Fear Not: Day-Long Punk and Metal Fest Returns

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It was a blazing Sunday in late July 2025, the kind of cloudless summer day where the heat crept through the windows and walls of every indoor refuge and pulsed in defiance of the whirring AC units working to cool the interior of buildings. 

I was standing inside the dark belly of El Infierno Cantina, a bar in Santa Rosa’s Railroad Square with a sizable venue space and stage in the back. From a safe remove, I watched the hulking frontperson of Failed Sun, a Bay Area hardcore band, as he thrashed, skulked and screamed on the floor in front of the stage. 

The crowd, which held a diverse array of people ranging from teenagers to older adults in classic punk T-shirts, writhed, two-stepped and crashed into each other, swept away in the sonic frenzy of the music, snarling and dripping with sweat. As soon as Failed Sun finished their set, the lights went up at the back of the room, where another band had set up for a pit-style performance and immediately began playing. After this band concluded their set, which lasted about 20 minutes, another band was already primed back on the stage, ready to continue the madness. 

This was the fifth installment of Nothing to Fear, a day-long punk and metal festival in Santa Rosa, which is priming for its sixth year of chaos this year on Sunday, again at El Infierno Cantina. The festival is promoting a roster of 17 bands playing back-to-back sets in a nonstop flurry. Tickets are $25 at the door, which, for those doing the math, comes out to roughly just more than a dollar per band.

Gabriel Ferreira, who books shows locally under the moniker of “Down the Street Booking” and is the organizer of Nothing to Fear, credits Covid, or rather the vacuum of live shows as restrictions were being lifted in 2021, as the catalyst for the initial iteration of the fest. 

“When things were opening back up, there were so many bands I knew that were hungry to get back out there and play,” he said. 

Leveraging a relationship with the now closed bar/venue, Whiskey Tip, Ferreira organized a six-band festival he dubbed “Outside Bands,” a cheeky nod to the bigger San Francisco-based festival as well as a celebratory statement that live music was coming back post-pandemic.

The first three years of the festival took place at Whiskey Tip, and eventually the name changed to “Nothing to Fear,” which Ferreira reports came about from him and his friend sitting around and coming up with names for bands that sounded cool. In 2024, the festival moved to El Infierno, another venue that he had a personal relationship with, and has remained there since.

“It gets a little bigger every year,” Ferreira noted, “and it does a little better every year too.” Ferreira insists that he doesn’t think about this event, or any of his others, in terms of success. Rather, his motivation for throwing shows comes from a desire to play music with bands he likes and provide a platform for his friends. He refers to Nothing to Fear as a “Homie Fest,” meaning the bands are, predominantly, ones he has met throughout the years as a performing musician himself. “I wish something like this was around when I was younger. I’m fortunate enough to host something like it now,” he added.

The lineup this year boasts bands both local and from the greater Bay Area. Ferreira’s band, New Low, a brutal and cerebral post-hardcore outfit, will be playing alongside bands with names like Throat Rip, Lab Rat and Gumby’s Junk. Headlining will be Sabertooth Zombie, a punk band that formed in the mid-’00s in Rohnert Park and went on to break out into the regional and national scene. Ferreira is excited at the prospect of bringing them onto the Nothing to Fear stage. 

“They are pretty busy guys and are selective with the shows they take,” said Ferreira, who later confessed that every time he runs this festival, he walks away convinced it is the last time. 

“It’s a lot of preparation, and I’m not the best at asking for help,” he explained. “When you run a show, you are the first one in and last one out, and the first three hours are always this stressful thing where you’re worried the show is going to flop.” 

Eventually though, the crowd grows and things start running smoothly, and Ferreira is able to enjoy the fruits of his labor. 

“One of these days, I’ll be a real quitter,” he said with a laugh, but that day hasn’t shown up yet.

Santa Rosa, and Sonoma County at large, has always had a robust ecosystem for music, but that lane tends to be relatively narrow in terms of genre that can find a home at a venue. Much of the space for live music, locally, tends to veer toward food and beverage crowds. While there is nothing innately bad about this, it means that heavier and more aggressive forms of music have a harder time finding stages in the scene. Who wants a mosh pit to open up at a wine tasting? 

That said, punk and metal have a long-standing legacy in the region, to the point that the Museum of Sonoma County currently has a large exhibit dedicated to the early days of DIY punk shows in the county.

“This music and these shows are part of the fabric of our city,” Ferreira observed. 

This cultural aspect is kept alive by the local organizers who are in it for a pure love of the game. While the music, abrasive and aggressive as it is, may not be for everyone, there is an argument to be made that keeping it alive in the area helps to combat homogenization. 

