemic on ways to increase public participation while protecting people’s health.

“While it’s very important to have a majority of people there in person, we’ve been given some options that increase participation and protect people,” he said. “ And we should leverage those into a public process that really allows people to participate and has a majority of people there all the time in person.”

Still, some of the bill’s provisions remain to be worked out, such as no longer requiring disclosure and access to some remote locations, specifically private homes. Supporters argue that change is necessary to protect the privacy and safety of state board members, particularly those in “vulnerable groups” who may be targeted for “harm or harassment,” according to the bill analysis.

Brodzinsky of California Common Cause said she understands the privacy concerns, but aside from emergencies or health issues, doesn’t think it’s appropriate for members who choose to serve on boards and are accountable to the public to participate in meetings from home.

Common Cause, as well as the California Newspaper Publishers Association, also raised concerns that current language only requires an audio option, and not video.

It’s not just the expected opponents who are raising concerns.

In a July opposition letter, the Glass Packaging Institute, the California Manufacturers and Technology Association, the California Association of Winegrape Growers and other business groups wrote that remote participation eliminates eye contact, discourages debate, and stifles pre- and post-meeting discussions.

Laird said he heard the concerns from an August hearing “loudly and clearly,” and is considering amendments, such as on-camera participation and quorum requirements.

While the legislature is scheduled to adjourn Sept. 14, the senator still hopes to get it passed this session due to what he calls the ongoing need to allow people with disabilities or those with trouble traveling to serve on commissions or boards.

“We are still in the middle of COVID. And so I think that we still have to figure out a way that people that are compromised have a way to participate, and that is something that can’t be put off ’til next year,” he said.

Common Cause says its concern isn’t just with this bill, but with a “dangerous trend” of legislation the last two years that seeks to roll back public access.

Last year, a similar bill by former Assemblymember Bill Quirk that would have allowed meetings to be held entirely by teleconference died in committee. But Assembly Bill 2449 passed, extending until 2026 pandemic-era exemptions to teleconferencing rules for local governments.

This year, at least seven bills have been proposed that would expand the use of teleconferencing for public meetings, three of which have moved forward.

Trivia, Week of Aug. 30

1 VISUAL: From 1849 to 1851, during the time of the gold rush, Sacramento was not the capital of California. Which city was at that time, and in fact became the state’s first capital, when California became a state in 1850?

1.

2 This sea animal usually has five arms (it can have up to 40 arms), with eyes at the end of each arm. What is it?

3 What television award show that celebrates television first aired in 1949?

4 VISUAL: Which island nation in the Caribbean Sea lies closest to the South American mainland, only about seven miles from what South American country?

5 The Academy-Award-winning Best Pictures in 2022, 2021 and 2020 all had one-word titles. What movies were they?

6 English grammar: A verb which ends in -ing and operates as a noun (such as… “running with the bulls”) is called a … what?

7 Can you name four sports whose names begin with the letter B, but don’t involve a ball?

8.

8 VISUAL: Founded around 250 B.C., this city of Asia Minor was originally named Philadelphia. Today, it’s a capital city with a five-letter name, in a Middle East country with a six-letter name. What is it?

9 The years 1665 and 1666 were not good years for the inhabitants of London. What two different unfortunate events took place in those consecutive years?

10 What numerical quantity is a measure of the effects of the Earth’s gravity on each person?


ANSWERS:

1 San Jose

2 Starfish

3 Emmy Awards

4 Trinidad lies about seven miles off the coast of Venezuela.

5 2022: CODA, 2021: Nomadland, 2020: Parasite

6 Gerund

7 Boxing, badminton, bobsled, bicycle racing, bullfighting … more?

8 Amman, Jordan

9 1665: Great Plague, which killed almost 70,000 people; 1666: Great Fire, which burned for four days and four nights

10 Your weight. Thanks for the question to Rishi Schweig from West Marin.

Culture Crush, Week of Aug. 30

Bolinas

Art Marches On

Between January 2017 and January 2020, James Lerager photographed eight marches in Oakland and San Francisco. The results have been arranged in a photo essay on display in Bolinas. Lerager’s photos capture the shifting mood of demonstrators, from the early exuberance of the first Women’s March to the steely determination of the anti-Trump resistence. ‘Marching 2017-2020 Photography by James Lerager’ is showing at the Farmstand Gallery at the intersection of Olema-Bolinas Road and Horseshoe Hill Road, Bolinas. 9am to 5pm daily; show closes Aug. 31.