“It’s a great way to get involved in your local music scene,” Ferreira said. “The first time someone handed me a flyer for a punk show, I was in high school, and it opened a door for me. I realized that this was something I could access in my own backyard.” 

He paused for a second, before continuing with a smile and saying, “That moment ruined my life, because now, all this time later, I play in a local band, throw shows, and it has totally consumed me.” 

In this writer’s opinion, there are worse things to be consumed by.

‘Nothing to Fear,’ a day-long punk and metal music festival, begins at 2:20pm, Sunday, July 26, at El Infierno Cantina, 120 5th St., Santa Rosa. Tickets are $25 at the door, which opens at 1pm.

Trumpster Fire: Don’t Fan the Flames

I am from Minnesota, and my dad took me canoeing in the Boundary Waters Canoe Area Wilderness as a boy. Eventually, as an adult, I became a guide. I learned about the peatbog slow burns that could keep the embers of a forest fire smoldering underground for years until surface conditions were so ripe that the peat reignited and erupted into huge conflagrations. 

Donald Trump kicked up the cultural sparks and started what I believe is legitimately called our Trumpster fire, surfacing live embers into an environment ready for a fiery backlash amongst aggrieved sectors of America, clearly acting out of the rage Trump spoke. It evolved into a political rally culture featuring racism, sexism and hatred of those who came to America seeking refuge—often from the wars overseas that the U.S. either started or fueled. His crude speeches are exactly what angry sectors of the U.S. loved, and they elected him—twice.

What is charred beyond all recognition? What have we lost that cannot be remedied? And how do we put it out?

Like any major wildfire, the first order of business is to begin containment. This will largely be the responsibility of civil society, both using the inside game—e.g., lawsuits, voting, lobbying, running for office, letters to editors—and the outside game—e.g., boycott, protest, nonviolent civil resistance. 

We are seeing promising signs all over the country that people are beginning to both step up with inside game actions and even outside game actions. Key will be strategically integrating, sequencing and amplifying those actions. 

Literally, the only actions that can slow progress toward putting out this Trumpster fire have been and will be violent actions. The idea behind integrating the inside game and outside game in a town, a state or nationally will be to do so to achieve greater and greater wave-amplification, so that the outcomes of actions can operate at peak effectiveness. Any violence tends toward the opposite—wave cancelation. 

May the political and cultural rains ultimately extinguish this Trumpster fire for the good of us all. Then the long replanting and nurturing can begin restoration.

Dr. Tom H. Hastings is coördinator of conflict resolution BA/BS degree programs at Portland State University.

Your Letters, July 22

Stand Up

Why are not every single Democrat in the Senate and the House rising up as one body and demanding at the top of their lungs that ICE and HHS be defunded, now and forever? 

The idea of a “Homeland Security” agency came out of the twisted minds of George W. Bush, Cheney and Rumsfeld. The same warmongering lowlifes that sponsored the torture program at Abu Ghraib and other CIA prisons. What else did we expect coming out of this agency, once Trump got his filthy, bloody hands on it?

And we’re counseled by some in the mass media that the people must rise up in dissent and demand justice. And they leave out that that’ll likely get you killed in the doing, by ICE and the other psychopathic goons in Trump’s death squads. 

If the Democrats in the Senate, and the House, “moderate” and progressive, as the people’s representatives won’t stand up as a whole, who will? Those are the only seats of real power in this democracy, and if they don’t act nothing will change in the murdering in cold blood of immigrants in eventually every state in the union.

And no publication will ever run this open letter.

Will Shonbrun
Sonoma

Mr. Shonbrun — We ran your letter. — Editor

How to Connect
We appreciate your letters. Please send them to le*****@******an.com or le*****@********un.com. They may be edited for length and clarity.

California Sipping: Brucato Spirits’ Sierra Clark 

Sierra Clark, cofounder and CEO of Brucato Spirits, lives in San Francisco, but the inspiration behind their original core amaros are all found in Sonoma County.

Her signature amaros (bittersweet, herbal liqueurs traditionally served neat as a digestif or in cocktails) are named for what inspired them: “Orchards” refers to apple and apricot orchards they frequently visit; “Woodlands” elicits memories of driving through Redwood forests north of Healdsburg; and “Chaparral” was created from the beloved Salt Point State Park. 

And most of their amaros start from a brandy sourced from Wine Secrets in Sebastopol, before being infused with dozens of fruits and botanicals to create the distinctly Californian brand.  

Amber Turpin: How did you get into this work?

Sierra Clark: My background toes the line between academics and a passion for food products and specialty terroir. After culinary school and jobs in international relations and journalism, I received a Ph.D. in food studies with a focus on flavor and quality for spirits. Ultimately, I landed on actually creating a unique product, where we have oversight of all levels of procurement, distillation and distribution. 

You’ll find me and my husband, James, driving up and down the coast to buy ingredients, hand peeling citrus or fixing the bottling line, and, of course, sampling different iterations of our products with beakers and pipettes… 

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

While I love all our amaros equally, the Chaparral was an ‘aha’ moment because three things came together: local history, a distinctly Californian flavor and alignment with existing alpine amaros. I stumbled across an old recipe for a medicinal elixir of native yerba santa in The Western Druggist journal from San Francisco in 1892. The plant had long been used in medical practices by native populations and, later, Spanish settlers. 

Today, FDA regulation curtails distillers and food producers, including those from Indigenous tribes, from using native herbs … but yerba santa is one of the few plants permitted. The final part of the ‘aha’ trifecta came when we realized how well this amaro serves as a domestic substitution for the popular European alpine amaros, including Chartreuse.  

What is your favorite thing to drink at home?

After a long day, I like to unwind with a straight pour of our Woodlands Reserve Amaro. It’s a quintessential sipper amaro and reminds me of why we went into this business… This moment is also time for me to transition into my evening, spending time with the kids and unwinding. 

Where do you like to go out for a drink?

In Sonoma County, I love the Matheson Bar. It’s really pretty, with a bustling atmosphere and great drinks. Their rooftop makes me feel like I’m on vacation, despite being not too far away from home.   

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I’d drink a Spicy Margarita using our Oro y Fierro kumquat and chili liqueur—if we’re on an island, it feels appropriate. 

Brucato Spirits,275 South Van Ness, San Francisco, brucatospirits.com.

Mimes Get Wrecked, School of Rock and Beatles in the Park

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Mill Valley
Get Wrecked

For 67 seasons, the Tony Award-winning San Francisco Mime Troupe has proven that “mime” doesn’t mean silent. This summer’s free musical satire, on the Mill Valley Community Center Back Lawn, Wreckage: A Musical Tragicomedy, tackles AI gone awry, economic anxiety, religious zealotry and political dysfunction with the company’s trademark blend of sharp comedy, original songs and fearless social commentary. The story follows an unlikely cast—including a flower seller, a software developer and a National Guard recruit—as they navigate a world that seems to be coming apart and ask whether anything better can be built from the rubble. One may arrive early for live music, pack a blanket or low-backed chair, and prepare for an evening of laughter with a pointed edge. 4:30pm music, 5pm show, Sunday, July 26, at the Mill Valley Community Center Back Lawn, 180 Camino Alto. Free (suggested $20 donation). sfmt.org.

Petaluma
School of Rock

Good music can change a life. Great music can help pay for someone else’s lessons. The 19th annual Petaluma Music Festival returns with a stacked lineup spanning rock, Americana, punk, roots and beyond—all to support music education in Petaluma’s public schools. Headlined by 10,000 Maniacs, The Smithereens, Chuck Prophet & The Mission Express, Alejandro Escovedo and Cherry Poppin’ Daddies, the festival also features local favorites including Spike Sikes & His Awesome Hotcakes, Pardon the Interruption, Don’t Tell John, Captain Monk and more across three stages. Between sets, festivalgoers can enjoy local food, beer, wine and artisan vendors, knowing every ticket helps keep music alive in area classrooms. 11:30am–9pm, Saturday, July 25, at the Petaluma Fairgrounds, 175 Fairgrounds Dr. General admission $68; VIP $169. More information and tickets at petalumamusicfestival.org.

Healdsburg
Wild Colors

Reality gets a vivid makeover at Upstairs Art Gallery, where Sonoma County painter Willow LaLand trades her trademark realism for the bold, saturated palette of Fauvism. Painting in Fauve transforms familiar Wine Country landmarks into exuberant explosions of color, from a luminous Mount Tamalpais to vineyard vistas and wine-inspired still lifes that blur the line between landscape and imagination. Sharing the gallery is Gen Zorich’s Summertime, a collection of intimate paintings celebrating the flora and easy rhythms of the season. One may meet both artists during the opening reception, then return for Art Nite Healdsburg on Thursday, Aug. 6, when more than 20 downtown galleries stay open late for an evening themed “Music and Mocktails.” ‘Painting in Fauve’ and ‘Summertime’ run July 27–Aug. 30 at Upstairs Art Gallery, 306 Center St., Healdsburg. Opening reception 3–6pm, Saturday, Aug. 1. Art Nite Healdsburg 5–7pm, Thursday, Aug. 6. Free. More information at upstairsartgallery.net.