 
Petaluma

Big Top

Circus Vargas channels the “City of Lights” in their latest, greatest production, “Bonjour, Paris!” This all-new high-energy, action-packed extravaganza delivers a live, truly family entertainment experience. A Parisian-style circus production, it features performers, aerialists and acrobats rather than animals. The death-defying stunts are intended to thrill audiences of all ages in a two-hour spectacle under the big top. Circus Vargas’ ‘Bonjour, Paris!,’ multiple shows daily, through Sept. 4. Sonoma Marin Fairgrounds, 175 Fairgrounds Dr., Petaluma.

 
Santa Rosa

Mary Jane

In the drama, Mary Jane, a single mother of a chronically ill child is surrounded by a community of women willing to fight beside her, sometimes in spite of her own wishes. Winner of the New York Drama Critics’ Circle Award for Best Play in 2018, the show, presented by Left Edge Theatre, features a small ensemble cast, many of whom play dual roles that highlight the truths and deceptions we tell each other and ourselves. 7:30pm, every Thursday, Friday and Saturday, Aug. 31 through Sept. 16 at The California, 528 7th St., Santa Rosa. Tickets start at $20.

Napa

Lucky Dice

In an age even more cautious about every word we say, might it not be a relief to just hear somebody let go of all that caution? Comedian Andrew Dice Clay is counting on it. Questions loom of course, like, is Dice’s material still misogynist? Is he actually funny? Do his appearances in 21st century movies by Martin Scorsese and Woody Allen compare to his performance in Ford Fairlane? Only one way to find out. Napa Summer Sessions presents Andrew Dice Clay. 8pm, Saturday, Sept. 2, outside at 850 Bordeaux Way, Napa. Food and drinks available.

Free Will Astrology, Week of Aug. 30

ARIES (March 21-April 19): Climate change is dramatically altering the Earth. People born today will experience three times as many floods and droughts as someone born in 1960, as well as seven times more heat waves. In urgent efforts to find a cure, scientists are generating outlandish proposals: planting mechanical trees, creating undersea walls to protect melting glaciers from warm ocean water, dimming the sun with airborne calcium carbonate and covering Arctic ice with a layer of glass. In this spirit, I encourage you to incite unruly and even unorthodox brainstorms to solve your personal dilemmas. Be wildly inventive and creative.

TAURUS (April 20-May 20): “When love is not madness, it is not love,” wrote Spanish author Pedro Calderon de la Barca. In my opinion, that’s naive, melodramatic nonsense! I will forgive him for his ignorance, since he worked as a soldier and celibate priest in the 17th century. The truth is that yes, love should have a touch of madness. But when it has more than a touch, it’s usually a fake kind of love: rooted in misunderstanding, immaturity, selfishness and lack of emotional intelligence. In accordance with astrological factors, I assign you Tauruses to be dynamic practitioners of genuine togetherness in the coming months: with hints of madness and wildness, yes, but mostly big helpings of mutual respect, smart compassion, tender care and a knack for dealing maturely with disagreements.

GEMINI (May 21-June 20): Gemini author Iain S. Thomas writes, “There are two things everyone has. One is The Great Sadness and the other is How Weird I Really Am. But only some of us are brave enough to talk about them.” The coming weeks will be a favorable time to ripen your relationship with these two things, Gemini. You will have the extra gravitas necessary to understand how vital they are to your full humanity. You can also express and discuss them in meaningful ways with the people you trust.

CANCER (June 21-July 22): A self-fulfilling prophecy happens when the expectations we embrace actually come to pass. We cling so devotedly to a belief about what will occur that we help generate its literal manifestation. This can be unfortunate if the anticipated outcome isn’t good for us. But it can be fortunate if the future we visualize upgrades our well-being. I invite you to ruminate on the negative and positive projections you’re now harboring. Then shed the former and reinforce the latter.

LEO (July 23-Aug. 22): The holy book of the Zoroastrian religion describes a mythical mountain, Hara Berezaiti. It’s the geographic center of the universe. The sun hides behind it at night. Stars and planets revolve around it. All the world’s waters originate at its peak. Hara Berezaiti is so luminous and holy that no darkness can survive there, nor can the false gods abide. I would love for you to have your own version of Hara Berezaiti, Leo: a shining source of beauty and strength in your inner landscape. I invite you to use your imagination to create this sanctuary within you. Picture yourself having exciting, healing adventures there. Give it a name you love. Call on its invigorating presence when you need a sacred boost.

VIRGO (Aug. 23-Sept. 22): Virgo journalist Anthony Loyd has spent a lot of time in war zones, so it’s no surprise he has bleak views about human nature. He makes the following assertion: “We think we have freedom of choice, but really most of our actions are puny meanderings in the prison yard built by history and early experience.” I agree that our conditioning and routines prevent us from being fully liberated. But most of us have some capacity for responding to the raw truth of the moment and are not utterly bound by the habits of the past. At our worst, we have 20% access to freedom of choice. At our best, we have 70%. I believe you will be near the 70% levels in the coming weeks, dear Virgo.