San Anselmo
Come Together

Few songs summon summer quite like those of The Beatles, and few traditions bring Ross Valley together like Beatles in the Park. Returning to Creek Park, the annual outdoor concert features music director Joe Bagale and an expanded ensemble complete with brass and strings performing favorites from across the Fab Four’s legendary catalog, along with soulful Motown and Stax reinterpretations. One may pack a picnic, spread out a blanket and join hundreds of fellow music lovers for an evening under the trees. Better still, every ticket helps fund youth arts scholarships, public art, Teen Battle of the Bands and other creative programs throughout Ross Valley. 6–9pm, Saturday, July 25, at Creek Park, 249 Sir Francis Drake Blvd., San Anselmo. Tickets: $40 adults; $15 ages 12 and under; free for ages 2 and under. More information and tickets at beatlesinthepark.org.

Free Will Astrology, July 22-28

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ARIES (March 21-April 19): Authentic love songs are rare. Much of contemporary music leans toward infatuation, sex, heartbreak and fury, while few artists seem interested in singing unabashedly about unique expressions of tenderness and enduring devotion. In the months ahead, Aries, your inner life will be gloriously out of step with that trend. Your heart is poised to wake up in sometimes surprising ways. Even if you’re not a trained vocalist, you may feel regular urges to express your passion and adoration in song. If I could give you a gift, it might be a curated playlist packed with the most radiant love songs of the last 60 years, so you’d have a soundtrack worthy of the lush emotions that I suspect will bloom in you.

TAURUS (April 20-May 20): Nobel Prize-winning Taurus physicist Richard Feynman kept a notebook titled “Things I Don’t Know About.” When he came across a question he couldn’t answer, he added it to the collection. I recommend a similar discipline for you now, Taurus, but with a twist. Keep a log of “Beautiful Mysteries I Don’t Really Need to Solve.” Rejoice that not every paradox and puzzle needs resolution. Savor the fun fact that some riddles enrich your life precisely because they remain open-ended. Hooray for not knowing. My theory is that some of your finest qualities will flourish in the presence of productive uncertainty.

GEMINI (May 21-June 20): In the early days of radio broadcasting, engineers sometimes spoke of “tuning the receiver.” Even when a station was transmitting clearly, a listener might hear static until their radio dial was adjusted to exactly the right frequency. The message was present and clear; the challenge was homing in on it. There’s a similar phenomenon going on in your life, Gemini. Useful information, fun inspiration and interesting possibilities may be circulating in your vicinity. But you will need to adjust your attention so you can actually receive it. To bring the signals into focus, listen differently. Or pose alternate questions. Or pay attention to sources you don’t usually notice.

CANCER (June 21-July 22): Neuroscientists have found that remembering the past and imagining the future rely on many of the same brain networks. That overlap helps explain why vivid visualization may influence our emotions and behavior. When we repeatedly simulate alarming scenarios about what could conceivably happen, our brains treat them much like memories. This makes us prone to spotting “threats” in places that may be relatively safe. The good news is that the coming months will be an excellent time to retrain this habit, Cancerian. More than ever, your imagination can be a precision instrument you use to recalibrate yourself away from fear and toward possibility. Fantasize about wonderful possibilities with the same intensity that in the past you have dwelled on scary speculations.

LEO (July 23-Aug. 22): Oak trees produce far more acorns than could ever grow into trees. Squirrels bury thousands and forget many of them, preparing the way for the next generation of forest. The trees succeed through strategic overproduction. I invite you to adopt their method, Leo. In the coming weeks, overproduce. Make more than you can track. Release more than you can manage. You don’t need to be perfect, just abundant. P.S.: This expansive capacity is yours to explore with delight and confidence; I guarantee it.

VIRGO (Aug. 23-Sept. 22): In the 19th century, Virgo naturalist Alexander von Humboldt helped launch the modern science of ecology. While exploring South America, he came to a revolutionary conclusion that’s obvious to us now: Nature isn’t a collection of separate objects but an intricate web of relationships. Mountains shape the weather. The plants and pollinators rely on each other. Underground mycelial networks perform many services for the trees. I propose that you channel your inner Humboldt, Virgo. Shift your focus away from isolated problems and instead observe the larger systems. Solutions may be elusive when you’re bound to a narrow view but strikingly clear when you perceive the wider pattern. If you’d like to take bold action, rely on the spacious perspective.