LIBRA (Sept. 23-Oct. 22): Libra poet T. S. Eliot wrote the iconic narrative poem, “The Wasteland.” One part of the story takes place in a bar near closing time. Several times, the bartender calls out, “Hurry up, please—it’s time.” He wants the customers to finish their drinks and leave for the night. Now imagine I’m that bartender standing near you. I’m telling you, “Hurry up, please—it’s time.” What I mean is that you are in the climactic phase of your astrological cycle. You need to finish this chapter of your life story so you can move on to the next one. “Hurry up, please—it’s time” means you have a sacred duty to resolve, as best you can, every lingering confusion and mystery.

SCORPIO (Oct. 23-Nov. 21): Addressing a lover, Scorpio poet Margaret Atwood says, “I would like to walk with you through that lucent wavering forest of bluegreen leaves with its watery sun & three moons, towards the cave where you must descend, towards your worst fear.” That is a bold declaration. Have you ever summoned such a deep devotion for a loved one? You will have more power and skill than usual to do that in the coming months. Whether you want to or not is a different question. But yes, you will be connected to dynamic magic that will make you a brave and valuable ally.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian theologian N. T. Wright writes, “The great challenge to self-knowledge is blind attachment to our virtues. It is hard to criticize what we think are our virtues. Although the spirit languishes without ideals, idealism can be the greatest danger.” In my view, that statement formulates a central Sagittarian challenge. On the one hand, you need to cultivate high ideals if you want to be exquisitely yourself. On the other hand, you must ensure your high ideals don’t become weapons you use to manipulate and harass others. Author Howard Bloom adds more. “Watch out for the dark side of your own idealism and of your moral sense,” he writes. “Both come from our arsenal of natural instincts. And both easily degenerate into an excuse for attacks on others.” Now is a good time for you to ponder these issues.

CAPRICORN (Dec. 22-Jan. 19): Capricorn playwright and novelist Rose Franken said, “Anyone can be passionate, but it takes real lovers to be silly.” That’s interesting, because many traditional astrologers say that Capricorns are the least likely zodiac sign to be silly. Speaking from personal experience, though, I have known members of your tribe to be goofy, nutty and silly when they feel comfortably in love. An old Capricorn girlfriend of mine delighted in playing and having wicked good fun. Wherever you rank in the annals of wacky Capricorns, I hope you will consider expressing these qualities in the coming weeks. Romance and intimacy will thrive if you do.

AQUARIUS (Jan. 20-Feb. 18): As I work on writing new books, I often draw on inspirations that flow through me as I take long hikes. The vigorous exercise shakes loose visions and ideas that are not accessible as I sit in front of my computer. Aquarian novelist Charles Dickens was an adherent of this approach. At night, he liked to walk around London for miles, marveling at the story ideas that welled up in him. I recommend our strategy to you in the coming weeks, Aquarius. As you move your body, key revelations and enriching emotions will well up in you.

PISCES (Feb. 19-March 20): The coming months will be an excellent time to build, discover and use metaphorical bridges. To get in the mood, brainstorm about every type of bridge you might need. How about a connecting link between your past and future? How about a nexus between a task you must do and a task you love to do? And maybe a conduit between two groups of allies that would then serve you even better than they already do? Your homework is to fantasize about three more exciting junctions, combinations or couplings.

Authors Astound: Local scribes court resident readers

For many, September is the first official symbol that marks summer’s shift into autumn. With that shift, the ever-expanding hours of evening call for a couple of cozy pastimes to fill the long nights ahead.

And there is no activity more appropriate for autumnal entertainment than reading, an act that allows its audience to escape into worlds, thoughts and adventures far beyond the reaches of reality. Or, in some cases, so deep into those realities are readers that returning to the waking world can be a bit of a bore.

Here in the North Bay, where the natural splendor of the landscape has inspired artists for decades, it’s no surprise that local authors abound—and with astounding abundance.

Across every genre and generation, the counties north of San Francisco have hosted world-famous authors such as Jack London, Shel Silverstein and Isabel Allende, to name only an unfair few.

Now, new and not so new names alike are taking to the stage (or shelf, as it were) to represent, to readers far and wide, this season’s specially curated local literary lineup of Marin, Sonoma and Napa counties. So, snuggle up and settle in for a few fantastic fall book suggestions, all written by those who live(d) here too.

Bethany Browning

For the fall months ahead, few can compare to the most seasonally appropriate autumnal author, Bethany Browning. Browning has lived in the North Bay for over two decades and has been, in her words, “cranking out books like a madwoman.”

“I think what’s wonderful about the North Bay is not only the natural beauty we can draw from in our work, but also the people here are so interesting and wildly individualistic that I’ve been able to tap into the celebration of really odd characters, most based on people I met while living here,” Browning said.

Browning’s off-kilter tone and simultaneously cozy and spooky stories range from hilarious to hilariously horrifying, and readers can rejoice in reading Sasquatch, Baby! and Dead Spread. Even better? Browning’s third book, Shimmerfish, will be released in September of this year.

“I set out to write women’s fiction—a big commercial success like Gone Girl,” Browning explained. “But when I sat down to write…that’s not what came up. So, I started following the impulse to write my off-kilter writing, and I found a voice and a vibe in horror, weirdness and quirky mystery that I enjoyed a lot more than fitting into a broad commercial niche.”

To help support an independent local author and to learn more about Browning and her books, visit her website at bethanybrowning.com.

Christian Chensvold

In a world where cargo shorts reign supreme, and chivalry is all but dead, one local author has taken it upon himself to champion against the changes in clothing and courtesy over the past couple of centuries. Local author Christian Chensvold wrote The Philosophy of Style to address not only the decline of the cravat but also the attitude surrounding its fall from grace.

“[My book] is about old-fashioned, gentlemanly topics, an exhalation of the cult of elegance,” said Chensvold, who also writes the “Spirit” column for Weeklys. “The material, although gentlemanly, is very witty, and the essays have a preservation of Oscar Wilde.”

Picturing Wilde’s downright Dandy depictions of cultured dudes and dames helps to illustrate the disparity in dress addressed in Chensvold’s book, especially when one recalls that Wilde’s death was as recent as 1900. In wardrobes, far and near, the options of what to wear have become rather woeful.

“The local angle is in [the book’s] slice of Americana, a North Bay tale of this character who goes to Berkeley in the ’60s and comes back to Sonoma disillusioned at 40,” Chensvold concluded. “The amount of detail drawn from real life that I took and transposed into fiction really stunned me—the book is a culmination of 25 years of writing about being a gentleman.”

For those looking to read all about fashion (and its decline) through a fresh, factually sound lens, look no further than Chensvold’s ‘The Philosophy of Style.’ To learn more or to take the ‘How Dandy are You?’ test, visit Chensvold’s website at dandyism.net.

Anita Gail Jones

Anita Gail Jones is a local author already earning awards for her debut novel, The Peach Seed, which was only officially published earlier this August. The Peach Seed touches on Jones’ roots, having been born and raised in Georgia (the peachiest place in the United States).

In Jones’ The Peach Seed, readers can expect an intimate glimpse into two eras of Georgia—the primary plot line in 2012, but with the added perspective of flashbacks to the not-so-distant past of the 1960s.

To learn more about Jones, her book ‘The Peach Seed’ or the Gaines-Jones Education Foundation (the scholarship foundation Jones and her husband, Rob Roehrick, founded to benefit Black students on a needs basis), visit the website at anitagailjones.com.

Barbara Sapienza

This local author has a whole lot more to her than words—she’s an all-around inspirational artist with works spanning from the visual arts of painting and dancing all the way to writing and to the inexorable artistry of the inner workings of the mind itself.

And after retiring from her career as a clinical psychologist in the big city of San Francisco, Sausalito resident Sapienza added “author” to her list of achievements. Her current works include The Girl in the White Cape, The Laundress and Anchor Out.

To learn more about Sapienza and her stories, visit the official website at barbarasapienza.com.

Julia Park Tracey

Though Julia Park Tracy is honored as Alameda’s poet laureate and currently resides in the rolling foothills of California’s Sierra Nevadas, she was and will always remain an acclaimed North Bay author. After all, she was born and raised in Sonoma County and has spent the rest of her life in and around the Bay.

This resplendent writer of all things historical fiction recently released her latest book, The Bereaved, which gives readers an opportunity for an intimate look into the author’s personal research of her grandfather and his adoption.

Tracey also previously wrote and published Amaryllis: Collected Poems, I’ve Got Some Lovin’ to Do: The Diaries of a Roaring Twenties Teen, Reaching for the Moon: More Diaries of a Roaring Twenties Teen, Tongues of Angels and Veronika Layne Gets the Scoop.

To learn more about Tracey and her books, visit the website at juliaparktracey.com.

Melvins in Petaluma

Band celebrates 40 years of doing whatever the hell they want

Melvins have been flying the flag of experimental and sludge rock and, consequently, have released 26 full-lengths albums. Additionally, they’ve released countless EPs and live and compilation records.

At its core, Melvins is Buzz Osborne (guitar and vocals) and Dale Crover (drums), along with a seemingly never-ending slew of bass players. Redd Kross bassist, Steven Shane McDonald, has been with the band for eight years and will, hopefully, soon outlast all his predecessors.