LIBRA (Sept. 23-Oct. 22): The coming months will be a favorable time to triple your devotion to the art of rowdy fun. I urge you to attend more revels and celebrations than usual, and always be ready to energize social functions with infusions of festive wit and gleeful conviviality. You will also have extra power to inject buoyant amusements into your intimate liaisons. Therefore, dear Libra, I designate you to be the Party Maestro of the Zodiac. I hope you will carry out your role with maximum exuberance, ingenuity and joy.

SCORPIO (Oct. 23-Nov. 21): What if I told you that your most personal and potent dream can come true—but only through months of persistence, disciplined sacrifice and stretches of bewildering but fascinating uncertainty? Would you reorder your priorities to chase it with every ounce of creativity you have? Or would you set it aside in favor of a safer and easier possibility? Between now and the end of October, I predict the moment will arrive to choose one path or the other.

SAGITTARIUS (Nov. 22-Dec. 21): On some occasions, you just don’t have the power to act with impeccable integrity and do the totally right thing. Doing the partially right thing may, however, be a useful and compassionate option. I bet this will soon be helpful advice for you. Blunt truth: There are moments when the “perfect” ethical, emotional or practical choice simply isn’t available: The timing is off, resources are thin or someone else’s limits block the ideal outcome. In those situations, waiting around for the flawless solution is a kind of paralysis that keeps you stuck in guilt or indecision. Instead, you can aim for the best available good.

CAPRICORN (Dec. 22-Jan. 19): In botany and gardening, there is a practice called “companion planting.” Certain plants thrive when grown near each other because they share nutrients, repel or distract pests, or improve soil and microclimate. Here’s an example: Indigenous peoples of the Americas planted the “Three Sisters” together: Corn gave beans a living trellis, beans added nitrogen to the soil and squash shaded the ground to hold moisture and deter weeds. This principle may be useful for you to contemplate now, Capricorn. The people, tools and influences you place near one another will influence your productivity and well-being. By blending complementary energies, your efforts will flourish without strain.

AQUARIUS (Jan. 20-Feb. 18): Author Alain de Botton observed that “the person we marry is always far more remarkable, frightening and complex than we quite realized when we first declared our love.” Rather than feeling alarmed by this revelation, I invite you to find it thrilling as you apply it to your best allies. The fact that they contain mysteries you haven’t yet plumbed means the relationships aren’t likely to grow stale. There are undiscovered depths in those you may think you know completely. My advice: Approach even your most familiar intimacies as ongoing discoveries. 

PISCES (Feb. 19-March 20): Do you ever fear or distrust your own desires? Are you suspicious of achieving “too much” success? Do you ever feel starved for hope, but belittle yourself for wanting it? Do you go emotionally blank in the face of possibilities that should thrill you? If so, the coming weeks could bring healing and a breakthrough. You will have a chance to perform a rare kind of exorcism—not of garish demons or foolish ghosts, but of the quiet defeatism and lack of faith that dull your brilliance. Seize this moment, dear Pisces. Purge the automatic doubts that the world has trained you to mistake for wisdom.

Homework: Name an unnecessary taboo and how you would violate it if it didn’t hurt anyone. https://tinyurl.com/s9s9s9s9

Big Squeeze, Second Wind Accordion Repair’s Kalei Yamanoha

As I stood in Kalei Yamanoha’s workshop, I regarded the accordion—really, confronting the instrument for the first time in my 42 years. 

That’s my work. Conceptually, the accordion is quite ingenious (insane), consisting of one set of piano keys and one set of buttons blocking reeds and forming chords on each of two banks of “harmonicas” held between a billows, sucking and compressing a captive wind. 

Mechanically, the accordion is quite complex, representing the apogee (apoplexy) of high Victorian machine-making. Some vintage accordions have as many as 2,000 parts. 

Which is why, Yamanoha explained to me, new accordions can cost upwards of $7,000 and why old ones are frequently badly out of tune.

He has kindly stepped forward to mend these two issues with his new business, Second Wind Accordions, and to amend—with good humor, the disrespect for what is often held to be an outmoded novelty instrument. Here I will point out that he has kindly composed, just for us, a playlist designed to raise the instrument in our eyes. I invite the reader to listen along with me by scanning the QR code below.

Yamanoha seems born to step into this economic niche. Literally—he was born and raised across the street from La Plaza de Cotati, where the venerable Cotati Accordion Festival is annually staged. At the age of 15, he bought his first squeeze box, forsaking punk rock for the deeper subversion of “gypsy jazz,” later forming the much beloved and piratical Oddjob Ensemble.

Nine years ago, Yamanoha  left the county, first for New Orleans and then to Hawaii, to pursue his family roots. He has now returned to us to open shop, as much to preserve the complex “oral tradition” of accordion repair as to run a rare business. To his certain knowledge, he is one of just two repairpersons of his age and generation in California—and has the only dedicated shop in the North Bay.

“I go back to the Hawaiian perspective in which everything has a genealogy,” he told me. “Whether it’s your family or your education, everything has a lineage. For me to continue this work, I am honoring my teacher, and my teacher’s teacher and their  families, passing on the knowledge they passed to me.

Cincinnatus Hibbard: Who taught you accordion repair?

Kalei Yamanoha: I apprenticed and worked for Skylar Fell and his wife, Melody, at Accordion Apocalypse [in Petaluma].

You feel accordions have been unfairly given a bad rap?

I feel that in the ’50s America, it became a novelty instrument. But prior to the invention of the electric guitar, the accordion was the popular instrument. I have similar feelings about the [Hawaiian] ukulele. It is unfairly seen as an annoying ‘toy’ instrument.

I understand you became a ukulele maker during your time in Hawaii.

Yes. I dove really hard into studying and playing Hawaiian music. My father and uncles played Hawaiian music in a band, Kolohe [meaning rascal] Patrol, and my auntie had a hula halau [school of Hawaiian dance, culture and language].

I understand you will now be continuing the Oddjob Ensemble with circus and theater performance, but you will be debuting a new sound at the Railroad Square Music Fest.

I will be performing traditional Hawaiian music under my own name, in a way that honors the tradition but adds my own style and flair.

Will you be playing accordion?

Oh, I guarantee.

Learn more: For repair and sales, visit secondwindaccordionrepair.com. Yamanoha will be performing at the Cotati Accordion Festival Aug. 15 and Railroad Square Music Fest in Santa Rosa Sept. 20.

Raised on Radio, Melissa Etheridge Headlines Green Music Center

Melissa Etheridge is a survivor. For starters, try coming out publicly as a lesbian in January 1992 at a time when entertainers didn’t do that kind of thing, surviving breast cancer and most recently, losing a child to an opioid overdose. 

This kind of reclamation of self and survival over the trauma and tragedies real life throws at people are a central tenet of Rise, Etheridge’s new album and first collection of original material since 2019’s The Medicine Show

For the Kansas native, it was also a chance to get back to making the kind of music she was cutting back on in her late ’80s/early-to-mid-’90s heyday. Etheridge shares a bill with Wynonna Judd and special guest Maggie Rose as part of the “Raised On Radio Tour” coming to Rohnert Park’s Green Music Center on July 18.

“When it comes to albums, every couple of years I would write an album that was a marker of where I was physically, emotionally, spiritually and as a woman and musician,” Etheridge said in an early March interview. “After The Medicine Show, the events unrolled from losing my son [during] the pandemic, which was a big part of the whole thing. And then there was coming through all of that, doing a Broadway show about my life, writing a book and going deep into my life. I felt like I’d cleaned up everything in the past, and it was time to talk about where I was right now.”

She added, “I wrote [the song] ‘Rise’ after the L.A. fires last year. We’re going to fall to the earth sometimes, and we’re going to taste the dirt, but you’re going to rise. We’re going to come out of it. I wanted it to be inspirational. I wanted it to be a respite from the insanity that people are seeing and feeling. I wanted it to be one of those albums that people put on, drive down the highway listening to. I just wanted it to be a Melissa Etheridge album.”

Helping with the heavy lifting was producer Shooter Jennings, who Etheridge found when researching where to find an ideal creative partner who would be more about honoring her songs versus being a slave to social media algorithms and trends. The quest took Etheridge to Music City.

“I wanted to make a record in 2025, and it would be a Melissa Etheridge record, meaning that it would be about the songs,” Etheridge explained. “It’s about recording a song I can just take to the stage and play—boom. I didn’t need to explore anything. I just wanted it to be great songs.”

She added, “I really looked around me to see who was making albums that way and what they were doing. Of course, most of it was coming out of Nashville. I really looked at a lot of the artists and a lot of the producers. I found that Dave Cobb and Shooter actually did a lot of the projects. I ended up talking to Brandi Carlile, who is a friend of mine, and found that Dave Cobb would have been great, but he’s really busy.”

Jennings proved to be a better match, given that he had a recording setup in nearby Hollywood, where Etheridge had recorded her sixth studio album back in 1999. The geographic convenience meant the guitar-playing singer-songwriter could make a quick commute from home while getting to use her own musicians. Meeting up with Jennings sealed the deal for an experience that turned into a two-week session of live-in-the-studio jams. 