The band’s current U.S. tour with Japanese noise merchants, Boris, is dubbed the “Twins of Evil Tour.” The current run of shows finds Melvins playing their 1991 ‘Bullhead’ record in its entirety, among other surprises from its massive catalog. Similarly, Boris plays their 2002 release, “Heavy Rocks,” in full. The seven-week tour commences on August 24th in Los Angeles and closes out on October 14th in San Diego.

Could anyone have predicted that Boris and the Melvins would tour the entire USA together? Since the mid-1980s, the Melvins have had an enormous influence on artists of all genres, not only limited to heavy music, and have brought forth a surge of faithful followers over the years.

Needless to say, Boris is just one of these many bands influenced by the mighty Melvins, and we took our name from a song title off of the 1991 album, ‘Bullhead,’ said Boris’ Takeshi about the obvious ties between the two bands.

For the uninitiated, Melvins earned their fanbase through college radio, word-of-mouth, and constant touring. Likewise, they’ve released albums on such disparate record labels as Boner, Alchemy, C/Z, Alternative Tentacles, Slap-A-Ham, Man’s Ruin, Ipecac, and Atlantic. Their latest album, “Bad Moon Rising,” was released on indie Amphetamine Reptile, which have had a long history with the band.

Perhaps one of the band’s strangest periods was their Atlantic records years, which saw the band reap the benefits of being name-dropped by close friend Kurt Cobain. After playing countless shows supporting Nirvana, they released three WEA-distributed records — “Houdini,” “Stoner Witch,” and “Stag.” Even though they had elements of “grunge,” Melvins’ already impossible-to-pigeonhole sound eventually worked against them and they were subsequently dropped from their only major label deal.

Melvins and Boris, along with opener Mr. Phylzzz, perform Tuesday, August 29 at The Mystic Theatre, 23 Petaluma Blvd. North, Petaluma. 

Doors open at 7 pm and the all-ages show kicks off at 8 pm. Tickets are $35 in advance and $40 the day of the show and can be purchased at mystictheatre.com. Come witness the magic of two bands who defy the laws of musical composition.

School Rocks

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Wanna learn how to rock? The North Bay offers a veritable “greatest hits” line up of places to learn.

School of Rock, a national franchise, emphasizes rock. Students start from day one by joining an in-school band to learn through playing together. The chain has several locations with local owners, including San Rafael and Santa Rosa.

“It’s kind of like sports. You’re not going to practice baseball alone. You can do some drills and such, but you’re going to join a team to learn how, right?” said Josh Walden, owner and general manager of School of Rock Santa Rosa. “So same thing here; we put you right in a band.”

Located in a black walled space that will be familiar to anyone who has rented a rehearsal studio, School of Rock Santa Rosa just feels like a place for bands.

“The cool thing is, our music community is a very inclusive, welcoming, comfortable community for beginners,” said Walden. After being nervous for the first couple of rehearsals, beginners “realize it doesn’t matter if you can make a mistake; nobody cares. You go home and you practice, and you try to come back a little bit better next week.”

Learning at School of Rock starts with a free trial lesson. Students get a tour of the studio and some one-on-one time with instructors. Based on evaluation of their level, the student either goes into the beginner program or the core program. In either case, they join a band.

For those interested in the technical side of the artform, and the professional opportunities that can come with it, a new sound engineer workshop series is kicking off in Sebastopol.

Designed with young adults in mind, or others with some experience in sound engineering and ready for the next step, Sanctuary Sound is trying something new—a hands-on weekend in September at its recording studio just outside of Occidental.

“[The approach] is great because you can just ask questions. Like ‘Yo, I don’t know how to compress well,’ or ‘I’m not doing well with stereo imaging,’ all this kind of stuff,” said studio owner and engineer Matt McDavid. The chance to ask really specific questions helps get tracks radio ready.

“I’ll do all the production and recording one day, and then we’ll have a guest mixer coming and do the mixing for the second day,” he said. The second instructor helps students learn to look at problems from different perspectives.

“Once we’ve got all that fun nerdy stuff out of the way, we’re going to get into production. How to produce an act, what it takes to wrangle five people in a room and get everyone feeling good,” said McDavid. “Keep that vibe going.”

Meanwhile, Play It Forward, a Sonoma County non-profit, helps to connect youth students with scholarships for one-on-one lessons and donated instruments. Founded by local music teachers, the program is continually evaluating how best to provide for the needs of the underserved.

“As a non-profit, we’re just trying to raise funds to find where there’s need and build programs around that,” said Play It Forward cofounder, Nick Simmons. Many of the programs supported by Play It Forward are in schools. But funds are also reserved for the scholarship and donations programs. While Play It Forward can’t guarantee that every student will be accepted, “anyone is welcome to apply on our website,” Simmons noted. That website is pifmusic.com.

The group’s mission statement reads in part, the community “nurtures the human need to relate, create, and inspire together.” Teachers and local residents make music accessible to students. It is a “positive program [that] inspires learning and playing for all types of students and musicians.”

In Napa, the Napa School of Music offers a well-rounded music education, with classes in Garage Band 101, A Cappella, Music Together toddler movement classes, as well as summer rock band camps and beginners camps for singing, guitar, ukulele and violin.

At the camps, which take children from ages 7 to 15, kids with prior experience on their instrument learn to play in a rock band, write one or two original songs, record their song and create their own music video. All instruments are accepted.

Fall Arts Make Seasonal Return

The turn of season from summer into fall is a marker of powerful energy in many traditions. From the Assumption of Mary—just past on Aug. 15, the summer festival of my family and ancestors—to Dia de los Muertos after the autumn equinox, themes of harvest and afterlife and death make this time of year fertile for artistic endeavor. The spirit races.

Many excellent such events are being offered throughout the North Bay. It’s time to do art, see art, be art.

Ballet Folklorico

Perhaps the first art form was dance. The art known as Ballet Folklórico is performed at An Hispanic/Latinx Heritage Celebration at the Sebastopol Community Cultural Center by El Valle de St. Helena. The St. Helena based non-profit Mexican folk dance group teaches the traditional dances of Mexico to learners of all ages.

“Ballet Folklórico has been danced for hundreds of years and can be traced all the way back to ceremonial dances of Indigenous people,” says the event website. Known as the Dance of the People, the style incorporated traditional dance forms from throughout Mexico.

“Mexican Mariachi music is made to move you. It is direct, driving and designed to instill emotion,” say the event’s promoters. “El Vallé creates an intoxicating and joyful way to experience Mexican culture by way of folkloric dance traditions.”

Ballet Folklorico, El Valle at 2pm, Sunday, Sept. 17. Sebastopol Community Cultural Center, 390 Morris St. For tickets, go to seb.org/hispanic-latinx-heritage-celebration.

Sunday Funday

Stand-up Comedy Matinee plays every Sunday at the Barrel Proof Lounge, Santa Rosa. Not often talked about as an art form, stand up comedy remains one of the most connected and vibrant creative outlets. Local artists of all performing disciplines learn artistically from doing comedy and its cousin, improv.

Being a regular at an event like this is a way to follow local artists developing their chops. Audience members can see comedians from across the Bay Area perform while drinking off that morning brunch. Or for those who haven’t eaten before, they can get Tipsy Tacos, right next door. Mimosas and beers are available during the show, with hosted trivia after.

Sunday Funday-Comedy Matinee. 2pm, Sunday, Aug. 20 and 27. Barrel Proof Lounge, 501 Mendocino Ave., Santa Rosa. The free shows are 21 and over. Doors: 1:45pm.

Bodega Seafood, Art & Wine Festival

Any event that has on its schedule both piccolo players and a Punch and Judy show is bound to whet the creative palate.

Featuring 50 wineries and brewers, not to mention hard cider, the 27th Annual Bodega Seafood, Art & Wine Festival is a West County event that has all the pleasures of a wine and food fair, along with a wealth of entertainment.

Behind the little tiny curtain at the Punch and Judy show is Brian Patterson, son of the Renaissance Faire’s original producers. Patterson has been performing the puppet theater classic since 1990, after a childhood of intense regular exposure to “theater and puppetry, including Punch and Judy,” said the artist. A traditional slaptick of intramarital mayhem, Punch and Judy arose in the 1660s United Kingdom.

Event goers can listen to multi instrumentalist Pascal Bokar use voice and guitar to connect American music of the South to the Ngoni, the traditional four-string instrument from West Africa. Bokar also plays the West African balafon, an ancestor of the xylophone, which has a multi sonic rhythm.

The festival sports three stages for the packed schedule of entertainment, including a kid-friendly comedy stage, as well as activities.

“A portion of the proceeds goes to Stewards of the Coast & Redwoods, the non-profit working in tandem with the California State Parks in the Russian River region, and the Bodega Volunteer Fire Department,” said event promoters.

There may be unicycles.

10am-5pm Aug. 26 and 27. Watts Ranch, 16855 Bodega Hwy., Bodega. Buy tickets at bodegaseafoodfestival.com. Prices vary.

Art House Hotel’s Inaugural Art Exhibition

Santa Rosa’s Art House Hotel’s first exhibition is coming to a close on Aug. 31. The calligraphy, art and poetry of Sherrie Lovler provide a look into the inner world of the artist and indeed all artists. That is to say, all humans.