“When I met Shooter (Jennings), I went to go see him at his studio, and it’s at Sunset Sound,” she said with a laugh. “I made ‘Breakdown’ at the very same studio, and that really brought me back. Just meeting him was everything, from his heart and soul for music and inspiration from his father (country icon Waylon Jennings) to how much he loved his pop. And the stories; we got along instantly with him and his wife. I don’t want to do albums with anybody else now. I just want to work with Shooter.” 

The 11 songs Etheridge and Jennings recorded give off an old-school, outlaw country vibe that is miles beyond whatever bro-country seems to have a stranglehold on both on the charts and the airwaves. Highlights include the rollicking “Davina” and its combination of countrypolitan piano runs and rich harmonies, the anthemic autobiographical opener “Bein’ Alive” and “The Other Side of Blue,” the latter of which Chris Stapleton only wanted to be involved with as co-writer until Etheridge convinced him otherwise. (“I told Chris the world needed to hear us sing together,” she said.)

But the song that cuts to the heart of Etheridge’s message of resilience in the face of darkness is “Call You,” a heartfelt love letter to her late son, Beckett.

“The first song I wrote was ‘Call You,’ which is about my son,” she said. “I needed to put this out and write a song that says I miss him, and the loss is so great that I can’t even explain it. But also, I’m not going to stop. I’m not going to stop living. I’m not going to stop trying. I will keep you in my heart forever and ever and ever. Wherever you are in the nonphysical, you want me to be happy and to thrive. And that’s what I’m going to do.”

With a healthy song catalog from which to draw, Etheridge promises plenty of fireworks when she hits the stage. As someone who has rightfully earned a reputation for her dynamic live show, she also says it’s the best way for her to connect with concert-goers, diehard fans and otherwise.

“As an artist, I understand that I’m going to be more accessible and better live—I just am,” she said. “So, you’re going to hear your favorite songs. I’ve got five wonderful hit songs I love to share with everybody, so I’m going to do that. We’re going to pump our fists in the air to ‘I’m the Only One’ and ‘Come to My Window.’ And then you’re going to hear a good chunk of the (new) album.

“Then I’m going to talk about the songs and what they mean so I can bring people in. That’s what I used to do,” she continued. “When I’d make a new album, I would play some songs and tell people about them. If people hear it, then maybe they will go and check out the whole album. Then I’ll play a couple of really deep tracks from old albums, and then that’s the show, man. We’re going to rock your toes off.”

Melissa Etheridge performs with the ‘Raised On Radio Tour’ with Wynonna Judd and special guest Maggie Rose, 7pm, Saturday, July 18 at Weill Hall + Lawn at the Green Music Center,  1801 E Cotati Ave., Rohnert Park. Tickets are $58–$490 and available at gmc.sonoma.edu.

State Park Stays, Rustic Alternatives for Summer

By the time summer traffic rears its ugly head, traveling for a vacation feels less like a leisure pursuit and more like a logistical nightmare. 

Flights, rental cars, hotel fees, pet sitters, the existential toll of Highway 101—who needs them? Fortunately, the North Bay has a built-in escape hatch: several California State Parks close enough to reach painlessly and wild enough to make one feel far from the trappings of civilization (if that’s what we’re calling it these days).

For those willing to trade a hotel key for a tent stake, Marin, Sonoma and Napa counties offer a tidy constellation of campable state parks. In Marin County, Angel Island State Park, China Camp State Park, Mount Tamalpais State Park and Samuel P. Taylor State Park all allow camping. Angel Island offers island camping with skyline views; China Camp has campground options at Back Ranch Meadows; Mount Tam includes the likes of Pantoll, Bootjack and Steep Ravine; and Samuel P. Taylor offers redwood-shaded camping that feels far more remote than its mileage suggests.

In Sonoma County, Fort Ross State Historic Park, Salt Point State Park, Sonoma Coast State Park and Sugarloaf Ridge State Park allow camping. Fort Ross has Reef Campground with first-come, first-served sites; Salt Point offers coastal camping; Sonoma Coast has reservable campsites through ReserveCalifornia; and Sugarloaf Ridge brings campers into the hills above Sonoma Valley. Napa County’s main state-park camping option is Bothe-Napa Valley State Park, with tent/RV family campsites, a group site and yurts in the Napa Valley.

As simple as it sounds, there are a couple of provisos—camping close to home still requires the same basic respect for weather, wildlife and fellow humans as any far-flung outdoor adventure. We queried Ryan Forbes, state park interpreter II, who helps lead the education team at California State Parks Bay Area District in Petaluma, for the essentials.

“Sunblock, water bottles, bug spray and layered clothing are always good items to pack. It’s summertime, so having sunblock, a hat and water can keep you from getting burned or overheated in the warm weather,” says Forbes. “Extra clothing layers and bedding is also a good plan. Lots of folks forget that a hot day in the North Bay can turn into a cold night thanks to the coastal climate. So don’t forget to pack cool weather items, even in the summer.”

A state-park staycation may sound low-stakes, but a North Bay summer day can go from scorched shoulders to foggy teeth-chattering with impressive speed. There’s also the small matter of local wildlife. While the imagination may sprint toward mountain lions, the actual menace is often much smaller.

“Statistically, the most dangerous animals you can encounter on our trails are mosquitos and ticks,” notes Forbes. “They can be very active this time of year, and the diseases they can spread are far more likely to hurt you than a mountain lion. Bug spray and checking yourself for ticks after a hike and before bed are some of the best ways to keep yourself safe.” 

Forbes adds, “Aside from the bugs, our biggest concern around animals is visitors feeding them. Most animals are naturally scared of humans, and it’s not until they begin to associate us with food that most dangerous encounters happen. Stowing away your food in provided lockers and not feeding the animals is the best way to avoid dangerous animal encounters.”

For campers who prefer their wilderness with a mattress-adjacent option, state parks are not opposed to comfort. California State Parks offer lots of different ways to spend time outdoors. Samuel P. Taylor and Mount Tamalpais offer cabins alongside their regular tent campsites. Samuel P. Taylor also has several trailer/RV sites. Up in Sonoma, Bothe-Napa Valley State Park has yurts visitors can stay in. Sugarloaf Ridge State Park has some “glamping” sites with luxury tents.

If camping isn’t one’s thing, California State Parks also has the Lodge at Marconi, which offers hotel stays overlooking Tomales Bay.

The state’s online ReserveCalifornia process has also made the booking process easier, and a state policy encouraging timely cancellations has helped return more campsites to the available inventory. Translation: Keep checking, even if a first search looks booked.

More information at parks.ca.gov/Find-A-Park.

‘Hot Dog,’ a Winning Tale of Aroma

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I haven’t had a hot dog in years. I don’t think I mind them or anything, but I grew to know them not as sausage and bread but as a stench. 

My dad used to make them as a last-resort meal whenever it suited him, and without fail, he would burn them. Every single time. Usually, I would be in my room upstairs when the smoke would enter, carefully sneaking through the security of a closed door. It would sit beside me and poke at my nostrils with its meaty fingers until I could ignore it no longer. Upon opening my door, the fog would twist my face into a squinty sort of grimace as I trudged downstairs through the haze, the sounds of sizzling oil whispering louder still. Entering the kitchen, I would stop. 

There’s something beautiful about a hot-dog kitchen. The light filtering through the windows lazily dancing with the grease-coated air. Though the scent seemed to be shoving itself down my throat, it resembled a playful noogie more than an attack on my life. There’s something so comforting about the warm familiarity of an arid stove emitting meat smell. Nonetheless, as soon as I gave the scene its due diligence, I would rush to open a window. 

As I next turned off the stove, watching the little blue flame snuff out, I would notice the wieners were barely charred. It’s incredible what two bastions of processed flesh will survive, if only to dare us to consume them. 

I would travel to my dad’s office, not bothering to knock. The room was always dark, maybe so he couldn’t see the smoke. The glow of a TV-turned-computer monitor illuminated his face just enough for me to see his surprise when I would tell him he burned the hot dogs. He would rush past me, only to find out I had already turned the stove off and opened a window. Then, he would finish toasting the buns while I sat at the kitchen counter watching his strange reverence for a simple meal. He would cover the hot dogs in spicy dijon mustard and the sauerkraut he kept in a gargantuan jar in our pantry. Then, he would offer me a hot dog. 

I always said no. The charred meat smell, still lingering around the room, was a gentle reminder to my stomach that it actually was fine, thanks. I would stare at the debris of char and grease coagulating around the pan and politely decline. I would return to my room and ignore the call of the smoke until it faded away. One day, it never came back. 

The gigantic jar of sauerkraut was thrown away, and the spicy dijon mustard had long expired. I haven’t looked, but I think the wieners are still in my freezer, having outlived the man to burn them. If I made one for myself now, it would be odorless and perfectly cooked, and I wouldn’t know what to do about it.

Elle Prince is the youth category, first place winner and grand prize winner of the seventh annual M.F.K. Fisher Emerging Writers Contest, which celebrates the legacy of writer M.F.K. Fisher and her passion for encouraging aspiring writers and artists. ‘Hot Dog’ is her winning piece.

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