The Cherry Street district hotel began the rotating art exhibitions as a way of “showcasing the incredible artistic talent of Sonoma County and enhancing your experience at the hotel,” said promoters. New shows will continue through the fall and winter.

‘Inner Work: The Art and Poetry of Sherrie Lovler’ will hang in the Gallery Lounge through Aug. 31. All work is available for purchase. Those interested may inquire during business hours at the Art House Hotel, 620 7th St., Santa Rosa.

Art Trails Preview

The preview show for the upcoming season of 2023 Sonoma County Art Trails will take place at Corricks in downtown Santa Rosa. In the stationery’s gallery, which housed Art Trails artists throughout the year, selected art from the 20 new and 97 returning 2023 Art Trails artists will be displayed. The Sonoma County art community institution is continuing its mission to use “art to revive connection” by bringing people into artists’ creative spaces.

Art Trails is from 10am-4pm Saturday and Sunday on the weekends of Sept. 30 and Oct. 1, and Oct. 7 and 8.

Sonoma County Art Trails Gallery at Corrick’s September-October 2023 Art Trails​ Open Studios Preview Exhibit Receptions are 5-7pm Friday, Sept. 1, and 5-7pm​ Friday, Oct. 6 at Corrick’s, 637 4th St., Santa Rosa.

On the Theater Side of Things

Santa Rosa Junior College Theatre Arts season opens on Sept. 29 with a mystery classic.

Clue, directed by Reed Martin at the Burbank Main Theatre, is based on the screenplay by Jonathan Lynn, written by Sandy Rustin, with additional material by Hunter Foster and Eric Price.

Clue is a hilarious farce-meets-murder mystery” that is “based on the iconic 1985 Paramount movie, which was inspired by the classic Hasbro board game,” according to promoters. The comedy whodunnit has fans of all ages, with famous twists and turns of the plot designed to engage newcomers as well as long standing fans.

Tickets to the 2023–2024 season go on sale early September.

Studio Art Pass

For those ceramics artists ready to take the next step in creating the perfect piece, the Nimbus art studio pass system gives expanded access to open studio workspace. The Studio Art Pass holders will “have access to our studio spaces, tools and materials, one on one advice with professional artists and technical assistance,” according to the group’s website.

The studios offer mosaic work as well as ceramics. All they ask to be considered is to “share your artistic experience and background with us” or take one of the studio’s many classes.

For more information about scheduled studio arts pass fees, hours and availability, contact in**@********ts.org. For classes, check out nimbusarts.org/class-camps.

‘Place Matters’ Ignites Big Ideas

Sonoma County has always been special—a place where the landscape still informs how its people live and work.

From the rivers and forests to the rocky coastline and rolling hills, the many unique features of this area inspire what’s created and enjoyed here. This includes an internationally recognized wine industry and restaurants serving locally-grown food, all in a region loaded with the sometimes hidden talents of expert artisans, scientists and more.

Now the locale has inspired a set of new events, offered by Carin Jacobs of the appropriately-named Place Matters. These speaker-series social events are designed to entertain, inform and connect people through engagement with regional experts. From breadmakers to oyster farmers, geographers to floral designers, here, the local makers, designers and scientists emerge from their work and step into the limelight.

Currently, there are three monthly offerings. They include “Life by Design” at Barber Cellars, where a curated pair of designers engages in conversation with each other and the audience. Also offered is “Makers Among Us” at Della Fattoria, featuring the many makers of Sonoma County. And finally, “Sonoma Science” at Brooks Note Winery, where regional experts on topics like climate, oceans or geography share their work.

“I have been doing content-based programming across disciplines for years that lives at the nexus of learning, engagement and the alchemy of unexpected combinations of people, places and ideas,” Jacobs says. “After decades of curating these experiences for museums, universities and other cultural venues, I decided to try it on my own, creating something nomadic and nimble.”

All the events feature two speakers discussing a topic related to their expertise and the series focus. For example, at “Makers Among Us,” attendees socialize at Della Fattoria Downtown Café, grab something to eat and drink, then settle in to hear two “makers” talk shop. A ceramicist and a winemaker might speak about their processes, then compare and contrast how they work. And in this case, the café even uses bowls made by the ceramicist.

It’s a cross-pollination of artists, business and the public, some of which become the other. The Brooks Note winemaker was a speaker at the maker series and now hosts the science series at his winery. The venues welcome new customers on a night they usually aren’t open. Speakers share and discuss what they do. And the public has a one-and-done night out with food, drink and entertainment in one spot.

One of Jacobs’ favorite moments was an intergenerational conversation between a speaker in his 70s and an attendee in her 20s connecting over marine biology. Personal and professional connections often occur at the events, making for an organically growing community.

And it’s not only a way to learn something new about the area—for many, this kind of low-stakes socializing is what’s needed right now. Dominique Fougère, a local product designer and series attendee, said, “We are in need of weaving together a new creative social fabric post-pandemic, and I’m very intrigued to see how this pattern develops.”

Likewise, area newcomers like Kathy Scott have found new friends. “As a relatively new resident of Petaluma,” she said, “I loved that the evening put me face-to-face with new neighbors—a welcome change from my remote work Zoom world.”

In only a few months, the series has surged in popularity. Consequently, Jacobs is adding a fourth series in Petaluma and plans to expand to West County in 2024.

The events showcase why place does matter and how entwined humans truly are with it.

For more information, go to placematters-sonoma.com.

Makers Among Us Social hour 6pm. Program 7–8:30pm. Third Wednesdays, Della Fattoria, 143 Petaluma Blvd. North, Petaluma.

Sonoma Science Social hour 6pm. Program 7–8:30pm. Fourth Mondays, Brooks Note Winery, 112 Washington St., Petaluma.

Life by Design Social hour 6pm. Program 7–8:30pm. Second Tuesdays, Barber Cellars 112 Washington St., Petaluma.

Magic Shop Studios Casts a Spell

They say those who don’t believe in magic will never encounter it. Luckily, Jennifer Tatum is a believer.

Five years ago, Tatum rented a studio from Cemill Hope of HopeBuilt, a cabinet making business in a warehouse on the Petaluma River. The ambient sounds from the woodshop conjured up numerous creative thoughts.

“The massive creative energy and dedication coming from the team of woodworkers

fed me with inspiration,” Tatum says. “It was the sound of ideas in action buzzing around me. Even if I did nothing but sit and listen, I felt ideas pouring in.”

Then, in October 2019, the WTRSHD building began its remodel, and the renters in the building moved out. An idea Tatum had brewing was to create a collective of art studios there. She now had to decide whether to also move out—or propose her idea of an art collective to the building’s owner, Joshua Peterson.

It’s uncommon to ask for something so unlikely. But Peterson agreed to the idea, and in January 2020, Magic Shop Studios was born.

“I named the space Magic Shop Studios because Cemill Hope’s son, Bodhi, popped into my studio one day and said, ‘Your studio is like a magic shop,’” she laughs. “I definitely feel like a lot of magic has happened here and will continue to happen.”

The collective began with six studios in a smallish space in the warehouse—which was still undergoing remodeling. Over time, Magic Shop acquired more space and partitioned it off into new studios, a printmaking workroom and three galleries. Now there are 11 artmaking spaces with 14 artists creating work there. The new printmaking workroom is available to all artists in the collective and soon to the public as well.

While there is a 20-person waiting list for studios, Tatum encourages anyone interested to join the list and to also investigate the other arts collectives in town, including Wonderstump, and the nearby Slough City Studio.

The first artists to jump into Magic Shop Studios were Andrea Jackson, Renee Kelly, Sarah Rodebaugh, Julie McNamara, Johanna Gharman and Cat Alden. It was a leap of faith for some. When Alden, a mixed media/soft sculpture artist, first rented a studio there during COVID, she was skeptical of Tatum’s big ideas for the space. Tatum’s dreams of adding the printmaking studio, as well as having open studio days and potluck get-togethers, seemed like a stretch. And maybe it was—but sometimes what’s needed is a healthy stretch.

“At the time, it all sounded like a pipe dream to me,” says Alden, “but I was proven wrong. Many people talk about ‘creating community,’ but Magic Shop Studios has actually done it.”

The reasons Tatum believed an arts collective was needed propelled her along.

“It’s knowing that someone is there without needing to ask anything of them,” she explains. “And the random moments of intersecting, with the potential to ignite ideas, problem solve, build faith to experiment and dive deeper into all of our work, are so important,” she says.

Magic Shop’s next trick is to include the larger arts community in the space. Nascent ideas include book readings and bringing in outside artists for events.

“We want to create a serendipitous experience here, without any expectation for artists and the public,” adds Tatum.

Quarterly Open Studios Evening and Art Show

5-8pm, Saturday, Sept. 2.

Hot Off the Press!’ works on paper

Monthly Arts Alive

5-8pm, Third Thursdays

Weekly Open Gallery and Artists in Action Art Experiences

11am-4pm, Fridays and Saturdays

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They say those who don’t believe in magic will never encounter it. Luckily, Jennifer Tatum is a believer. Five years ago, Tatum rented a studio from Cemill Hope of HopeBuilt, a cabinet making business in a warehouse on the Petaluma River. The ambient sounds from the woodshop conjured up numerous creative thoughts. “The massive creative energy and dedication coming from the...
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